Woman under Monasticism. Eckenstein Lina

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of Steenockerzeel stones of conical shape are kept which are carried round the altar on her festival42, in the same way as stones are kept elsewhere and considered by some writers to be symbols of an ancient phallic cult. The legend explains the presence of these stones by telling how the saint one day was surreptitiously giving loaves to the poor, when her act would have been discovered but that by intercession the loaves were transformed into stones. This incident, the transformation of gifts secretly given to the poor, is introduced into the legends of other women-saints, but only in this case have I found it mentioned that the transformed food was preserved. We shall have occasion to return to Pharaildis, whose legend and cult offer nothing to support the view that she was an early Christian.

      There are numerous instances of a like connection between holy missionary and woman pseudo-saint. A fair example is yielded by Leodgar (St Léger) bishop of Autun († 678), a well-defined historical personality43, whom tradition makes into a near relative of Odilia, a saint widely venerated, but whose reputed foundation of the monastery on the Hohenburg modern criticism utterly discards44.

      But it is not only Christian missionaries who are associated with these women-saints. Quite a number of saints have been brought into connection with the house of the Karlings, and frequently Karl the Great himself figures in the stories told of them. I do not presume to decide whether the legendary accounts of these women are pure invention; some historic truth may be embodied in the stories told of them. But judging by the material at hand we are justified in disputing the existence of St Ida, who is said to have been the wife of Pippin of Landen and ancestress of the Karlings on the sole authority of the life of St Gertrud, her daughter. This work was long held to be contemporary, but its earliest date is now admitted to be the 11th century45. It is less easy to cast discredit on the existence of the saints Amalberga, the one a virgin saint, the other a widow, whom hagiologists find great difficulty in distinguishing. Pharaildis, mentioned above, and the saints Ermelindis, Reinildis and Gudila, are said to be Amalberga’s daughters, but together with other saints of Hainault and Brabant they are very obviously pseudo-saints. The idea of bringing Karl the Great into some relation with them may have arisen from a twofold desire to justify traditions concerning them and to magnify the Emperor’s importance.

      In this connection it seems worth while to quote the passage in which Grimm46 describes the characteristic traits of the German goddess in his German Mythology, and to consider how these traits are more or less pronounced in the women we have called pseudo-saints.

      ‘It seems well,’ he says, in the opening of his chapter on goddesses, ‘to treat of goddesses collectively as well as individually, since a common conception underlies them all, which will thus stand out the more clearly. They are conceived essentially as divine mothers, travelling about and visiting mortals, from whom mankind learn the ways and arts of housekeeping and tilth: spinning, weaving, guarding the hearth, sowing and reaping’ (the italics are his).

      The tendency of the goddess to wander from place to place is reflected in many women pseudo-saints who are represented in their legends as inhabiting at various periods of their lives different parts of the district in which they are the object of veneration. Verena of northern Switzerland dwelt first at Solothurn, where a cave, which was her dwelling-place, is now transformed into a chapel. Later she took boat to the place where the Aar, Reuss and Limmat meet, where she dwelt in solitude, and her memory is preserved at a spot called the cell of Verena (Verenazell). Later still she went to dwell at Zurzach, a place which was celebrated for a fair, called Verena’s fair, of which more anon. All these places are on or near the river Aar, at no inconsiderable distance from each other. The legend, as told by Stadler, takes them all into account, explaining how Verena came to be connected with each47.

      Similarly the legend of the saint Odilia48, referred to above in connection with the Hohenburg, explains how the saint comes to be worshipped on both sides of the Rhine, a cruel father having driven her away from home. On the eastern side of the river there is a hill of St Odilia, Odilienberg, where there is a fountain which for its healing powers is visited twice a year and the site of which is guarded by a hermit. At Scherweiler there is also a site hallowed to her worship, and local tradition explains that she stayed there as a child; according to another version she was discovered floating in a wooden chest on the water49. Finally she is said to have settled on the Hohenburg west of the Rhine and to have founded a monastery. The critic Roth has written an admirable article on Odilia and the monastery of Hohenburg. He shows that the monastery was ancient and that at first it was dedicated to Christ and St Peter, though afterwards their names were supplanted by that of St Odilia50. Here, as on the other side of the Rhine, the folk celebrate her festival by pilgrimages to a fountain which has miraculous healing power, and by giving reverence to a sacred stone, on which Odilia is said to have knelt so long in prayer for the soul of her wicked father, that her knees wore holes in it51.

      We hear that other saints travelled about and stayed now at one place, now at another. St Notburg visited different parts of the Neckar district52, Godeleva of Ghistelles53 passed some time of her life in the marshy district between Ostend and Bruges. This Godeleva is addressed in her litany as the saint of marriage; she was buried, we are told, in a cave, which was held holy as late as the present century. The pond, into which she was thrown after death, for which act no reason is given, obtained, and still retains, miraculous healing powers54. Her legend in other respects offers the usual traits. She is Godeleva in some parts of the country; in others she is Godeleina, and her life according to Potthast was written in the 11th century by Drago, a monk of Ghistelles.

      It is a curious trait in German saint-legend that the saint is often spoken of as coming from afar – from across the sea, from Britain, from Ireland, even from the Orkney Isles. It is thus with Ursula of Cöln, Christiane of Dendermonde (Termonde), Lucie of Sampigny and many others. The idea had taken root at a very early date that St Walburg, whose cult is widespread, was identical with a sister of the missionaries, Wilibald and Wunebald, who went from England to Germany under the auspices of the prelate Boniface in the eighth century. We shall return to her further on55. It is sufficient here to point out that there is little likeness between the sober-minded women-missionaries of Boniface’s circle and the woman-saint who is localised under such different aspects, sometimes as a saint whose bones exude oil of miraculous power, sometimes as a valkyrie who anoints warriors for battle, sometimes as a witch who on the first of May leads forth her train to nightly riot on hill tops56.

      Again the love of home industry, which Grimm claims for mother goddesses, is reflected in the legends of many saints, to whose real existence every clue is wanting. This holds good especially of spinning and of weaving. Lufthildis, whose date and whose very name are uncertain, is represented as dwelling on a hill-top near a village and marking the limits of her district by means of her spindle, which is preserved and can be seen to this day in the chapel of Luftelberg, the hill which is connected with her57. Lucie of Sampigny, to whose shrine women who are sterile make a pilgrimage in order to sit on the stone consecrated to her58; Walburg, referred to above; Germana, whose cult appears at Bar-sur-Aube59; and one of the numerous localised saints Gertrud60, are all connected with the distaff. In the church of Frauenkirchen, which stands near the site of the celebrated old abbey of Lach, St Genovefa of Brabant, whose legend is most picturesque and who is in some degree akin to Geneviève of Paris, is believed to be sitting behind the altar from which the buzz of her spinning-wheel

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