All Sorts and Conditions of Men: An Impossible Story. Walter Besant

All Sorts and Conditions of Men: An Impossible Story - Walter Besant


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grandfather is, I believe, prehistoric: he lived there long after his son, my father, was born. When he moved to Bloomsbury Square he thought he was getting into quite a fashionable quarter, and he only went to Portman Square because he desired me to go into society. I am so rich that I shall quite certainly be welcomed in society. But, my dear, Whitechapel and its neighborhood are my proper sphere. Why, my very name! I reek of beer; I am all beer; my blood is beer. Angela Marsden Messenger! What could more plainly declare my connection with Messenger, Marsden & Company? I only wonder that he did not call me Marsden-&-Company Messenger."

      "But – Angela – "

      "He would, Constance, if he had thought of it. For, you see, I was the heiress from the very beginning, because my father died before my birth. And my grandfather intended me to become the perfect brewer, if a woman can attain to so high an ideal. Therefore I was educated in the necessary and fitting lines. They taught me the industries of England, the arts and manufactures, mathematics, accounts, the great outlets of trade, book-keeping, mechanics – all those things that are practical. How it happened that I was allowed to learn music I do not know. Then, when I grew up, I was sent here by him, because the very air of Cambridge, he thought, makes people exact; and women are so prone to be inexact. I was to read while I was here all the books about political and social economy. I have also learned for business purposes two or three languages. I am now finished. I know all the theories about people, and I don't believe any of them will work. Therefore, my dear, I shall get to know the people before I apply them."

      "Was your grandfather a student of political economy?"

      "Not at all. But he had a respect for justice, and he wanted me to be just. It is so difficult, he used to say, for a woman to be just. For either she flies into a rage and punishes with excess, or she takes pity and forgives. As for himself, he was as hard as nails, and the people knew it."

      "And your project?"

      "It is very simple. I efface myself. I vanish. I disappear."

      "What?"

      "If anybody asks where I am, no one will know, except you, my dear; and you will not tell."

      "You will be in – "

      "In Whitechapel, or thereabouts. Your Angela will be a dressmaker, and she will live by herself and become – what her great-grandmother was – one of the people."

      "You will not like it at all."

      "Perhaps not; but I am weary of theories, facts, statistics. I want flesh and blood. I want to feel myself a part of this striving, eager, anxious humanity, on whose labors I live in comfort, by whom I have been educated, to whom I owe all, and for whom I have done nothing – no, nothing at all, selfish wretch that I am!"

      She clasped her hands with a fine gesture of remorse.

      "O woman of silence!" she cried; "you sit upon the heights, and you can disregard – because it is your right – the sorrows and the joys of the world. But I cannot. I belong to the people – with a great big P, my dear – I cannot bear to go on living by their toil and giving nothing in return. What a dreadful thing is a she-Dives!"

      "I confess," said Constance coldly, "that I have always regarded wealth as a means for leading the higher life – the life of study and research – unencumbered by the sordid aims and mean joys of the vulgar herd."

      "It is possible and right for you to live apart, my dear. It is impossible, because it would be wrong for me."

      "But – alone? You will venture into the dreadful region alone?"

      "Quite alone, Constance."

      "And – and – your reputation, Angela?"

      Angela laughed merrily.

      "As for my reputation, my dear, it may take care of itself. Those of my friends who think I am not to be trusted may transfer their affection to more worthy objects. The first thing in the emancipation of the sex, Constance, is equal education. The next is – "

      "What?" for Angela paused.

      She drew forth from her pocket a small bright instrument of steel, which glittered in the twilight. Not a revolver, dear readers.

      "The next," she said, brandishing the weapon before Constance's eyes, "is – the LATCH-KEY."

      PROLOGUE. – Part II

      The time was eleven in the forenoon; the season was the month of roses; the place was a room on the first floor at the Park-end of Piccadilly – a noisy room, because the windows were open, and there was a great thunder and rattle of cabs, omnibuses, and all kinds of vehicles. When this noise became, as it sometimes did, intolerable, the occupant of the room shut his double windows, and immediately there was a great calm, with a melodious roll of distant wheels, like the buzzing of bees about the marigold on a summer afternoon. With the double window a man may calmly sit down amid even the roar of Cheapside, or the never-ending cascade of noise at Charing Cross.

      The room was furnished with taste; the books on the shelves were well bound, as if the owner took a proper pride in them, as indeed was the case. There were two or three good pictures; there was a girl's head in marble; there were cards and invitations lying on the mantel-shelf and in a rack beside the clock. Everybody could tell at the first look of the room that it was a bachelor's den. Also because nothing was new, and because there were none of the peacockeries, whims and fancies, absurdities, fads and fashions, gimcrackeries, the presence of which does always and infallibly proclaim the chamber of a young man; this room manifestly belonged to a bachelor who was old in the profession. In fact, the owner of the chambers, of which this was the breakfast, morning, and dining-room, whenever he dined at home, was seated in an armchair beside a breakfast-table, looking straight before him, with a face filled with anxiety. An honest, ugly, pleasing, rugged, attractive face, whose features were carved one day when Dame Nature was benevolently disposed, but had a blunt chisel.

      "I always told him," he muttered, "that he should learn the whole of his family history as soon as he was three-and-twenty years of age. One must keep such promises. Yet it would have been better that he should never know. But then it might have been found out, and that would have been far worse. Yet, how could it have been found out? No: that is ridiculous."

      He mused in silence. In his fingers he held a cigar which he had lit, but allowed to go out again. The morning paper was lying on the table, unopened.

      "How will the boy take it?" he asked; "will he take it crying? Or will he take it laughing?"

      He smiled, picturing to himself the "boy's" astonishment.

      Looking at the man more closely, one became aware that he was really a very pleasant-looking person. He was about five-and-forty years of age, and he wore a full beard and mustache, after the manner of his contemporaries, with whom a beard is still considered a manly ornament to the face. The beard was brown, but it began to show, as wine-merchants say of port, the "appearance of age." In some light, there was more gray than brown. His dark-brown hair, however, retained its original thickness of thatch, and was as yet untouched by any streak of gray. Seeing that he belonged to one of the oldest and best of English families, one might have expected something of that delicacy of feature which some of us associate with birth. But, as has already been said, his face was rudely chiselled, his complexion was ruddy, and he looked as robust as a plough-boy; yet he had the air of an English gentleman, and that ought to satisfy anybody. And he was the younger son of a duke, being by courtesy Lord Jocelyn Le Breton.

      While he was thus meditating, there was a quick step on the stair, and the subject of his thoughts entered the room.

      This interesting young man was a much more aristocratic person to look upon than his senior. He paraded, so to speak, at every point, the thoroughbred air. His thin and delicate nose, his clear eye, his high though narrow forehead, his well-cut lip, his firm chin, his pale cheek, his oval face, the slim figure, the thin, long fingers, the spring of his walk, the poise of his head – what more could one expect even from the descendant of all the Howards? But this morning the pallor of his cheek was flushed as if with some disquieting news.

      "Good-morning, Harry," said Lord Jocelyn quietly.

      Harry returned the greeting.


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