The Jealousies of a Country Town. Honore de Balzac
at the moment when the chevalier was putting on his old green-flowered damask dressing-gown, he heard, despite the cotton in his ears, the light step of a young girl who was running up the stairway. Presently three taps were discreetly struck upon the door; then, without waiting for any response, a handsome girl slipped like an eel into the room occupied by the old bachelor.
"Ah! is it you, Suzanne?" said the Chevalier de Valois, without discontinuing his occupation, which was that of stropping his razor. "What have you come for, my dear little jewel of mischief?"
"I have come to tell you something which may perhaps give you as much pleasure as pain?"
"Is it anything about Cesarine?"
"Cesarine! much I care about your Cesarine!" she said with a saucy air, half serious, half indifferent.
This charming Suzanne, whose present comical performance was to exercise a great influence in the principal personages of our history, was a work-girl at Madame Lardot's. One word here on the topography of the house. The wash-rooms occupied the whole of the ground floor. The little courtyard was used to hang out on wire cords embroidered handkerchiefs, collarets, capes, cuffs, frilled shirts, cravats, laces, embroidered dresses, – in short, all the fine linen of the best families of the town. The chevalier assumed to know from the number of her capes in the wash how the love-affairs of the wife of the prefect were going on. Though he guessed much from observations of this kind, the chevalier was discretion itself; he was never betrayed into an epigram (he had plenty of wit) which might have closed to him an agreeable salon. You are therefore to consider Monsieur de Valois as a man of superior manners, whose talents, like those of many others, were lost in a narrow sphere. Only – for, after all, he was a man – he permitted himself certain penetrating glances which could make some women tremble; although they all loved him heartily as soon as they discovered the depth of his discretion and the sympathy that he felt for their little weaknesses.
The head woman, Madame Lardot's factotum, an old maid of forty-six, hideous to behold, lived on the opposite side of the passage to the chevalier. Above them were the attics where the linen was dried in winter. Each apartment had two rooms, – one lighted from the street, the other from the courtyard. Beneath the chevalier's room there lived a paralytic, Madame Lardot's grandfather, an old buccaneer named Grevin, who had served under Admiral Simeuse in India, and was now stone-deaf. As for Madame Lardot, who occupied the other lodging on the first floor, she had so great a weakness for persons of condition that she may well have been thought blind to the ways of the chevalier. To her, Monsieur de Valois was a despotic monarch who did right in all things. Had any of her workwomen been guilty of a happiness attributed to the chevalier she would have said, "He is so lovable!" Thus, though the house was of glass, like all provincial houses, it was discreet as a robber's cave.
A born confidant to all the little intrigues of the work-rooms, the chevalier never passed the door, which usually stood open, without giving something to his little ducks, – chocolate, bonbons, ribbons, laces, gilt crosses, and such like trifles adored by grisettes; consequently, the kind old gentleman was adored in return. Women have an instinct which enables them to divine the men who love them, who like to be near them, and exact no payment for gallantries. In this respect women have the instinct of dogs, who in a mixed company will go straight to the man to whom animals are sacred.
The poor Chevalier de Valois retained from his former life the need of bestowing gallant protection, a quality of the seigneurs of other days. Faithful to the system of the "petite maison," he liked to enrich women, – the only beings who know how to receive, because they can always return. But the poor chevalier could no longer ruin himself for a mistress. Instead of the choicest bonbons wrapped in bank-bills, he gallantly presented paper-bags full of toffee. Let us say to the glory of Alencon that the toffee was accepted with more joy than la Duthe ever showed at a gilt service or a fine equipage offered by the Comte d'Artois. All these grisettes fully understood the fallen majesty of the Chevalier de Valois, and they kept their private familiarities with him a profound secret for his sake. If they were questioned about him in certain houses when they carried home the linen, they always spoke respectfully of the chevalier, and made him out older than he really was; they talked of him as a most respectable monsieur, whose life was a flower of sanctity; but once in their own regions they perched on his shoulders like so many parrots. He liked to be told the secrets which washerwomen discover in the bosom of households, and day after day these girls would tell him the cancans which were going the round of Alencon. He called them his "petticoat gazettes," his "talking feuilletons." Never did Monsieur de Sartines have spies more intelligent and less expensive, or minions who showed more honor while displaying their rascality of mind. So it may be said that in the mornings, while breakfasting, the chevalier usually amused himself as much as the saints in heaven.
Suzanne was one of his favorites, a clever, ambitious girl, made of the stuff of a Sophie Arnold, and handsome withal, as the handsomest courtesan invited by Titian to pose on black velvet for a model of Venus; although her face, fine about the eyes and forehead, degenerated, lower down, into commonness of outline. Hers was a Norman beauty, fresh, high-colored, redundant, the flesh of Rubens covering the muscles of the Farnese Hercules, and not the slender articulations of the Venus de' Medici, Apollo's graceful consort.
"Well, my child, tell me your great or your little adventure, whatever it is."
The particular point about the chevalier which would have made him noticeable from Paris to Pekin, was the gentle paternity of his manner to grisettes. They reminded him of the illustrious operatic queens of his early days, whose celebrity was European during a good third of the eighteenth century. It is certain that the old gentleman, who had lived in days gone by with that feminine nation now as much forgotten as many other great things, – like the Jesuits, the Buccaneers, the Abbes, and the Farmers-General, – had acquired an irresistible good-humor, a kindly ease, a laisser-aller devoid of egotism, the self-effacement of Jupiter with Alcmene, of the king intending to be duped, who casts his thunderbolts to the devil, wants his Olympus full of follies, little suppers, feminine profusions – but with Juno out of the way, be it understood.
In spite of his old green damask dressing-gown and the bareness of the room in which he sat, where the floor was covered with a shabby tapestry in place of carpet, and the walls were hung with tavern-paper presenting the profiles of Louis XVI. and members of his family, traced among the branches of a weeping willow with other sentimentalities invented by royalism during the Terror, – in spite of his ruins, the chevalier, trimming his beard before a shabby old toilet-table, draped with trumpery lace, exhaled an essence of the eighteenth century. All the libertine graces of his youth reappeared; he seemed to have the wealth of three hundred thousand francs of debt, while his vis-a-vis waited before the door. He was grand, – like Berthier on the retreat from Moscow, issuing orders to an army that existed no longer.
"Monsieur le chevalier," replied Suzanne, drolly, "seems to me I needn't tell you anything; you've only to look."
And Suzanne presented a side view of herself which gave a sort of lawyer's comment to her words. The chevalier, who, you must know, was a sly old bird, lowered his right eye on the grisette, still holding the razor at his throat, and pretended to understand.
"Well, well, my little duck, we'll talk about that presently. But you are rather previous, it seems to me."
"Why, Monsieur le chevalier, ought I to wait until my mother beats me and Madame Lardot turns me off? If I don't get away soon to Paris, I shall never be able to marry here, where men are so ridiculous."
"It can't be helped, my dear; society is changing; women are just as much victims to the present state of things as the nobility themselves. After political overturn comes the overturn of morals. Alas! before long woman won't exist" (he took out the cotton-wool to arrange his ears): "she'll lose everything by rushing into sentiment; she'll wring her nerves; good-bye to all the good little pleasures of our time, desired without shame, accepted without nonsense." (He polished up the little negroes' heads.) "Women had hysterics in those days to get their ends, but now" (he began to laugh) "their vapors end in charcoal. In short, marriage" (here he picked up his pincers to remove a hair) "will become a thing intolerable; whereas it used to be so gay in my day! The reigns of Louis XIV. and Louis XV. – remember this, my child – said farewell to the finest manners and morals ever known to the world."
"But,