The Library. Lang Andrew

The Library - Lang Andrew


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big gloves on his hands beating the dust out of his library, as was his custom. There is nothing so hideous as a dirty thumb-mark on a white page. These marks are commonly made, not because the reader has unwashed hands, but because the dust which settles on the top edge of books falls in, and is smudged when they are opened. Gilt-top edges should be smoothed with a handkerchief, and a small brush should be kept for brushing the tops of books with rough edges, before they are opened. But it were well that all books had the top edge gilt. There is no better preservative against dust. Dust not only dirties books, it seems to supply what Mr. Spencer would call a fitting environment for book-worms. The works of book-worms speak for themselves, and are manifest to all. How many a rare and valuable volume is spoiled by neat round holes drilled through cover and leaves! But as to the nature of your worm, authorities differ greatly. The ancients knew this plague, of which Lucian speaks. Mr. Blades mentions a white book-worm, slain by the librarian of the Bodleian. In Byzantium the black sort prevailed. Evenus, the grammarian, wrote an epigram against the black book-worm (“Anthol. Pal.,” ix. 251): —

      Pest of the Muses, devourer of pages, in crannies that lurkest,

      Fruits of the Muses to taint, labour of learning to spoil;

      Wherefore, oh black-fleshed worm! wert thou born for the evil thou workest?

      Wherefore thine own foul form shap’st thou with envious toil?

      The learned Mentzelius says he hath heard the book-worm crow like a cock unto his mate, and “I knew not,” says he, “whether some local fowl was clamouring or whether there was but a beating in mine ears. Even at that moment, all uncertain as I was, I perceived, in the paper whereon I was writing, a little insect that ceased not to carol like very chanticleer, until, taking a magnifying glass, I assiduously observed him. He is about the bigness of a mite, and carries a grey crest, and the head low, bowed over the bosom; as to his crowing noise, it comes of his clashing his wings against each other with an incessant din.” Thus far Mentzelius, and more to the same purpose, as may be read in the “Memoirs of famous Foreign Academies” (Dijon, 1755–59, 13 vol. in quarto). But, in our times, the learned Mr. Blades having a desire to exhibit book-worms in the body to the Caxtonians at the Caxton celebration, could find few men that had so much as seen a book-worm, much less heard him utter his native wood-notes wild. Yet, in his “Enemies of Books,” he describes some rare encounters with the worm. Dirty books, damp books, dusty books, and books that the owner never opens, are most exposed to the enemy; and “the worm, the proud worm, is the conqueror still,” as a didactic poet sings, in an ode on man’s mortality. As we have quoted Mentzelius, it may not be amiss to give D’Alembert’s theory of book-worms: “I believe,” he says, “that a little beetle lays her eggs in books in August, thence is hatched a mite, like the cheese-mite, which devours books merely because it is compelled to gnaw its way out into the air.” Book-worms like the paste which binders employ, but D’Alembert adds that they cannot endure absinthe. Mr. Blades finds too that they disdain to devour our adulterate modern paper.

      “Say, shall I sing of rats,” asked Grainger, when reading to Johnson his epic, the “Sugar-cane.” “No,” said the Doctor; and though rats are the foe of the bibliophile, at least as much as of the sugar-planter, we do not propose to sing of them. M. Fertiault has done so already in “Les Sonnets d’un Bibliophile,” where the reader must be pleased with the beautiful etchings of rats devouring an illuminated MS., and battening on morocco bindings stamped with the bees of De Thou. It is unnecessary and it would be undignified, to give hints on rat-catching, but the amateur must not forget that these animals have a passion for bindings.

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      1

      This is the technical name for people who “illustrate” books with engravings from other works. The practice became popular when Granger published his “Biographical History of England.”

      2

      Mr. William Blades, in his “Enemies of Books” (Trübner, 1880), decries glass-doors, – “the absence of ventilation will assist the formation of mould.” But M. Rouveyre bids us open the doors on sunny days, that the air may be renewed, and, close them in the evening hours, lest moths should enter and lay their eggs among the treasures. And, with all deference to Mr. Blades, glass-doors do seem to be useful in excluding dust.

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1

This is the technical name for people who “illustrate” books with engravings from other works. The practice became popular when Granger published his “Biographical History of England.”

2

Mr. William Blades, in his “Enemies of Books” (Trübner, 1880), decries glass-doors, – “the absence of ventilation will assist the formation of mould.” But M. Rouveyre bids us open the doors on sunny days, that the air may be renewed, and, close them in the evening hours, lest moths should enter and lay their eggs among the treasures. And, with all deference to Mr. Blades, glass-doors do seem to be useful in excluding dust.


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