The World as Will and Idea (Vol. 1 of 3). Артур Шопенгауэр
rests on the world of perception as its ground of knowledge. Hence the class of abstract ideas is in this respect distinguished from other classes; in the latter the principle of sufficient reason always demands merely a relation to another idea of the same class, but in the case of abstract ideas, it at last demands a relation to an idea of another class.
Those concepts which, as has just been pointed out, are not immediately related to the world of perception, but only through the medium of one, or it may be several other concepts, have been called by preference abstracta, and those which have their ground immediately in the world of perception have been called concreta. But this last name is only loosely applicable to the concepts denoted by it, for they are always merely abstracta, and not ideas of perception. These names, which have originated in a very dim consciousness of the distinctions they imply, may yet, with this explanation, be retained. As examples of the first kind of concepts, i. e., abstracta in the fullest sense, we may take “relation,” “virtue,” “investigation,” “beginning,” and so on. As examples of the second kind, loosely called concreta, we may take such concepts as “man,” “stone,” “horse,” &c. If it were not a somewhat too pictorial and therefore absurd simile, we might very appropriately call the latter the ground floor, and the former the upper stories of the building of reflection.13
It is not, as is commonly supposed, an essential characteristic of a concept that it should contain much under it, that is to say, that many ideas of perception, or it may be other abstract ideas, should stand to it in the relation of its ground of knowledge, i. e., be thought through it. This is merely a derived and secondary characteristic, and, as a matter of fact, does not always exist, though it must always exist potentially. This characteristic arises from the fact that a concept is an idea of an idea, i. e., its whole nature consists in its relation to another idea; but as it is not this idea itself, which is generally an idea of perception and therefore belongs to quite a different class, the latter may have temporal, spacial, and other determinations, and in general many relations which are not thought along with it in the concept. Thus we see that several ideas which are different in unessential particulars may be thought by means of one concept, i. e., may be brought under it. Yet this power of embracing several things is not an essential but merely an accidental characteristic of the concept. There may be concepts through which only one real object is thought, but which are nevertheless abstract and general, by no means capable of presentation individually and as perceptions. Such, for example, is the conception which any one may have of a particular town which he only knows from geography; although only this one town is thought under it, it might yet be applied to several towns differing in certain respects. We see then that a concept is not general because of being abstracted from several objects; but conversely, because generality, that is to say, non-determination of the particular, belongs to the concept as an abstract idea of the reason, different things can be thought by means of the same one.
It follows from what has been said that every concept, just because it is abstract and incapable of presentation in perception, and is therefore not a completely determined idea, has what is called extension or sphere, even in the case in which only one real object exists that corresponds to it. Now we always find that the sphere of one concept has something in common with the sphere of other concepts. That is to say, part of what is thought under one concept is the same as what is thought under other concepts; and conversely, part of what is thought under these concepts is the same as what is thought under the first; although, if they are really different concepts, each of them, or at least one of them, contains something which the other does not contain; this is the relation in which every subject stands to its predicate. The recognition of this relation is called judgment. The representation of these spheres by means of figures in space, is an exceedingly happy idea. It first occurred to Gottfried Plouquet, who used squares for the purpose. Lambert, although later than him, used only lines, which he placed under each other. Euler carried out the idea completely with circles. Upon what this complete analogy between the relations of concepts, and those of figures in space, ultimately rests, I am unable to say. It is, however, a very fortunate circumstance for logic that all the relations of concepts, according to their possibility, i. e., a priori, may be made plain in perception by the use of such figures, in the following way: —
(1.) The spheres of two concepts coincide: for example the concept of necessity and the concept of following from given grounds, in the same way the concepts of Ruminantia and Bisulca (ruminating and cloven-hoofed animals), also those of vertebrate and red-blooded animals (although there might be some doubt about this on account of the annelida): they are convertible concepts. Such concepts are represented by a single circle which stands for either of them.
(2.) The sphere of one concept includes that of the other.
(3.) A sphere includes two or more spheres which exclude each other and fill it.
(4.) Two spheres include each a part of the other.
(5.) Two spheres lie in a third, but do not fill it.
This last case applies to all concepts whose spheres have nothing immediately in common, for there is always a third sphere, often a much wider one, which includes both.
To these cases all combinations of concepts may be referred, and from them the entire doctrine of the judgment, its conversion, contraposition, equipollence, disjunction (this according to the third figure) may be deduced. From these also may be derived the properties of the judgment, upon which Kant based his pretended categories of the understanding, with the exception however of the hypothetical form, which is not a combination of concepts, but of judgments. A full account is given in the Appendix of “Modality,” and indeed of every property of judgments on which the categories are founded.
With regard to the possible combinations of concepts which we have given, it has only further to be remarked that they may also be combined with each other in many ways. For example, the fourth figure with the second. Only if one sphere, which partly or wholly contains another, is itself contained in a third sphere, do these together exemplify the syllogism in the first figure, i. e., that combination of judgments, by means of which it is known that a concept which is partly or wholly contained in another concept, is also contained in a third concept, which again contains the first: and also, conversely, the negation; the pictorial representation of which can, of course, only be two connected spheres which do not lie within a third sphere. If many spheres are brought together in this way we get a long train of syllogisms. This schematism of concepts, which has already been fairly well explained in more than one textbook, may be used as the foundation of the doctrine of the judgment, and indeed of the whole syllogistic theory, and in this way the treatment of both becomes very easy and simple. Because, through it, all syllogistic rules may be seen in their origin, and may be deduced and explained. It is not necessary, however, to load the memory with these rules, as logic is never of practical use, but has only a theoretical interest for philosophy. For although it may be said that logic is related to rational thinking as thorough-bass is to music, or less exactly, as ethics is to virtue, or æsthetics to art; we must yet remember that no one ever became an artist by the study of æsthetics; that a noble character was never formed by the study of ethics; that long before Rameau, men composed correctly and beautifully, and that we do not need to know thorough-bass in order to detect discords: and just as little do we need to know logic in order to avoid being misled by fallacies. Yet it must be conceded that thorough-bass is of the greatest use in the practice of musical composition, although it may not be necessary for the understanding of it; and indeed æsthetics and even ethics, though in a much less degree, and for the most part negatively, may be of some use in practice, so that we cannot deny them all practical worth, but of logic even this much cannot be conceded. It is nothing more than the knowledge in the abstract of what every one knows in the concrete. Therefore we call in the aid of logical rules, just as little to enable us to construct a correct argument as to prevent us from consenting to a false one, and the most learned logician lays aside the rules of logic altogether in his actual thought. This may be explained in the following way. Every science is a system of general and therefore abstract truths, laws, and rules with reference to a special class of objects. The individual case coming under these laws is determined in accordance with this general knowledge, which is valid
Cf. Ch. 5 and 6 of the Supplement.