The Casque's Lark; or, Victoria, the Mother of the Camps. Эжен Сю
I noticed a natural grotto, formed of large blocks of grey rock, from between which saplings and stately chestnut trees shot upwards. A stream of living water that trickled over the ledges of rock fell into a sort of natural basin. Not far from the cavern stood a brass pan, rather narrow and of about the length of a man. The opening or mouth of the infernal caldron was furnished with a net of iron chains. The latter was undoubtedly meant to keep the victim, who was thrown in to be boiled alive, from jumping out. Four large boulders supported the pan, under which a bundle of large logs of kindling wood lay ready. Human bones, bleached and strewn hither and thither over the ground, imparted to the spot the appearance of a charnel house. Finally, in the center of the clearing, rose a colossal statue; it was surmounted with three heads rudely carved with axes and adjusted to the enormous tree-trunk that, though shapeless, was intended to represent a gigantic body. The aspect of the statue was grotesque and repulsive.
Riowag made a sign to the four black warriors who carried me to stop and deposit me at the foot of the statue. He thereupon entered the grotto alone while the warriors of the escort called out aloud:
"Elwig! Elwig!"
"Elwig! Priestess of the underground gods!"
"Rejoice, Elwig, we bring you a prisoner for your caldron!"
"You will now be able to prophesy to us!"
CHAPTER IV
THE PRIESTESS ELWIG
I expected to see some hideous old hag; I was mistaken. Elwig was young, tall and endowed with savage beauty. Her grey eyes, shielded under a pair of naturally reddish eyebrows of the same color as her hair, glistened like the steel of the long knife that she was armed with. Her eagle-beaked nose and high forehead imparted to her an aspect at once savage and imposing. She was clad in a long tunic of a somber hue. Her bare neck and arms were heavily laden with copper necklaces and bracelets, that clinked upon one another as she walked, and upon which she cast coquettish glances as she approached me. On her thick reddish hair, that fell upon and parted on both sides of her shoulders, she wore a scarlet coif that was a ridiculous imitation of the charming headgear used by the women of Gaul. In short, I thought I noticed in the strange creature the evidence of that mixture of puerile pride and vanity so peculiar to barbarous peoples.
Standing a few paces from her, Riowag seemed to contemplate the priestess with profound admiration. Despite his black dye and the red tattoo under which his face disappeared, his features seemed to me to betoken a violent love, and his eyes sparkled with joy when, twice in succession, pointing at me, Elwig turned her face to her lover with a smile upon her lips, in token, no doubt, of thankfulness for the offering that he brought her. I also noticed on the bare arms of the infernal priestess two tattoo marks that brought back to my mind some reminiscences of the war we had been waging with the Franks.
One of the two marks represented two talons of a bird of prey; the other, a red serpent.
With her knife in her hand, Elwig again turned towards me and fastened her large grey eyes upon me with ferocious satisfaction, while the black warriors contemplated her with looks of fear and superstition.
"Woman," I said to the priestess, "I came here unarmed, an oak branch in my hand, and bearing a message of peace to the grand chiefs of your hordes. – I was fallen upon and bound fast. – I am in your power – you can kill me – if such be your pleasure – but before you do, have me presented to one of your chiefs. – The interview that I request is of as much importance to the Franks as to the Gauls. It is Victorin himself and his mother Victoria the Great who have sent me hither."
"You are sent by Victoria?" cried the priestess with a singular air. "Victoria, who is said to be so very beautiful?"
"Yes, I am sent by her who is called the Mother of the Camps."
Elwig reflected, and after a long silence she raised her hands over her head, brandished her knife, and pronounced some mysterious words in a voice that sounded at once threatening and inspired. Thereupon she motioned to the black warriors to retire.
They all obeyed, walking slowly back towards the thicket that surrounded the clearing.
Only Riowag remained a few steps from the priestess. Turning towards him she pointed with an imperious gesture towards the wood in which the other black warriors had disappeared. Seeing that the captain did not obey her summons, she raised her voice, and again pointed to the wood.
Riowag then obeyed and left in turn.
I remained alone with the priestess. I was left bound, lying at the foot of the statue of the under gods. Elwig squatted down upon her haunches near me and asked:
"You were sent by Victoria to speak with the Frankish chiefs?"
"I said so before."
"You are one of Victoria's officers?"
"I am one of her soldiers."
"Does she cherish you?"
"She is my foster-sister, I am as a brother to her."
These words seemed to cause Elwig to reflect anew. She remained silent for a while, and then resumed:
"Would Victoria weep over your death?"
"As one would weep over the death of a faithful servant."
"She surely would give much to save your life?"
"Is it ransom you want?"
Elwig again relapsed into silence, and resumed with a mixture of embarrassment and cunning that struck me forcibly:
"Let Victoria come and ask my brother for your life. He will grant it to her. – But listen, Victoria has a great reputation for beauty; handsome women love to deck themselves with the Gallic jewelry that is so celebrated. – Victoria must have superb ornaments, seeing she is the mother of the chief of your country. – Tell her to cover herself with her richest jewelry; it will please my brother's eyes. – He will be all the more gracious, and will grant your life to her."
I immediately surmised the snare that the priestess of hell was laying for me with the clumsy cunning natural to barbarians. Wishing to make certain, I observed without referring to her last words:
"It seems that your brother is a powerful chief."
"He is more than a chief," Elwig answered proudly; "he is a king."
"We also, in the days of our barbarism, had kings. What is your brother's name?"
"Neroweg, surnamed the Terrible Eagle."
"You carry on your arms two figures, one representing a red serpent, the other the talons of a bird of prey. What do those emblems mean?"
"The fathers of our fathers in our royal family have always worn these signs of valor and subtlety. The eagle's talons denote valor; the serpent subtlety. But let us drop my brother," added Elwig with somber impatience. My digression seemed to displease her. "Will you induce Victoria to come here?"
"One word more on your royal brother. – Does he not carry on his forehead the identical symbols that you carry on your arms?"
"Yes," she replied with increasing impatience. "Yes, my brother carries an eagle's talon over each eye-brow, and the red serpent on a head-band over his forehead. Kings wear a head-band. But we have spoken enough of Neroweg – quite enough – "
I thought I noticed on Elwig's features an ill dissembled sentiment of hatred when she pronounced his name. She proceeded:
"If you do not wish to die, write to Victoria to come to our camp ornamented with her most precious jewels. She shall repair alone to a place that I shall designate to you – a secluded spot that I know – I shall come for her and shall lead her to my brother to solicit your life from him – "
"Victoria to come alone to this camp? – I have come hither, relying upon the sacredness of the truce; – I carried the bough of peace in my hand, and yet one of my companions was killed, another was wounded, and to cap the climax of treachery, I am delivered to you bound hand and foot to be put to death – "
"Victoria may bring a small escort with her."
"Which would be unquestionably massacred