Custom and Myth. Lang Andrew

Custom and Myth - Lang Andrew


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as father and mother of all things naturally suggested the legend that they in old days abode together, but have since been torn asunder.’

      That this view of Heaven and Earth is natural to early minds, Mr. Tylor proves by the presence of the myth of the union and violent divorce of the pair in China.37 Puang-ku is the Chinese Cronus, or Tutenganahau. In India,38 Dyaus and Prithivi, Heaven and Earth, were once united, and were severed by Indra, their own child.

      This, then, is our interpretation of the exploit of Cronus. It is an old surviving nature-myth of the severance of Heaven and Earth, a myth found in China, India, New Zealand, as well as in Greece. Of course it is not pretended that Chinese and Maoris borrowed from Indians and Greeks, or came originally of the same stock. Similar phenomena, presenting themselves to be explained by human minds in a similar stage of fancy and of ignorance, will account for the parallel myths.

      The second part of the myth of Cronus was, like the first, a stumbling-block to the orthodox in Greece. Of the second part we offer no explanation beyond the fact that the incidents in the myth are almost universally found among savages, and that, therefore, in Greece they are probably survivals from savagery. The sequel of the myth appears to account for nothing, as the first part accounts for the severance of Heaven and Earth. In the sequel a world-wide Märchen, or tale, seems to have been attached to Cronus, or attracted into the cycle of which he is centre, without any particular reason, beyond the law which makes detached myths crystallise round any celebrated name. To look further is, perhaps, chercher raison où il n’y en a pas.

      The conclusion of the story of Cronus runs thus: He wedded his sister, Rhea, and begat children – Demeter, Hera, Hades, Poseidon, and, lastly, Zeus. ‘And mighty Cronus swallowed down each of them, each that came to their mother’s knees from her holy womb, with this intent, that none other of the proud children of Uranus should hold kingly sway among the Immortals.’ Cronus showed a ruling father’s usual jealousy of his heirs. It was a case of Friedrich Wilhelm and Friedrich. But Cronus (acting in a way natural in a story perhaps first invented by cannibals) swallowed his children instead of merely imprisoning them. Heaven and Earth had warned him to beware of his heirs, and he could think of no safer plan than that which he adopted. When Rhea was about to become the mother of Zeus, she fled to Crete. Here Zeus was born, and when Cronus (in pursuit of his usual policy) asked for the baby, he was presented with a stone wrapped up in swaddling bands. After swallowing the stone, Cronus was easy in his mind; but Zeus grew up, administered a dose to his father, and compelled him to disgorge. ‘The stone came forth first, as he had swallowed it last.’39 The other children also emerged, all alive and well. Zeus fixed the stone at Delphi, where, long after the Christian era, Pausanias saw it.40 It was not a large stone, Pausanias tells us, and the Delphians used to anoint it with oil and wrap it up in wool on feast-days. All Greek temples had their fetich-stones, and each stone had its legend. This was the story of the Delphian stone, and of the fetichism which survived the early years of Christianity. A very pretty story it is. Savages more frequently smear their fetich-stones with red paint than daub them with oil, but the latter, as we learn from Theophrastus’ account of the ‘superstitious man,’ was the Greek ritual.

      This anecdote about Cronus was the stumbling-block of the orthodox Greek, the jest of the sceptic, and the butt of the early Christian controversialists. Found among Bushmen or Australians the narrative might seem rather wild, but it astonishes us still more when it occurs in the holy legends of Greece. Our explanation of its presence there is simple enough. Like the erratic blocks in a modern plain, like the flint-heads in a meadow, the story is a relic of a very distant past. The glacial age left the boulders on the plain, the savage tribes of long ago left the arrow-heads, the period of savage fancy left the story of Cronus and the rites of the fetich-stone. Similar rites are still notoriously practised in the South Sea Islands, in Siberia, in India and Africa and Melanesia, by savages. And by savages similar tales are still told.

      We cannot go much lower than the Bushmen, and among Bushman divine myths is room for the ‘swallowing trick’ attributed to Cronus by Hesiod. The chief divine character in Bushman myth is the Mantis insect. His adopted daughter is the child of Kwai Hemm, a supernatural character, ‘the all-devourer.’ The Mantis gets his adopted daughter to call the swallower to his aid; but Kwai Hemm swallows the Mantis, the god-insect. As Zeus made his own wife change herself into an insect, for the convenience of swallowing her, there is not much difference between Bushman and early Greek mythology. Kwai Hemm is killed by a stratagem, and all the animals whom he has got outside of, in a long and voracious career, troop forth from him alive and well, like the swallowed gods from the maw of Cronus.41 Now, story for story, the Bushman version is much less offensive than that of Hesiod. But the Bushman story is just the sort of story we expect from Bushmen, whereas the Hesiodic story is not at all the kind of tale we look for from Greeks. The explanation is, that the Greeks had advanced out of a savage state of mind and society, but had retained their old myths, myths evolved in the savage stage, and in harmony with that condition of fancy. Among the Kaffirs42 we find the same ‘swallow-myth.’ The Igongqongqo swallows all and sundry; a woman cuts the swallower with a knife, and ‘people came out, and cattle, and dogs.’ In Australia, a god is swallowed. As in the myth preserved by Aristophanes in the ‘Birds,’ the Australians believe that birds were the original gods, and the eagle, especially, is a great creative power. The Moon was a mischievous being, who walked about the world, doing what evil he could. One day he swallowed the eagle-god. The wives of the eagle came up, and the Moon asked them where he might find a well. They pointed out a well, and, as he drank, they hit the Moon with a stone tomahawk, and out flew the eagle.43 This is oddly like Grimm’s tale of ‘The Wolf and the Kids.’ The wolf swallowed the kids, their mother cut a hole in the wolf, let out the kids, stuffed the wolf with stones, and sewed him up again. The wolf went to the well to drink, the weight of the stones pulled him in, and he was drowned. Similar stories are common among the Red Indians, and Mr. Im Thurn has found them in Guiana. How savages all over the world got the idea that men and beasts could be swallowed and disgorged alive, and why they fashioned the idea into a divine myth, it is hard to say. Mr. Tylor, in Primitive Culture,44 adds many examples of the narrative. The Basutos have it; it occurs some five times in Callaway’s Zula Nursery Tales. In Greenland the Eskimo have a shape of the incident, and we have all heard of the escape of Jonah.

      It has been suggested that night, covering up the world, gave the first idea of the swallowing myth. Now in some of the stories the night is obviously conceived of as a big beast which swallows all things. The notion that night is an animal is entirely in harmony with savage metaphysics. In the opinion of the savage speculator, all things are men and animals. ‘Ils se persuadent que non seulement les hommes et les autres animaux, mais aussi que toutes les autres choses sont animées,’ says one of the old Jesuit missionaries in Canada.45 ‘The wind was formerly a person; he became a bird,’ say the Bushmen. G’ oö ka! Kui (a very respectable Bushman, whose name seems a little hard to pronounce) once saw the wind-person at Haarfontein.

      Savages, then, are persuaded that night, sky, cloud, fire, and so forth, are only the schein, or sensuous appearance, of things that, in essence, are men or animals. A good example is the bringing of Night to Vanua Lava, by Qat, the ‘culture-hero’ of Melanesia. At first it was always day, and people tired of it. Qat heard that Night was at the Torres Islands, and he set forth to get some. Qong (Night) received Qat well, blackened his eyebrows, showed him Sleep, and sent him off with fowls to bring Dawn after the arrival of Night should make Dawn a necessity. Next day Qat’s brothers saw the sun crawl away west, and presently Night came creeping up from the sea. ‘What is this?’ cried the brothers. ‘It is Night,’ said Qat; ‘sit down, and when you feel something in your eyes, lie down and keep quiet.’ So they went to sleep. ‘When Night had lasted long enough, Qat took a piece of red obsidian, and cut the darkness, and the Dawn came out.’46

      Night


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<p>37</p>

Pauthier, Livres sacrés de l’Orient, p. 19.

<p>38</p>

Muir’s Sanskrit Texts, v. 23. Aitareya Brahmana.

<p>39</p>

Hesiod, Theog., 497.

<p>40</p>

Paus., x. 24.

<p>41</p>

Bleek, Bushman Folklore, pp. 6-8.

<p>42</p>

Theal, Kaffir Folklore, pp. 161-167.

<p>43</p>

Brough Smyth, i. 432-433.

<p>44</p>

i. 338.

<p>45</p>

Rel. de la Nouvelle-France (1636), p. 114.

<p>46</p>

Codrington, in Journal Anthrop. Inst., Feb., 1881. There is a Breton Märchen of a land where people had to ‘bring the Dawn’ daily with carts and horses. A boy, whose sole property was a cock, sold it to the people of this country for a large sum, and now the cock brings the Dawn, with a great saving of trouble and expense. The Märchen is a survival of the state of mind of the Solomon Islanders.