Side-stepping with Shorty. Ford Sewell
and giving him a few suggestions."
I had a synopsis of Bentley's time card, so as soon's he'd had a chance to open up his trunk and wash off some of the car dust I was waitin' at the desk in the Waldorf.
Now of course, bein' warned ahead, and hearin' about this cattle ranch business, I was lookin' for a husky boy in a six inch soft-brim and leather pants. I'd calculated on havin' to persuade him to take off his spurs and leave his guns with the clerk.
But what steps out of the elevator and answers to the name of Bentley is a Willie boy that might have blown in from Asbury Park or Far Rockaway. He was draped in a black and white checked suit that you could broil a steak on, with the trousers turned up so's to show the openwork silk socks, and the coat creased up the sides like it was made over a cracker box. His shirt was a MacGregor plaid, and the band around his Panama was a hand width Roman stripe.
"Gee!" thinks I, "if that's the way cow boys dress nowadays, no wonder there's scandals in the beef business!"
But if you could forget his clothes long enough to size up what was in 'em, you could see that Bentley was a mild enough looker. There's lots of bank messengers and brokers' clerks just like him comin' over from Brooklyn and Jersey every mornin'. He was about five feet eight, and skimpy built, and he had one of these recedin' faces that looked like it was tryin' to get away from his nose.
But then, it ain't always the handsome boys that behaves the best, and the more I got acquainted with Bentley, the better I thought of him. He said he was mighty glad I showed up instead of Mr. Gordon.
"Uncle Henry makes me weary," says he. "I've just been reading a letter from him, four pages, and most of it was telling me what not to do. And this the first time I was ever in New York since I've been old enough to remember!"
"You'd kind of planned to see things, eh?" says I.
"Why, yes," says Bentley. "There isn't much excitement out on the ranch, you know. Of course, we ride into Palopinto once or twice a month, and sometimes take a run up to Dallas; but that's not like getting to New York."
"No," says I. "I guess you're able to tell the difference between this burg and them places you mention, without lookin' twice. What is Dallas, a water tank stop?"
"It's a little bigger'n that," says he, kind of smilin'.
But he was a nice, quiet actin' youth; didn't talk loud, nor go through any tough motions. I see right off that I'd been handed the wrong set of specifications, and I didn't lose any time framin' him up accordin' to new lines. I knew his kind like a book. You could turn him loose in New York for a week, and the most desperate thing he'd find to do would be smokin' cigarettes on the back seat of a rubberneck waggon. And yet he'd come all the way from the jumpin' off place to have a little innocent fun.
"Uncle Henry wrote me," says he, "that while I'm here I'd better take in the Metropolitan Museum of Art, and visit St. Patrick's Cathedral and Grant's Tomb. But say, I'd like something a little livelier than that, you know."
He was so mild about it that I works up enough sympathy to last an S. P. C. A. president a year. I could see just what he was achin' for. It wa'n't a sight of oil paintin's or churches. He wanted to be able to go back among the flannel shirts and tell the boys tales that would make their eyes stick out. He was ambitious to go on a regular cut up, but didn't know how, and wouldn't have had the nerve to tackle it alone if he had known.
Now, I ain't ever done any red light pilotin', and didn't have any notion of beginnin' then, especially with a youngster as nice and green as Bentley; but right there and then I did make up my mind that I'd steer him up against somethin' more excitin' than a front view of Grace Church at noon. It was comin' to him.
"See here, Bentley," says I, "I've passed my word to kind of look after you, and keep you from rippin' things up the back here in little old New York; but seein' as this is your first whack at it, if you'll promise to stop when I say 'Whoa!' and not let on about it afterwards to your Uncle Henry, I'll just show you a few things that they don't have out West," and I winks real mysterious.
"Oh, will you?" says Bentley. "By ginger! I'm your man!"
So we starts out lookin' for the menagerie. It was all I could do, though, to keep my eyes off'm that trousseau of his.
"They don't build clothes like them in Palopinto, do they?" says I.
"Oh, no," says Bentley. "I stopped off in Chicago and got this outfit. I told them I didn't care what it cost, but I wanted the latest."
"I guess you got it," says I. "That's what I'd call a night edition, base ball extra. You mustn't mind folks giraffin' at you. They always do that to strangers."
Bentley didn't mind. Fact is, there wa'n't much that did seem to faze him a whole lot. He'd never rode in the subway before, of course, but he went to readin' the soaps ads just as natural as if he lived in Harlem. I expect that was what egged me on to try and get a rise out of him. You see, when they come in from the rutabaga fields and the wheat orchards, we want 'em to open their mouths and gawp. If they do, we give 'em the laugh; but if they don't, we feel like they was throwin' down the place. So I lays out to astonish Bentley.
First I steers him across Mulberry Bend and into a Pell-st. chop suey joint that wouldn't be runnin' at all if it wa'n't for the Sagadahoc and Elmira folks the two dollar tourin' cars bring down. With all the Chinks gabblin' around outside, though, and the funny, letterin' on the bill of fare, I thought that would stun him some. He just looked around casual, though, and laid into his suey and rice like it was a plate of ham-and, not even askin' if he couldn't buy a pair of chopsticks as a souvenir.
"There's a bunch of desperate characters," says I, pointin' to a table where a gang of Park Row compositors was blowin' themselves to a platter of chow-ghi-sumen.
"Yes?" says he.
"There's Chuck Connors, and Mock Duck, and Bill the Brute, and One Eyed Mike!" I whispers.
"I'm glad I saw them," says Bentley.
"We'll take a sneak before the murderin' begins," say I. "Maybe you'll read about how many was killed, in the mornin' papers."
"I'll look for it," says he.
Say, it was discouragin'. We takes the L up to 23rd and goes across and up the east side of Madison Square.
"There," says I, pointin' out the Manhattan Club, that's about as lively as the Subtreasury on a Sunday, "that's Canfield's place. We'd go in and see 'em buck the tiger, only I got a tip that Bingham's goin' to pull it to-night. That youngster in the straw hat just goin' in is Reggie."
"Well, well!" says Bentley.
Oh, I sure did show Bentley a lot of sights that evenin', includin' a wild tour through the Tenderloin – in a Broadway car. We winds up at a roof garden, and, just to give Bentley an extra shiver, I asks the waiter if we wa'n't sittin' somewhere near the table that Harry and Evelyn had the night he was overcome by emotional insanity.
"You're at the very one, sir," he says. Considerin' we was ten blocks away, he was a knowin' waiter.
"This identical table; hear that, Bentley?" says I.
"You don't say!" says he.
"Let's have a bracer," says I. "Ever drink a soda cocktail, Bentley?"
He said he hadn't.
"Then bring us two, real stiff ones," says I. You know how they're made – a dash of bitters, a spoonful of bicarbonate, and a bottle of club soda, all stirred up in a tall glass, almost as intoxicatin' as buttermilk.
"Don't make your head dizzy, does it?" says I.
"A little," says Bentley; "but then, I'm not used to mixed drinks. We take root beer generally, when we're out on a tear."
"You cow boys must be a fierce lot when you're loose," says I.
Bentley grinned, kind of reminiscent. "We do raise the Old Harry once in awhile," says he. "The last time we went up to Dallas I drank three different kinds of soda water, and we guyed a tamale peddler so that a policeman had to speak to us."
Say! what do you think of that? Wouldn't that freeze your blood?
Once