The Romance of a Plain Man. Glasgow Ellen Anderson Gholson
his luncheon basket was packed, wished us a pleasant drive, and started for old Timothy Ball's marble yard, where he worked. At the sink in the kitchen my mother, with her crape veil pinned back, and her bombazine sleeves rolled up, stood with her arms deep in soapsuds.
"Ma," I asked, going up to her and turning my back while she unfastened my bib with one soapy hand, "did you ever hear anybody call you common?"
"Call me what?"
"Common. What does it mean when anybody calls you common?"
"It means generally that anybody is a fool."
"Then am I, ma?"
"Air you what?"
"Am I common?"
"For the Lord's sake, Benjy, stop yo' pesterin'. What on earth has gone an' set that idee workin' inside yo' head?"
"Is pa common?"
She meditated an instant. "Wall, he wa'nt born a Savage, but I'd never have called him common – exactly," she answered.
"Then perhaps you are?"
"You talk like a fool! Haven't I told you that I wa'nt?" she snapped.
"Then if you ain't an' pa ain't exactly, how can I be?" I concluded with triumph.
"Whoever said you were? Show me the person."
"It wa'nt a person. It was a little girl."
"A little girl? You mean the half-drowned brat I wrapped up in yo' grandma's old blanket shawl I set the muffin dough under? To think of my sendin' yo' po' tired pa splashin' out with 'em into the rain. So she called you common?"
But the sound of a carriage turning the corner fell on my ears, and running hastily into the sitting-room, I opened the door and looked out eagerly for signs of the approaching funeral.
A bright morning had followed the storm, and the burnished leaves, so restless the day before, lay now wet and still under the sunshine. I had stepped joyously over the threshold, to the sunken brick pavement, when my mother, moved by a sudden anxiety for my health, called me back, and in spite of my protestations, wrapped me in a grey blanket shawl, which she fastened at my throat with the enormous safety-pin she had taken from her own waist. Much embarrassed by this garment, which dragged after me as I walked, I followed her sullenly out of the house and as far as our neighbour's doorstep, where I was ordered to sit down and wait until the service was over. As the stir of her crape passed into the little hall, I seated myself obediently on the single step which led straight from the street, and made faces, during the long wait, at the merry driver of the hearse – a decrepit negro of ancient days, who grinned provokingly at the figure I cut in my blanket shawl.
"Hi! honey, is you got on swaddlin' close er a windin' sheet?" he enquired. "I'se a-gittin' near bline en I cyarn mek out."
"You jest wait till I'm bigger an' I'll show you," was my peaceable rejoinder.
"Wat's dat you gwine sho' me, boy? I reckon I'se done seed mo' curus things den you in my lifetime."
I looked up defiantly. Between the aristocratic, if fallen, negro and myself there was all the instinctive antagonism that existed in the Virginia of that period between the "quality" and the "poor white trash."
"If you don't lemme alone you'll see mo'n you wanter."
"Whew! I reckon you gwine tu'n out sump'im' moughty outlandish, boy. I'se a-lookin' wid all my eyes an I cyarn see nuttin' at all."
"Wait till I'm bigger an' you'll see it," I answered.
"I'se sho'ly gwine ter wait, caze ef'n hits mo' curus den you is en dat ar windin' sheet, hit's a sight dat I'se erbleeged ter lay eyes on. Wat's yo' name, suh?" he enquired, with a mocking salute.
"I am Ben Starr," I replied promptly, "an' if you wait till I get bigger, I'll bus' you open."
"Hi! hi! wat you wanter bus' me open fur, boy? Is you got a pa?"
"He's Thomas Starr, an' he cuts lambs and doves on tombstones. I've seen 'em, an' I'm goin' to learn to cut 'em, too, when I grow up. I like lambs."
The door behind me opened suddenly without warning, and as I scrambled from the doorstep, my enemy, the merry driver, backed his creaking vehicle to the sidewalk across which the slow procession of mourners filed. A minute later I was caught up by my mother's hand, and borne into a carriage, where I sat tightly wedged between two sombre females.
"So you've brought yo' little boy along, Mrs. Starr," remarked a third from the opposite seat, in an aggressive voice.
"Yes, he had a cold an' I thought the air might do him good," replied my mother with her society manner.
"Wall, I've nine an' not one of 'em has ever been to a funeral," returned the questioner. "I've al'ays been set dead against 'em for children, ain't you, Mrs. Boxley?"
Mrs. Boxley, a placid elderly woman, who had already begun to doze in her corner, opened her eyes and smiled on me in a pleasant and friendly way.
"To tell the truth I ain't never been able really to enjoy a child's funeral," she replied.
"I'm sure we're all mighty glad to have him along, Mrs. Starr," observed the fourth woman, who was soft and peaceable and very fat. "He's a fine, strong boy now, ain't he, ma'am?"
"Middlin' strong. I hope he ain't crowdin' you. Edge closer to me, Benjy."
I edged closer until her harsh bombazine sleeve seemed to scratch the skin from my cheek. Mrs. Boxley had dozed again, and sinking lower on the seat, I had just prepared myself to follow her example, when a change in the conversation brought my wandering wits instantly together, and I sat bolt upright while my eyes remained fixed on the small, straggling houses we were passing.
"Yes, she would go, rain or no rain," my mother was saying, and I knew that in that second's snatch of sleep she had related the story of our last evening's adventure. "To be sure she may have been all she ought to be, but I must say I can't help mistrustin' that little, palaverin' kind of a woman with eyes like a scared rabbit."
"If it was Sarah Mickleborough, an' I think it was, she had reason enough to look scared, po' thing," observed Mrs. Kidd, the soft fat woman, who sat on my left side. "They've only lived over here in the old Adams house for three months, but the neighbours say he's almost killed her twice since they moved in. She came of mighty set up, high falutin' folks, you know, an' when they wouldn't hear of the marriage, she ran off with him one night about ten years ago just after he came home out of the army. He looked fine, they say, in uniform, on his big black horse, but after the war ended he took to drink and then from drink, as is natchel, he took to beatin' her. It's strange – ain't it? – how easily a man's hand turns against a woman once he's gone out of his head?"
"Ah, I could see that she was the sort that's obliged to be beaten sooner or later if thar was anybody handy around to do it," remarked my mother. "Some women are made so that they're never happy except when they're hurt, an' she's one of 'em. Why, they can't so much as look at a man without invitin' him to ill-treat 'em."
"Thar ain't many women that know how to deal with a husband as well as you an' Mrs. Cudlip," remarked Mrs. Kidd, with delicate flattery.
"Po' Mrs. Cudlip. I hope she is bearin' up," sighed my mother. "'Twas the leg he lost at Seven Pines – wasn't it? – that supported her?"
"That an' the cheers he bottomed. The last work he did, po' man, was for Mrs. Mickleborough of whom we were speakin'. I used to hear of her befo' the war when she was pretty Miss Sarah Bland, in a white poke bonnet with pink roses."
"An' now never a day, passes, they say, that Harry Mickleborough doesn't threaten to turn her an' the child out into the street."
"Are her folks still livin'? Why doesn't she go back to them?"
"Her father died six months after the marriage, an' the rest of 'em live up-town somewhar. The only thing that's stuck to her is her coloured mammy, Aunt Euphronasia, an' they tell me that that old woman has mo' influence over Harry Mickleborough than anybody livin'. When he gets drunk an' goes into one of his tantrums she walks right up to him an' humours him like a child."
As we drove on their voices