Four Short Stories By Emile Zola. Emile Zola
cried out:
“I declare that on the contrary Monsieur de Bismarck is exceedingly witty. For instance, one evening he said a charmingly epigrammatic thing in my presence.”
La Faloise meanwhile had heard the few rapid sentences thus whisperingly interchanged, and he gazed at Fauchery in hopes of an explanation which was not vouchsafed him. Of whom were they talking, and what were they going to do at midnight tomorrow? He did not leave his cousin’s side again. The latter had gone and seated himself. He was especially interested by the Countess Sabine. Her name had often been mentioned in his presence, and he knew that, having been married at the age of seventeen, she must now be thirty-four and that since her marriage she had passed a cloistered existence with her husband and her mother-in-law. In society some spoke of her as a woman of religious chastity, while others pitied her and recalled to memory her charming bursts of laughter and the burning glances of her great eyes in the days prior to her imprisonment in this old town house. Fauchery scrutinized her and yet hesitated. One of his friends, a captain who had recently died in Mexico, had, on the very eve of his departure, made him one of those gross postprandial confessions, of which even the most prudent among men are occasionally guilty. But of this he only retained a vague recollection; they had dined not wisely but too well that evening, and when he saw the countess, in her black dress and with her quiet smile, seated in that Old World drawing room, he certainly had his doubts. A lamp which had been placed behind her threw into clear relief her dark, delicate, plump side face, wherein a certain heaviness in the contours of the mouth alone indicated a species of imperious sensuality.
“What do they want with their Bismarck?” muttered La Faloise, whose constant pretense it was to be bored in good society. “One’s ready to kick the bucket here. A pretty idea of yours it was to want to come!”
Fauchery questioned him abruptly.
“Now tell me, does the countess admit someone to her embraces?”
“Oh dear, no, no! My dear fellow!” he stammered, manifestly taken aback and quite forgetting his pose. “Where d’you think we are?”
After which he was conscious of a want of up-to-dateness in this outburst of indignation and, throwing himself back on a great sofa, he added:
“Gad! I say no! But I don’t know much about it. There’s a little chap out there, Foucarmont they call him, who’s to be met with everywhere and at every turn. One’s seen faster men than that, though, you bet. However, it doesn’t concern me, and indeed, all I know is that if the countess indulges in high jinks she’s still pretty sly about it, for the thing never gets about – nobody talks.”
Then although Fauchery did not take the trouble to question him, he told him all he knew about the Muffats. Amid the conversation of the ladies, which still continued in front of the hearth, they both spoke in subdued tones, and, seeing them there with their white cravats and gloves, one might have supposed them to be discussing in chosen phraseology some really serious topic. Old Mme Muffat then, whom La Faloise had been well acquainted with, was an insufferable old lady, always hand in glove with the priests. She had the grand manner, besides, and an authoritative way of comporting herself, which bent everybody to her will. As to Muffat, he was an old man’s child; his father, a general, had been created count by Napoleon I, and naturally he had found himself in favor after the second of December. He hadn’t much gaiety of manner either, but he passed for a very honest man of straightforward intentions and understanding. Add to these a code of old aristocratic ideas and such a lofty conception of his duties at court, of his dignities and of his virtues, that he behaved like a god on wheels. It was the Mamma Muffat who had given him this precious education with its daily visits to the confessional, its complete absence of escapades and of all that is meant by youth. He was a practicing Christian and had attacks of faith of such fiery violence that they might be likened to accesses of burning fever. Finally, in order to add a last touch to the picture, La Faloise whispered something in his cousin’s ear.
“You don’t say so!” said the latter.
“On my word of honor, they swore it was true! He was still like that when he married.”
Fauchery chuckled as he looked at the count, whose face, with its fringe of whiskers and absence of mustaches, seemed to have grown squarer and harder now that he was busy quoting figures to the writhing, struggling Steiner.
“My word, he’s got a phiz for it!” murmured Fauchery. “A pretty present he made his wife! Poor little thing, how he must have bored her! She knows nothing about anything, I’ll wager!”
Just then the Countess Sabine was saying something to him. But he did not hear her, so amusing and extraordinary did he esteem the Muffats’ case. She repeated the question.
“Monsieur Fauchery, have you not published a sketch of Monsieur de Bismarck? You spoke with him once?”
He got up briskly and approached the circle of ladies, endeavoring to collect himself and soon with perfect ease of manner finding an answer:
“Dear me, madame, I assure you I wrote that ‘portrait’ with the help of biographies which had been published in Germany. I have never seen Monsieur de Bismarck.”
He remained beside the countess and, while talking with her, continued his meditations. She did not look her age; one would have set her down as being twenty-eight at most, for her eyes, above all, which were filled with the dark blue shadow of her long eyelashes, retained the glowing light of youth. Bred in a divided family, so that she used to spend one month with the Marquis de Chouard, another with the marquise, she had been married very young, urged on, doubtless, by her father, whom she embarrassed after her mother’s death. A terrible man was the marquis, a man about whom strange tales were beginning to be told, and that despite his lofty piety! Fauchery asked if he should have the honor of meeting him. Certainly her father was coming, but only very late; he had so much work on hand! The journalist thought he knew where the old gentleman passed his evenings and looked grave. But a mole, which he noticed close to her mouth on the countess’s left cheek, surprised him. Nana had precisely the same mole. It was curious. Tiny hairs curled up on it, only they were golden in Nana’s case, black as jet in this. Ah well, never mind! This woman enjoyed nobody’s embraces.
“I have always felt a wish to know Queen Augusta,” she said. “They say she is so good, so devout. Do you think she will accompany the king?”
“It is not thought that she will, madame,” he replied.
She had no lovers: the thing was only too apparent. One had only to look at her there by the side of that daughter of hers, sitting so insignificant and constrained on her footstool. That sepulchral drawing room of hers, which exhaled odors suggestive of being in a church, spoke as plainly as words could of the iron hand, the austere mode of existence, that weighed her down. There was nothing suggestive of her own personality in that ancient abode, black with the damps of years. It was Muffat who made himself felt there, who dominated his surroundings with his devotional training, his penances and his fasts. But the sight of the little old gentleman with the black teeth and subtle smile whom he suddenly discovered in his armchair behind the group of ladies afforded him a yet more decisive argument. He knew the personage. It was Theophile Venot, a retired lawyer who had made a specialty of church cases. He had left off practice with a handsome fortune and was now leading a sufficiently mysterious existence, for he was received everywhere, treated with great deference and even somewhat feared, as though he had been the representative of a mighty force, an occult power, which was felt to be at his back. Nevertheless, his behavior was very humble. He was churchwarden at the Madeleine Church and had simply accepted the post of deputy mayor at the town house of the Ninth Arrondissement in order, as he said, to have something to do in his leisure time. Deuce take it, the countess was well guarded; there was nothing to be done in that quarter.
“You’re right, it’s enough to make one kick the bucket here,” said Fauchery to his cousin when he had made good his escape from the circle of ladies. “We’ll hook it!”
But Steiner, deserted at last by the Count Muffat and the deputy, came up in a fury. Drops of perspiration stood on his forehead, and he grumbled huskily:
“Gad! Let ‘em tell me nothing, if nothing they want to tell