The King of Alsander. Flecker James Elroy
what are you doing here?" said the old man, earnestly. "I can see you are not a gentleman: you look too much like a god. Tell me, what are you doing, with a library like that, here in a grocer's shop, in this horrible little village?"
"Now, come, sir," said Norman, "it's a picturesque old place, situated in charming country."
"Sir," replied the stranger, "I am a travelled man; I am perhaps a trifle over-proud of my great journeys. I have seen all the Great Effects. I have clambered among fearful crags to see the Euphrates, that old river, burst through the Gate of Taurus. I have seen the Alps from the Finsteraarhorn below me, Niagara from the footpath above me, night in the city, day in the desert, dawn on the sea. I have seen the Little Effects: Normandy, Tasmania, the English Lakes. But never on train, steamer, bicycle, tram, motor, balloon, camel, horse, mule, or foot, have I found such an unutterably dull place as Blaindon. Forgive this rhetoric, purveyor of sweetmeats, but be assured of its truth."
"In all places, sir, there is a sky, a sun, and stars."
"Where," pursued the stranger, "did you learn to talk with that pure accent, vendor of spices; or to frame such pleasant words? What are you doing in this fantastic shop?"
"Earning my living, sir. Nor is there any mystery about my case. I have a friend, now at Oxford, who gave me books to read and taught me Latin."
"Are you contented? Perfectly happy in your sunlight and starlight? Supremely satisfied with Catullus on the counter?"
"As a rule, yes. But my friend is away at present; there is no one to talk to, and these wonderful stories" (he pointed to the book lying face downward on the counter) "stir the soul to travel."
"Well, why not travel, O Lord of Things in Tins? Blaindon's no good for a man like you, great enough to make castles out of his biscuit tins, and fortifications out of washing soap." And he pointed to Norman's window, which was dressed that day with certain architectural effects.
"I have been content with my dreams for a long time," said Norman, with a little vulgar pride in his poetic and pathetic phraseology "I am fond of dreams – they are my best friends."
"If you imagine I am going to be impressed by that sort of Watts-Dunton talk you are wrong; I'm going," said the old man, as he pose up from his chair.
"Sir!" cried Norman; "you haven't paid for the tobacco."
The old man sat down with a thump.
"I am a poet," he said, with deprecatory grandeur. "And you aren't a cultured snob after all, but something of a man. Have you travelled at all, now? Tell me."
"Oh, yes, I go round the county a bit. On market days I usually go over to Iffcombe in the Marsh; it's quite lively there."
"By the Queen of the Moon and the Sea whom I worship and by the memory of your mother whom I swear you have never known, how dare you stand opposite me, a young man with the face of a god, and blither about Iffcombe in the Marsh! Travel, man, over the water, down south among the palms! You've got money?"
"Not I!"
"A little, surely!"
"Only about a hundred pounds of my own, so far."
"Only a hundred pounds! Then go away with it before your friend borrows it off you to pay his Oxford bills. No, don't get wrathful; I'm an Oxford man myself and understand that curious world. A hundred pounds! Why, I've never had a hundred pounds all at one time for many a year. How you can keep a hundred pounds in your pocket or in the bank, I do not know, when five pounds will take you to the Alps, seven to Italy, twelve to the Gulf of Corinth, thirty to Damascus,1 and fifty to Yokohama. You should clear out of this rat-hole, young man, and that immediately. Why not to-night? as thundering Salvationists cry, desiring to save the soul. That engagement, this duty, the other promise, este, ese, aquel, as the Spaniards have it, leave it all and save your life, this is the Poet's appeal, the Muse's command. You'll find a kingdom somewhere, or a war, or an adventure. I am a prophet, and the worshipper of a Holy Lady. Now, good-bye."
He laid his hands on the boy's shoulders, and looked at him dramatically. Then he turned round, seized the tin of Menodoron and strode away.
"Two and sixpence," said Norman, calling him back.
"Two and elevenpence, counting the Navy Cut," said the poet, handing over the exact sum. "You will certainly succeed, Mr Norman Price. So I will give you a good tip," he added in a stage whisper. "Go straight to Alsander."
"Where's that?" said Norman, but the eccentric customer, without another word, strode out of the shop, leaving him bewildered. There was nothing to do in the shop; he tried to re-arrange some shelves, but felt it was not worth the trouble. He opened the Golden Ass and found he could not progress without looking up many exotic words, and the dictionary was too heavy. Finally he sat down on his counter, gazing at the sunswept fields and lengthening shadows of the hedges. The vast mournful light of the late afternoon penetrated his spirit, and he felt, not for the first time, that unutterable sadness, that vague and restless longing for the Unknown land Impossible that it is the privilege of young men to feel. For many a youth this curious sense of unity with the earth is but a first awakening of amorous desire, and to such a one Venus comes quickly, with all her gentle pain. But there are a few who understand their souls, or who have souls to understand, whose daydreams are fashioned of other delights and different imaginings.
So Norman began dreaming, at first as schoolboys dream of adventure, plot, swordsmanship, hidden treasures, dense jungles, heroic bravery, desperate efficiency and lost princesses. Then a poet's dream of hot suns, and open plains, and vast masses of swaying colour. Then he bethought himself of a multitude of pleasant practical schemes. John and he had often talked of a bicycling tour in Normandy. That would be inexpensive, but now it seemed so tame an affair. What of this delicately – named Alsander the Poet talked of? It sounded remote enough. To go somewhere where no one else had ever been would be better than reading books no one else had ever read. And one should go at an hour's notice, without making any plans. What a curiously-inspired man this old poet or artist was! Quite mad, no doubt, with his Holy Lady. And what did he mean by mentioning Norman's mother? Norman had no gods; he feared Death and loved Life. Well, since Life is short, and since one is sure of nothing, shall one not be bold? To-night!
The old man's words thrilled him. If, as the poet had suggested, a trumpet-voiced vulgarian in black can save a drinker from dirt and disease in a quarter of an hour, cannot a radiant poet save a dreamer from stagnation in ten minutes? Norman began to think hard, and his pulses were stirring for action, when the bell rang behind the shop. It was time for meat-tea.
Norman, with no feeling of any bathos, entered the parlour with the full intention of eating a hearty meal. He sat down opposite old William Price and began to cut himself enormous slices of bread. Meanwhile he looked at his father, and studied the old man's appearance carefully and cynically for the first time in his life. We often take some of our near relations for granted (like the nursery cuckoo clock or the cabbage-roses on the porch), and we never become acutely conscious of their existence or individuality unless they die, disappear, or make themselves offensive. Norman dispassionately scrutinized his father's stumpy red beard, curious veiled eyes, and fireless, thin face, remembered his equanimity and his shrewdness, and wondered with boyish shallowness and conceit – for he knew less about his father than about the man in the moon – what on earth he had in common with such a man outside human nature and the grocery business. The only recent change that Norman could observe in his parent was that he had certainly become fatter and more foolish since he had left his son to do all the grocery work. The lad was sure that the one salvation for his father would be to take the business on again, and his idea of effecting a dramatic departure – for a time, at least – grew almost a resolve.
Usually Norman never told his father anything that could possibly puzzle or worry the excellent old gentleman, and had maintained the rule that the elder generation is the last place where the new should expect sympathy. However, for want of something to talk about, Norman observed that a most peculiar person, describing himself as a poet, had been in the shop and had tried to persuade him to travel.
"To travel, eh?" said William Price. "What in?"
"Oh,
I should subjoin a word to prevent any enthusiastic reader from taking the words of the old poet too seriously and wasting thirty pounds in going to Damascus. It is a very filthy town with electric trams and no drains.
The fares mentioned by the poet are of course third-class.