Stories by English Authors: Germany. Коллектив авторов
he replied, rather snappishly. “I know that we cannot do without them; but good heavens! they have no tact, no consideration, no mercy. Whenever I’ve wanted to write or read quietly, that fatal knock has come at the door, and I’ve known by instinct that all chance of peace was over. Whenever I’ve been giving a luncheon party, the tuner has arrived, with his abominable black bag, and his abominable card which has to be signed at once. On one occasion I was just proposing to a girl in her father’s library when the tuner struck up in the drawing-room. I left off suddenly, and fled from the house. But there is no escape from these fiends; I believe they are swarming about in the air like so many bacteria. And how, in the name of goodness, you should deliberately choose to be one of them, and should be so enthusiastic over your work, puzzles me beyond all words. Don’t say that you carry a black bag, and present cards which have to be filled up at the most inconvenient time; don’t – ”
He stopped suddenly, for the little girl was convulsed with laughter. She laughed until the tears rolled down her cheeks, and then she dried her eyes and laughed again.
“Excuse me,” she said; “I can’t help myself; it’s so funny.”
“It may be funny to you,” he said, laughing in spite of himself; “but it is not funny to me.”
“Of course it isn’t,” she replied, making a desperate effort to be serious. “Well, tell me something more about these tuners.”
“Not another word,” he said, gallantly. “I am ashamed of myself as it is. Come to the end of the garden, and let me show you the view down into the valley.”
She had conquered her fit of merriment, but her face wore a settled look of mischief, and she was evidently the possessor of some secret joke. She seemed in capital health and spirits, and had so much to say that was bright and interesting that Oswald Everard found himself becoming reconciled to the whole race of tuners. He was amazed to learn that she had walked all the way from Z – , and quite alone, too.
“Oh, I don’t think anything of that,” she said; “I had a splendid time, and I caught four rare butterflies. I would not have missed those for anything. As for the going about by myself, that is a second nature. Besides, I do not belong to any one. That has its advantages, and I suppose its disadvantages; but at present I have only discovered the advantages. The disadvantages will discover themselves!”
“I believe you are what the novels call an advanced young woman,” he said. “Perhaps you give lectures on woman’s suffrage, or something of that sort?”
“I have very often mounted the platform,” she answered. “In fact, I am never so happy as when addressing an immense audience. A most unfeminine thing to do, isn’t it? What would the lady yonder in the horse-cloth dress and billycock hat say? Don’t you think you ought to go and help her drive away the goat? She looks so frightened. She interests me deeply. I wonder whether she has written an essay on the feminine in woman. I should like to read it; it would do me so much good.”
“You are at least a true woman,” he said, laughing, “for I see you can be spiteful. The tuning has not driven that away.”
“Ah, I had forgotten about the tuning,” she answered, brightly; “but now you remind me, I have been seized with a great idea.”
“Won’t you tell it to me?” he asked.
“No,” she answered; “I keep my great ideas for myself, and work them out in secret. And this one is particularly amusing. What fun I shall have!”
“But why keep the fun to yourself?” he said. “We all want to be amused here; we all want to be stirred up; a little fun would be a charity.”
“Very well, since you wish it, you shall be stirred up,” she answered; “but you must give me time to work out my great idea. I do not hurry about things, not even about my professional duties; for I have a strong feeling that it is vulgar to be always amassing riches! As I have neither a husband nor a brother to support, I have chosen less wealth, and more leisure to enjoy all the loveliness of life! So you see I take my time about everything. And to-morrow I shall catch butterflies at my leisure, and lie among the dear old pines, and work at my great idea.”
“I shall catch butterflies,” said her companion; “and I too shall lie among the dear old pines.”
“Just as you please,” she said; and at that moment the table d’hote bell rang.
The little girl hastened to the bureau, and spoke rapidly in German to the cashier.
“Ach, Fraulein!” he said. “You are not really serious?”
“Yes, I am,” she said. “I don’t want them to know my name. It will only worry me. Say I am the young lady who tuned the piano.”
She had scarcely given these directions and mounted to her room when Oswald Everard, who was much interested in his mysterious companion, came to the bureau, and asked for the name of the little lady.
“Es ist das Fraulein welches das Piano gestimmt hat,” answered the man, returning with unusual quickness to his account-book.
No one spoke to the little girl at table d’hote, but for all that she enjoyed her dinner, and gave her serious attention to all the courses. Being thus solidly occupied, she had not much leisure to bestow on the conversation of the other guests. Nor was it specially original; it treated of the short-comings of the chef, the tastelessness of the soup, the toughness of the beef, and all the many failings which go to complete a mountain hotel dinner. But suddenly, so it seemed to the little girl, this time-honoured talk passed into another phase; she heard the word “music” mentioned, and she became at once interested to learn what these people had to say on a subject which was dearer to her than any other.
“For my own part,” said a stern-looking old man, “I have no words to describe what a gracious comfort music has been to me all my life. It is the noblest language which man may understand and speak. And I sometimes think that those who know it, or know something of it, are able at rare moments to find an answer to life’s perplexing problems.”
The little girl looked up from her plate. Robert Browning’s words rose to her lips, but she did not give them utterance:
God has a few of us whom He whispers in the ear;
The rest may reason, and welcome; ‘tis we musicians know.
“I have lived through a long life,” said another elderly man, “and have therefore had my share of trouble; but the grief of being obliged to give up music was the grief which held me longest, or which perhaps has never left me. I still crave for the gracious pleasure of touching once more the strings of the violoncello, and hearing the dear, tender voice singing and throbbing, and answering even to such poor skill as mine. I still yearn to take my part in concerted music, and be one of those privileged to play Beethoven’s string-quartettes. But that will have to be in another incarnation, I think.”
He glanced at his shrunken arm, and then, as though ashamed of this allusion to his own personal infirmity, he added hastily:
“But when the first pang of such a pain is over, there remains the comfort of being a listener. At first one does not think it is a comfort; but as time goes on there is no resisting its magic influence. And Lowell said rightly that ‘one of God’s great charities is music.’”
“I did not know you were musical, Mr. Keith,” said an English lady. “You have never before spoken of music.”
“Perhaps not, madam,” he answered. “One does not often speak of what one cares for most of all. But when I am in London I rarely miss hearing our best players.”
At this point others joined in, and the various merits of eminent pianists were warmly discussed.
“What a wonderful name that little English lady has made for herself!” said the major, who was considered an authority on all subjects. “I would go anywhere to hear Miss Thyra Flowerdew. We all ought to be very proud of her. She has taken even the German musical world by storm, and they say her recitals at Paris have been brilliantly successful. I myself