Oliver Goldsmith: A Biography. Washington Irving
finery of a second-hand suit of green and gold, with a shirt and neckcloth of a fortnight's wear.
Poor Goldsmith endeavored to assume a prosperous air in the eyes of his early associate. "He was practicing physic," he said, "and doing very well!" At this moment poverty was pinching him to the bone in spite of his practice and his dirty finery. His fees were necessarily small, and ill paid, and he was fain to seek some precarious assistance from his pen. Here his quondam fellow-student, Dr. Sleigh, was again of service, introducing him to some of the booksellers, who gave him occasional, though starveling employment. According to tradition, however, his most efficient patron just now was a journeyman printer, one of his poor patients of Bankside, who had formed a good opinion of his talents, and perceived his poverty and his literary shifts. The printer was in the employ of Mr. Samuel Richardson, the author of Pamela, Clarissa, and Sir Charles Grandison; who combined the novelist and the publisher, and was in flourishing circumstances. Through the journeyman's intervention Goldsmith is said to have become acquainted with Richardson, who employed him as reader and corrector of the press, at his printing establishment in Salisbury Court; an occupation which he alternated with his medical duties.
Being admitted occasionally to Richardson's parlor, he began to form literary acquaintances, among whom the most important was Dr. Young, the author of Night Thoughts, a poem in the height of fashion. It is not probable, however, that much familiarity took place at the time between the literary lion of the day and the poor Aesculapius of Bankside, the humble corrector of the press. Still the communion with literary men had its effect to set his imagination teeming. Dr. Farr, one of his Edinburgh fellow-students, who was at London about this time, attending the hospitals and lectures, gives us an amusing account of Goldsmith in his literary character.
"Early in January he called upon me one morning before I was up, and, on my entering the room, I recognized my old acquaintance, dressed in a rusty, full-trimmed black suit, with his pockets full of papers, which instantly reminded me of the poet in Garrick's farce of Lethe. After we had finished our breakfast he drew from his pocket part of a tragedy, which he said he had brought for my correction. In vain I pleaded inability, when he began to read; and every part on which I expressed a doubt as to the propriety was immediately blotted out. I then most earnestly pressed him not to trust to my judgment, but to take the opinion of persons better qualified to decide on dramatic compositions. He now told me he had submitted his productions, so far as he had written, to Mr. Richardson, the author of Clarissa, on which I peremptorily declined offering another criticism on the performance."
From the graphic description given of him by Dr. Farr, it will be perceived that the tarnished finery of green and gold had been succeeded by a professional suit of black, to which, we are told, were added the wig and cane indispensable to medical doctors in those days. The coat was a second-hand one, of rusty velvet, with a patch on the left breast, which he adroitly covered with his three-cornered hat during his medical visits; and we have an amusing anecdote of his contest of courtesy with a patient who persisted in endeavoring to relieve him from the hat, which only made him press it more devoutly to his heart.
Nothing further has ever been heard of the tragedy mentioned by Dr. Farr; it was probably never completed. The same gentleman speaks of a strange Quixotic scheme which Goldsmith had in contemplation at the time, "of going to decipher the inscriptions on the written mountains," though he was altogether ignorant of Arabic, or the language in which they might be supposed to be written. "The salary of three hundred pounds," adds Dr. Farr, "which had been left for the purpose, was the temptation." This was probably one of many dreamy projects with which his fervid brain was apt to teem. On such subjects he was prone to talk vaguely and magnificently, but inconsiderately, from a kindled imagination rather than a well-instructed judgment. He had always a great notion of expeditions to the East, and wonders to be seen and effected in the Oriental countries.
CHAPTER SEVEN
LIFE OP A PEDAGOGUE – KINDNESS TO SCHOOLBOYS – PERTNESS IN RETURN – EXPENSIVE CHARITIES – THE GRIFFITHS AND THE "MONTHLY REVIEW" – TOILS OF A LITERARY HACK – RUPTURE WITH THE GRIFFITHS
Among the most cordial of Goldsmith's intimates in London during this time of precarious struggle were certain of his former fellow-students in Edinburgh. One of these was the son of a Dr. Milner, a dissenting minister, who kept a classical school of eminence at Peckham, in Surrey. Young Milner had a favorable opinion of Goldsmith's abilities and attainments, and cherished for him that good will which his genial nature seems ever to have inspired among his school and college associates. His father falling ill, the young man negotiated with Goldsmith to take temporary charge of the school. The latter readily consented; for he was discouraged by the slow growth of medical reputation and practice, and as yet had no confidence in the coy smiles of the muse. Laying by his wig and cane, therefore, and once more wielding the ferule, he resumed the character of the pedagogue, and for some time reigned as vicegerent over the academy at Peckham. He appears to have been well treated by both Dr. Milner and his wife, and became a favorite with the scholars from his easy, indulgent good nature. He mingled in their sports, told them droll stories, played on the flute for their amusement, and spent his money in treating them to sweetmeats and other schoolboy dainties. His familiarity was sometimes carried too far; he indulged in boyish pranks and practical jokes, and drew upon himself retorts in kind, which, however, he bore with great good humor. Once, indeed, he was touched to the quick by a piece of schoolboy pertness. After playing on the flute, he spoke with enthusiasm of music, as delightful in itself, and as a valuable accomplishment for a gentleman, whereupon a youngster, with a glance at his ungainly person, wished to know if he considered himself a gentleman. Poor Goldsmith, feelingly alive to the awkwardness of his appearance and the humility of his situation, winced at this unthinking sneer, which long rankled in his mind.
As usual, while in Dr. Milner's employ, his benevolent feelings were a heavy tax upon his purse, for he never could resist a tale of distress, and was apt to be fleeced by every sturdy beggar; so that, between his charity and his munificence, he was generally in advance of his slender salary. "You had better, Mr. Goldsmith, let me take care of your money," said Mrs. Milner one day, "as I do for some of the young gentlemen." – "In truth, madam, there is equal need!" was the good-humored reply.
Dr. Milner was a man of some literary pretensions, and wrote occasionally for the "Monthly Review," of which a bookseller, by the name of Griffiths, was proprietor. This work was an advocate for Whig principles, and had been in prosperous existence for nearly eight years. Of late, however, periodicals had multiplied exceedingly, and a formidable Tory rival had started up in the "Critical Review," published by Archibald Hamilton, a bookseller, and aided by the powerful and popular pen of Dr. Smollett. Griffiths was obliged to recruit his forces. While so doing he met Goldsmith, a humble occupant of a seat at Dr. Milner's table, and was struck with remarks on men and books which fell from him in the course of conversation. He took occasion to sound him privately as to his inclination and capacity as a reviewer, and was furnished by him with specimens of his literary and critical talents. They proved satisfactory. The consequence was that Goldsmith once more changed his mode of life, and in April, 1757, became a contributor to the "Monthly Review," at a small fixed salary, with board and lodging, and accordingly took up his abode with Mr. Griffiths, at the sign of the Dunciad, Paternoster Row. As usual we trace this phase of his fortunes in his semi-fictitious writings; his sudden transmutation of the pedagogue into the author being humorously set forth in the case of "George Primrose," in the Vicar of "Wakefield." "Come," says George's adviser, "I see you are a lad of spirit and some learning; what do you think of commencing author like me? You have read in books, no doubt, of men of genius starving at the trade; at present I'll show you forty very dull fellows about town that live by it in opulence. All honest, jog-trot men, who go on smoothly and dully, and write history and politics, and are praised: men, sir, who, had they been bred cobblers, would all their lives only have mended shoes, but never made them." "Finding" (says George) "that there is no great degree of gentility affixed to the character of an usher, I resolved to accept his proposal; and having the highest respect for literature, hailed the antiqua mater of Grub Street with reverence. I thought it my glory to pursue a track which Dryden and Otway trod before me. Alas, Dryden struggled with indigence all his days; and Otway, it is said, fell a victim to famine in his thirty-fifth year, being strangled by a roll of bread, which he devoured with the voracity of a starving