Abbotsford and Newstead Abbey. Washington Irving
every passage of the poem, as though it had authentic history, and that he always acquiesced in his deductions. I subjoin the description of the wizard's grave, which called forth the antiquarian research of Johnny Bower.
"Lo warrior! now the cross of red,
Points to the grave of the mighty dead;
Slow moved the monk to the broad flag-stone,
Which the bloody cross was traced upon:
He pointed to a sacred nook:
An iron bar the warrior took;
And the monk made a sign with his withered hand,
The grave's huge portal to expand.
"It was by dint of passing strength,
That he moved the massy stone at length.
I would you had been there to see,
How the light broke forth so gloriously,
Streamed upward to the chancel roof,
And through the galleries far aloof!
And, issuing from the tomb,
Showed the monk's cowl and visage pale,
Danced on the dark brown warrior's mail,
And kissed his waving plume.
"Before their eyes the wizard lay,
As if he had not been dead a day:
His hoary beard in silver rolled,
He seemed some seventy winters old;
A palmer's amice wrapped him round;
With a wrought Spanish baldrie bound,
Like a pilgrim from beyond the sea;
His left hand held his book of might;
A silver cross was in his right:
The lamp was placed beside his knee."
The fictions of Scott had become facts with honest Johnny Bower. From constantly living among the ruins of Melrose Abbey, and pointing out the scenes of the poem, the "Lay of the Last Minstrel" had, in a manner, become interwoven with his whole existence, and I doubt whether he did not now and then mix up his own identity with the personages of some of its cantos.
He could not bear that any other production of the poet should be preferred to the "Lay of the Last Minstrel." "Faith," said he to me, "it's just e'en as gude a thing as Mr. Scott has written – an' if he were stannin' there I'd tell him so – an' then he'd lauff."
He was loud in his praises of the affability of Scott. "He'll come here sometimes," said he, "with great folks in his company, an' the first I know of it is his voice, calling out 'Johnny! – Johnny Bower!' – and when I go out, I am sure to be greeted with a joke or a pleasant word. Hell stand and crack and lauff wi' me, just like an auld wife – and to think that of a man who has such an awfu' knowledge o' history!"
One of the ingenious devices on which the worthy little man prided himself, was to place a visitor opposite to the Abbey, with his back to it, and bid him bend down and look at it between his legs. This, he said, gave an entire different aspect to the ruin. Folks admired the plan amazingly, but as to the "leddies," they were dainty on the matter, and contented themselves with looking from under their arms. As Johnny Bower piqued himself upon showing everything laid down in the poem, there was one passage that perplexed him sadly. It was the opening of one of the cantos:
"If thou would'st view fair Melrose aright,
Go visit it by the pale moonlight:
For the gay beams of lightsome day,
Gild but to flout the ruins gray." etc.
In consequence of this admonition, many of the most devout pilgrims to the ruin could not be contented with a daylight inspection, and insisted it could be nothing unless seen by the light of the moon. Now, unfortunately, the moon shines but for a part of the month; and, what is still more unfortunate, is very apt in Scotland to be obscured by clouds and mists. Johnny was sorely puzzled, therefore, how to accommodate his poetry-struck visitors with this indispensable moonshine. At length, in a lucky moment, he devised a substitute. This was a great double tallow candle stuck upon the end of a pole, with which he could conduct his visitors about the ruins on dark nights, so much to their satisfaction that, at length, he began to think it even preferable to the moon itself. "It does na light up a' the Abbey at since, to be sure," he would say, "but then you can shift it about and show the auld ruin bit by bit, whiles the moon only shines on one side."
Honest Johnny Bower! so many years have elapsed since the time I treat of, that it is more than probable his simple head lies beneath the walls of his favorite Abbey. It is to be hoped his humble ambition has been gratified, and his name recorded by the pen of the man he so loved and honored.
After my return from Melrose Abbey, Scott proposed a ramble to show me something of the surrounding country. As we sallied forth, every dog in the establishment turned out to attend us. There was the old stag-hound Maida, that I have already mentioned, a noble animal, and a great favorite of Scott's, and Hamlet, the black greyhound, a wild, thoughtless youngster, not yet arrived to the years of discretion; and Finette, a beautiful setter, with soft, silken hair, long pendent ears, and a mild eye, the parlor favorite. When in front of the house, we were joined by a superannuated greyhound, who came from the kitchen wagging his tail, and was cheered by Scott as an old friend and comrade.
In our walks, Scott would frequently pause in conversation to notice his dogs and speak to them, as if rational companions; and indeed there appears to be a vast deal of rationality in these faithful attendants on man, derived from their close intimacy with him. Maida deported himself with a gravity becoming his age and size, and seemed to consider himself called upon to preserve a great degree of dignity and decorum in our society. As he jogged along a little distance ahead of us, the young dogs would gambol about him, leap on his neck, worry at his ears, and endeavor to tease him into a frolic. The old dog would keep on for a long time with imperturbable solemnity, now and then seeming to rebuke the wantonness of his young companions. At length he would make a sudden turn, seize one of them, and tumble him in the dust; then giving a glance at us, as much as to say, "You see, gentlemen, I can't help giving way to this nonsense," would resume his gravity and jog on as before.
Scott amused himself with these peculiarities. "I make no doubt," said he, "when Maida is alone with these young dogs, he throw's gravity aside, and plays the boy as much as any of them; but he is ashamed to do so in our company, and seems to say, 'Ha' done with your nonsense, youngsters: what will the laird and that other gentleman think of me if I give way to such foolery?'"
Maida reminded him, he said, of a scene on board an armed yacht in which he made an excursion with his friend Adam Ferguson. They had taken much notice of the boatswain, who was a fine sturdy seaman, and evidently felt flattered by their attention. On one occasion the crew were "piped to fun," and the sailors were dancing and cutting all kinds of capers to the music of the ship's band. The boatswain looked on with a wistful eye, as if he would like to join in; but a glance at Scott and Ferguson showed that there was a struggle with his dignity, fearing to lessen himself in their eyes. At length one at his messmates came up, and seizing him by the arm, challenged him to a jig. The boatswain, continued Scott, after a little hesitation complied, made an awkward gambol or two, like our friend Maida, but soon gave it up. "It's of no use," said he, jerking up his waistband and giving a side glance at us, "one can't dance always nouther."
Scott amused himself with the peculiarities of another of his dogs, a little shamefaced terrier, with large glassy eyes, one of the most sensitive little bodies to insult and indignity in the world. If ever he whipped him, he said, the little fellow would sneak off and hide himself from the light of day, in a lumber garret, whence there was no drawing him forth but by the sound of the chopping-knife, as if chopping up his victuals, when he would steal forth with humble and downcast look, but would skulk away again if any one regarded him.
While we were discussing the humors and peculiarities of our canine companions, some object provoked their spleen, and produced a sharp and