The Opal Serpent. Hume Fergus
do you know both things?"
"I keep my eyes open, Paul. I see this attic and your clothes. I saw also the flush on your face when you asked me why I did not marry. You are in love?"
"I am," said Beecot, becoming scarlet, and throwing back his head. "It is clever of you to guess it. Prophesy more."
Hay smiled in a cold way. "I prophesy that if you marry on nothing you will be miserable. But of course," he looked sharply at his open-faced friend, "the lady may be rich."
"She is the daughter of a second-hand bookseller called Norman, and I believe he combines selling books with pawnbroking."
"Hum," said Hay, "he might make money out of the last occupation. Is he a Jew by any chance?"
"No. He is a miserable-looking, one-eyed Christian, with the manner of a frightened rabbit."
"One-eyed and frightened," repeated Hay, musingly, but without change of expression; "desirable father-in-law. And the daughter?"
"Sylvia. She is an angel, a white lily, a – "
"Of course," said Grexon, cutting short these rhapsodies. "And what do you intend to marry on?"
Beecot fished a shabby blue velvet case out of his pocket. "On my last five pounds and this," he said, opening the case.
Hay looked at the contents of the case, and saw a rather large brooch made in the form of a jewelled serpent. "Opals, diamonds and gold," he said slowly, then looked up eagerly. "Sell it to me."
CHAPTER II
DEBORAH JUNK, DUENNA
Number forty-five Gwynne Street was a second-hand bookshop, and much of the stock was almost as old as the building itself. A weather-stained board of faded blue bore in tarnished gold lettering the name of its owner, and under this were two broad windows divided by a squat door, open on week-days from eight in the morning until eight at night. Within the shop was dark and had a musty odor.
On either side of the quaint old house was a butcher's and a baker's, flaunting places of business, raw in their newness. Between the first-named establishment and the bookshop a low, narrow passage led to a small backyard and to a flight of slimy steps, down which clients who did not wish to be seen could arrive at a kind of cellar to transact business with Mr. Norman.
This individual combined two distinct trades. On the ground floor he sold second-hand books; in the cellar he bought jewels and gave money on the same to needy people. In the shop, pale youths, untidy, abstracted old men, spectacled girls, and all varieties of the pundit caste were to be seen poring over ancient volumes or exchanging words with the proprietor. But to the cellar came fast young men, aged spendthrifts, women of no reputation and some who were very respectable indeed. These usually came at night, and in the cellar transactions would take place which involved much money exchanging hands. In the daytime Mr. Norman was an innocent bookseller, but after seven he retired to the cellar and became as genuine a pawnbroker as could be found in London. Touching books he was easy enough to deal with, but a Shylock as regards jewels and money lent. With his bookish clients he passed for a dull shopkeeper who knew little about literature; but in the underground establishment he was spoken of, by those who came to pawn, as a usurer of the worst. In an underhand way he did a deal of business.
Aaron Norman – such was the name over the shop – looked like a man with a past – a miserable past, for in his one melancholy eye and twitching, nervous mouth could be read sorrow and apprehension. His face was pale, and he had an odd habit of glancing over his left shoulder, as though he expected to be tapped thereon by a police officer. Sixty years had rounded his shoulders and weakened his back, so that his one eye was almost constantly on the ground. Suffering had scored marks on his forehead and weary lines round his thin-lipped mouth. When he spoke he did so in a low, hesitating voice, and when he looked up, which was seldom, his eye revealed a hunted look like that of a wearied beast fearful lest it should be dragged from its lair.
It was this strange-looking man that Paul Beecot encountered in the doorway of the Gwynne Street shop the day after his meeting with Hay. Many a visit had Paul paid to that shop, and not always to buy books. Norman knew him very well, and, recognizing him in a fleeting look as he passed through the doorway, smiled weakly. Behind the counter stood Bart Tawsey, the lean underling, who was much sharper with buyers than was his master, but after a disappointed glance in his direction Paul addressed himself to the bookseller. "I wish to see you particularly," he said, with his eager air.
"I am going out on important business," said Norman, "but if you will not be very long – "
"It's about a brooch I wish to pawn."
The old man's mouth became hard and his eyes sharper. "I can't attend to that now, Mr. Beecot," he said, and his voice rang out louder than usual. "After seven."
"It's only six now," said Paul, looking over his shoulder at a church clock which could be seen clearly in the pale summer twilight. "I can't wait."
"Well, then, as you are an old customer – of books," said Aaron, with emphasis, "I'll stretch a point. You can go below at a quarter to seven, and I'll come round through the outside passage to see you. Meantime, I must go about my business," and he went away with his head hanging and his solitary eye searching the ground as usual.
Paul, in spite of his supposed hurry, was not ill-pleased that Aaron had gone out and that there was an idle hour before him. He stepped lightly into the shop, and, under the flaring gas – which was lighted, so dark was the interior of the shop in spite of the luminous gloaming – he encountered the smile of Barty. Paul, who was sensitive and proudly reticent, grew red. He knew well enough that his apparent admiration of Sylvia Norman had attracted the notice of Bart and of the red-armed wench, Deborah Junk, who was the factotum of the household. Not that he minded, for both these servants were devoted to Sylvia, and knowing that she returned the feelings of Paul said nothing about the position to Aaron. Beecot could not afford to make enemies of the pair, and had no wish to do so. They were coarse-grained and common, but loyal and kindly of heart.
"Got any new books, Bart?" asked Beecot, coming forward with roving eyes, for he hoped to see Sylvia glide out of the darkness to bless his hungry eyes.
"No, sir. We never get new books," replied Bart, smartly. "Leastways there's a batch of second-hand novels published last year. But bless you, Mr. Beecot, there ain't nothing new about them 'cept the bindings."
"You are severe, Bart. I hope to be a novelist myself."
"We need one, sir. For the most part them as write now ain't novelists, if that means telling anything as is new. But I must go upstairs, sir. Miss Sylvia said I was to tell her when you came."
"Oh, yes – er – er – that is – she wants to see a photograph of my old home. I promised to show it to her." Paul took a parcel out of his pocket. "Can't I go up?"
"No, sir. 'Twouldn't be wise. The old man may come back, and if he knew as you'd been in his house," Bart jerked his head towards the ceiling, "he'd take a fit."
"Why? He doesn't think I'm after the silver?"
"Lor' bless you no, sir. It ain't that. What's valuable – silver and gold and jewels and such like – is down there." Bart nodded towards the floor. "But Mr. Norman don't like people coming into his private rooms. He's never let in anyone for years."
"Perhaps he fears to lose the fairest jewel he has."
Bart was what the Scotch call "quick in the uptake." "He don't think so much of her as he ought to, sir," said he, gloomily. "But I know he loves her, and wants to make her a great heiress. When he goes to the worms Miss Sylvia will have a pretty penny. I only hope," added Bart, looking slyly at Paul, "that he who has her to wife won't squander what the old man has worked for."
Beecot colored still more at this direct hint, and would have replied, but at this moment a large, red-faced, ponderous woman dashed into the shop from a side door. "There," said she, clapping her hands in a childish way, "I know'd his vice, an' I ses to Miss Sylvia, as is sittin' doing needlework, which she do do lovely, I ses 'That's him,' and she ses, with a lovely color, 'Oh, Deborah, jus' see, fur m'eart's abeating too loud for me t'ear 'is vice.' So I ses –