The Sorceress of Rome. Gallizier Nathan
by an Italian party, which counted amongst its chiefs Adalbert, Count of Tuscany, the father of this second Messalina. Her fateful beauty ruled Church and state. Theodora caused one pontiff after another to be deposed and nominated eight popes successively. She had a daughter as beautiful and as powerful as herself and still more depraved. Marozia, as she was called, reigned supreme in Castel San Angelo and caused the election of Sergius III, Anastasius III and John X, the latter a creature of Theodora, who had him appointed to the bishopric of Ravenna. Intending to deprive Theodora and her lover, the Pope, of the dominion of Rome, Marozia invaded the Lateran with a band of ruffians, put to the sword the brother of the Pope, and incarcerated the pontiff, who died in prison either by poison or otherwise. Tradition relates that his corpse was placed in Theodora's bed, and superstition believes that he was strangled by the devil as a punishment for his sins.
Left as widow by the premature death of the Count of Tusculum and married to Guido, Prince of Tuscany, Marozia, after the demise of her second husband, was united by a third marriage to Hugo of Provence, brother of Guido. Successively she placed on the pontifical throne Leo VI and Stephen VIII, then she gave the tiara to John XI, her younger son. One of her numerous offspring imprisoned in the same dungeon both his mother and his brother, the Pope, and then destroyed them. Rumour hath it, however, that a remote descendant, who had inherited Marozia's fatal beauty, had been mysteriously abducted at an early age and concealed in a convent, to save her from the contamination and licentiousness, which ran riot in the blood of the women of her house. She had been heard of no more and forgotten long ago.
After the changes and vicissitudes of half a century the family of the Crescentii had taken possession of Castel San Angelo, keeping their state in the almost impregnable stronghold, without which the possession of Rome availed but little to any conqueror. It was a period marked by brutal passions and feudal anarchy. The Romans had degenerated to the low estate of the barbarian hordes, which had during the great upheaval extinguished the light of the Western empire. The Crescentii traced their origin even to that Theodora of evil fame, who had perished in the dungeons of the formidable keep, and Johannes Crescentius, the present Senator and Patricius, seemed wrapt in dark ruminations, as from the window of a chamber in the third gallery he looked out into the night, gazing upon the eddying Tiber below, bordered by dreary huts, thinly interspersed with ilex, and the barren wastes, from which rose massive watch-towers. Far away to Southward sloped the Alban hills. From the dark waving greens of Monte Pincio the eye, wandering along the ridge of the Quirinal, reached to the mammoth arches of Constantine's Basilica, to the cypress bluffs of Aventine. Almost black they looked at the base, so deep was their shade, contrasted with the spectral moon-light, which flooded their eminences.
The chamber in which the Senator of Rome paced to and fro, was large and exceedingly gloomy, being lighted only by a single taper which threw all objects it did not touch into deep shadow. This fiery illumination, casting its uncertain glimmer upon the face of Crescentius, revealed thereon an expression of deepest gloom and melancholy and his thoughts seemed to roam far away.
The workings of time, the traces of furious passions, the lines wrought by care and sorrow were evident in the countenance of the Senator of Rome and sometimes gave it in the eyes of the physiognomist an expression of melancholy and devouring gloom. Only now and then there shot athwart his features, like lightning through a distant cloud-bank, a look of more strenuous daring – of almost terrifying keenness, like the edge of a bare and sharpened sword.
The features of Johannes Crescentius were regular, almost severe in their classic outlines. It was the Roman type, softened by centuries of amalgamation with the descendants of the invading tribes of the North. The Lord of Castel San Angelo was in the prime of manhood. The dark hair was slightly touched with gray, his complexion bronzed. The gray eyes with their glow like polished steel had a Brutus-like expression, grave and impenetrable.
The hour marked the close of a momentous interview. Benilo, the Grand Chamberlain, had just left the Senator's presence. He had been the bearer of strange news which, if it proved true, would once more turn the tide of fortune in the Senator's favour. He had urged Crescentius to make the best of the opportunity – the moment might never return again. He had unmasked a plot, the plausibility of which had even staggered the Senator's sagacious mind. At first Crescentius had fiercely resented the Chamberlain's suggestions, but by degrees his resistance had lessened and after his departure the course outlined by Benilo seemed to hold rut a strange fascination.
After glancing at the sand-clock on the table Crescentius ascended the narrow winding stairs leading to the upper galleries of the formidable keep, whose dark, blackened walls were lighted by tapers in measured intervals, and made his way through a dark passage, until he reached the door of an apartment at the opposite end of the corridor. He knocked and receiving no response, entered, closing the door noiselessly behind him.
On the threshold he paused taking in at a glance the picture before him.
The apartment was of moderate size. The lamp in the oratory was turned low. The windows facing the Campagna were open and the soft breeze of night stole into the flower-scented room. There was small semblance of luxury about the chamber, which was flanked on one side by an oratory, on the other, by a sleeping room, whose open door permitted a glimpse of a great, high bed, hung with draperies of sarcenet.
On a couch, her head resting on her bare, white arms reclined Stephania, the consort of the Senator of Rome. Tenderly the night wind caressed the soft dark curls, which stole down her brow. Her right hand supported a head exquisitely beautiful, while the fingers of the left played mechanically with the folds of her robe. Zoë, her favourite maiden, sat in silence on the floor, holding in her lap a red and blue bird, which now and then flapped its wings and gave forth a strange cry. All else was silent within and without.
Stephania's thoughts dwelt in bygone days.
Listless and silent she reclined in her pillows, reviewing the past in pictures that mocked her soul. Till a few hours ago she had believed that she had conquered that madness. But something had inflamed her hatred anew and she felt like a goddess bent upon punishing the presumption of mortal man.
The memory of her husband holding the emperor's stirrup upon the latter's entry into Rome had rekindled in her another thought which she most of all had striven to forget. It alone had, to her mind, sufficed to make reconciliation to existing conditions impossible. Shame and hate seethed anew in her soul. She could have strangled the son of Theophano with her own hands.
But did Crescentius himself wish to break the shackles which were forever to destroy the prestige of a noble house, that had for more than a century ruled the city of Rome? Was he content to be the lackey of that boy, before whom a mighty empire bowed, a youth truly, imbued with the beauty of body and soul which fall but rarely to one mortal's lot – but yet a youth, a barbarian, the descendant of the Nomad tribes of the great upheaval? Was there no one, worthy of the name of a great Roman, who would cement the disintegrated states of Italy, plant his standards upon the Capitol and proclaim himself lord of new Roman world? And he, her husband, from whom at one time she had expected such great things, was he not content with his lot? Was he not at this very moment offering homage to the despised foreigners, kissing the sandals of a heretical pope, whom a bribed Conclave had placed in the chair of St. Peter through the armed manifestation of an emperor's will?
The walls of Castel San Angelo weighed upon her like lead, since Rome was again defiled by these Northern barbarians, whom her countrymen were powerless to repulse, whom they dared not provoke and under whose insolence they smarted. Stephania heaved a deep sigh. Then everything faded from her vision, like a landscape shrouded in mist and she relapsed in twilight dreams of a past that had gone forever.
For a moment Crescentius lingered on the threshold, as if entranced by the vision of her loveliness. The stern and anxious look, which his face had worn during the interview with the Chamberlain, passed off like a summer storm, as he stood before his adored wife. She started, as his shadow darkened the doorway, but the next moment he was at her side, and taking both her white hands in his, he drew her towards him and gazed with love and scrutiny into the velvet depths of her eyes.
For a moment her manner seemed slightly embarrassed and there was something in her tone which did not escape the Senator's trained ear.
"I am glad you came," she said