Under the Witches' Moon: A Romantic Tale of Mediaeval Rome. Gallizier Nathan

Under the Witches' Moon: A Romantic Tale of Mediaeval Rome - Gallizier Nathan


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to taunt, to tempt, to excite, to play upon. Deliberately and unstintingly she applied her arts. She delighted to see them at her feet, but to repel them as the mood changed, with exasperating disdain. Love to her was a word she knew but from report, – or, from what she had read. She knew not its meaning, nor had she ever fathomed its depths.

      To revel through delirious nights with some newly-chosen favorite of the moment, who would soon thereafter mysteriously disappear, to be tossed from the embrace of one into the arms of another; in the restless, fruitless endeavor to kill the pain of life, the memory of consciousness, to fill the void of a heart, that, alive to the shallowness of existence, clutches at the saving hope of power, to rule and to crush the universe beneath her feet, a dream, vague, vain, unattainable: this desire filled Theodora's soul.

      Her soul was burning itself to cinders in its own fires, – those baleful fires that had proven the undoing of her equally beautiful sister.

      Alone she would pace her gilded chambers, feverishly, unable to think, driven hither and thither by the demons of unrest, by the disquietude of her heart. Desperately she threw herself into whatever excitement offered.

      But it was always in vain.

      She found no respite. Ever and ever a reiterant, restless craving gnawed, like a worm, at her heart.

      As she approached the thirtieth year of her life, Theodora had grown more dazzling in beauty. Her body had assumed the wonderful plasticity of marble. Her eyes had become more unfathomable, more wondrously changeful in hues, like the iridescent waters of the sea.

      Living as she did in an age where a morbid trend pervaded the world, where the approach of the Millennium, though no one of the present generation would see the day, was heralded as the End of Time; living as she did in the darkest epoch of Roman history, Theodora felt the utter inadequacy of her life, a hunger which nothing but power could assuage.

      Slowly this desire began to grow and expand. She wished to wield her will, not only on men's emotions, but upon their lives as well. Perhaps even the death of Marozia, with its paralyzing influence over her soul, the captivity in the Lateran of her sister's son, and the hateful rule of Alberic, would not have brought matters to a focus, had not the appearance upon the stage of a woman, who, in point of beauty, spirit and daring bade fair to constitute a terrible rival, roused all the dormant passions in Theodora's soul and when Roxana openly boasted that she would wrest the power from the hands of her rival and rule in the Emperor's Tomb in spite of the Pontiff, of Alberic and Marozia's blood-kin, the soul of Theodora leaped to the challenge of the other woman and she craved for the conflict as she had never longed for anything in her life, save perchance, a love of which she had but possessed the base counterfeit.

      No one knew whence Roxana had come, nor how long she had been in Rome, when an incident at San Lorenzo in Lucina had brought the two women face to face. Both, with their trains, had simultaneously arrived before the portals of the sanctuary when Roxana barred Theodora's way. Some mysterious instinct seemed to have informed each of the person and ambition of the other. For a moment they faced each other white to the lips. Then Roxana and her train had entered the church, and as she passed the other woman, a deadly challenge had flashed from her blue eyes into Theodora's dark orbs. The populace applauded Roxana's daring, and, in order to taunt her rival, she had established her court on desert Aventine, assembling about her the disgruntled lovers of Theodora and others, whom her disdain had driven to seek oblivion and revenge.

      The land of Roxana's birth was shrouded in mystery. Some reported her from the icy regions of the North, others credited her with being the fugitive odalisque of some Eastern despot, a native of Kurdistan, the beauty and fire of whose women she possessed to a high degree.

      Such was Roxana, who had challenged Theodora for the possession of the Emperor's Tomb.

      CHAPTER VIII

      THE SHRINE OF HEKATÉ

      Athwart the gleaming balconies of the east the morning sun shone golden and the shadows of the white marble cornices and capitals and jutting friezes were blue with the reflection of the cloudless sky. Far below Mount Aventine the soft mists of dawn still hovered over the seven-hilled city, whence the distant cries of the water carriers and fruit venders came echoing up from the waking streets.

      A fugitive sunbeam stole through a carelessly closed lattice of a chamber in the palace of Theodora, and danced now on the walls, bright with many a painted scene, now on the marble inlaid mosaic of the floor. Now and then a bright blade or the jewelled rim of a wine cup of eastern design would flash back the wayward ray, until its shaft rested on a curtained recess wherein lay a faintly outlined form. Tenderly the sunbeams stole over the white limbs that veiled their chiselled roundness under the blue shot webs of their wrappings, which, at the capricious tossing of the sleeper, bared two arms, white as ivory and wonderful in their statuesque moulding.

      The face of the sleeper showed creamy white under a cloud of dark, silken hair, held back in a net of gold from the broad smooth forehead. Dark, exquisitely pencilled eyebrows arched over the closed, transparent lids, fringed with lashes that now and then seemed to flicker on the marble pallor of the cheeks, and the proudly poised head lay back, half buried in the cushions, supported by the gleaming white arms that were clasped beneath it.

      Then, as if fearful of intruding on the charms that his ray had revealed, the sunbeam turned and, kissing the bosom that swelled and sank with the sleeper's gentle breathing, descended till it rested on an overhanging foot, from which a carelessly fastened sandal hung by one vermilion strap.

      Of a sudden a light footfall was audible without and in an instant the sleeper had heard and awakened, her dark eyes heavy with drowsiness, the red lips parted, revealing two rows of small, pearly teeth, with the first deep breath of returning consciousness.

      At the sound one white hand drew the silken wrappings over the limbs, that a troubled slumber and the warmth of the Roman summer night had bared, while the other was endeavoring to adjust the disordered folds of the saffron gossamer web that clung like a veil to her matchless form.

      "Ah! It is but you! Persephoné," she said with a little sigh, as a curtain was drawn aside, revealing the form of a girl about twenty-two years old, whose office as first attendant to Theodora had been firmly established by her deep cunning, a thorough understanding of her mistress' most hidden moods and desires, her utter fearlessness and a native fierceness, that recoiled from no consideration of danger.

      Persephoné was tall, straight as an arrow, lithe and sinuous as a snake. Her face was beautiful, but there was something in the gleam of those slightly slanting eyes that gave pause to him who chanced to cross her path.

      She claimed descent from some mythical eastern potentate and was a native of Circassia, the land of beautiful women. No one knew how she had found her way to Rome. The fame of Marozia's evil beauty and her sinister repute had in time attracted Persephoné, and she had been immediately received in Marozia's service, where she remained till the revolt of Alberic swept her mistress into the dungeons of Castel San Angelo. Thereupon she had attached herself to Theodora who loved the wild and beautiful creature and confided in her utterly.

      "Evil and troubled have been my dreams," Theodora continued, as the morning light fell in through the parted curtains. "At the sound of your footfall I started up – fearing – I knew not what – "

      "For a long time have I held out against his pleadings and commands," Persephoné replied in a subdued voice, "knowing that my lady slept. But he will not be denied, – and his insistence had begun to frighten me. So at last I dared brave my lady's anger and disturb her – "

      "Frighten you, Persephoné?" Theodora's musical laughter resounded through the chamber. "You – who braved death at these white hands of mine without flinching?"

      She extended her hands as if to impress Persephoné with their beauty and strength.

      Whatever the circumstance referred to, Persephoné made no reply. Only her face turned a shade more pale.

      The draped figure had meanwhile arisen to her full height, as she stretched the sleep from her limbs, then, her question remaining unanswered, she continued:

      "But – of whom do you speak? A new defiance from Roxana?


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