Four Short Stories By Emile Zola. Emile Zola
I were you I should have it in from the cafe,” old Bosc slowly announced. He was sitting on a bench covered with green velvet, with his head against the wall.
But Simonne said that it was one’s duty to consider Mme Bron’s small perquisites. She clapped her hands excitedly and devoured Fontan with her gaze while his long goatlike visage kept up a continuous twitching of eyes and nose and mouth.
“Oh, that Fontan!” she murmured. “There’s no one like him, no one like him!”
The two greenroom doors stood wide open to the corridor leading to the wings. And along the yellow wall, which was brightly lit up by a gas lamp out of view, passed a string of rapidly moving shadows – men in costume, women with shawls over their scant attire, in a word, the whole of the characters in the second act, who would shortly make their appearance as masqeuraders in the ball at the Boule Noire. And at the end of the corridor became audible a shuffling of feet as these people clattered down the five wooden steps which led to the stage. As the big Clarisse went running by Simonne called to her, but she said she would be back directly. And, indeed, she reappeared almost at once, shivering in the thin tunic and scarf which she wore as Iris.
“God bless me!” she said. “It isn’t warm, and I’ve left my furs in my dressing room!”
Then as she stood toasting her legs in their warm rose-colored tights in front of the fireplace she resumed:
“The prince has arrived.”
“Oh!” cried the rest with the utmost curiosity.
“Yes, that’s why I ran down: I wanted to see. He’s in the first stage box to the right, the same he was in on Thursday. It’s the third time he’s been this week, eh? That’s Nana; well, she’s in luck’s way! I was willing to wager he wouldn’t come again.”
Simonne opened her lips to speak, but her remarks were drowned by a fresh shout which arose close to the greenroom. In the passage the callboy was yelling at the top of his shrill voice, “They’ve knocked!”
“Three times!” said Simonne when she was again able to speak. “It’s getting exciting. You know, he won’t go to her place; he takes her to his. And it seems that he has to pay for it too!”
“Egad! It’s a case of when one ‘has to go out,’” muttered Prulliere wickedly, and he got up to have a last look at the mirror as became a handsome fellow whom the boxes adored.
“They’ve knocked! They’ve knocked!” the callboy kept repeating in tones that died gradually away in the distance as he passed through the various stories and corridors.
Fontan thereupon, knowing how it had all gone off on the first occasion the prince and Nana met, told the two women the whole story while they in their turn crowded against him and laughed at the tops of their voices whenever he stooped to whisper certain details in their ears. Old Bosc had never budged an inch – he was totally indifferent. That sort of thing no longer interested him now. He was stroking a great tortoise-shell cat which was lying curled up on the bench. He did so quite beautifully and ended by taking her in his arms with the tender good nature becoming a worn-out monarch. The cat arched its back and then, after a prolonged sniff at the big white beard, the gluey odor of which doubtless disgusted her, she turned and, curling herself up, went to sleep again on the bench beside him. Bosc remained grave and absorbed.
“That’s all right, but if I were you I should drink the champagne at the restaurant – its better there,” he said, suddenly addressing Fontan when he had finished his recital.
“The curtain’s up!” cried the callboy in cracked and long-drawn accents “The curtain’s up! The curtain’s up!”
The shout sounded for some moments, during which there had been a noise of rapid footsteps. Through the suddenly opened door of the passage came a burst of music and a far-off murmur of voices, and then the door shut to again and you could hear its dull thud as it wedged itself into position once more.
A heavy, peaceful, atmosphere again pervaded the greenroom, as though the place were situated a hundred leagues from the house where crowds were applauding. Simonne and Clarisse were still on the topic of Nana. There was a girl who never hurried herself! Why, yesterday she had again come on too late! But there was a silence, for a tall damsel had just craned her head in at the door and, seeing that she had made a mistake, had departed to the other end of the passage. It was Satin. Wearing a hat and a small veil for the nonce she was affecting the manner of a lady about to pay a call.
“A pretty trollop!” muttered Prulliere, who had been coming across her for a year past at the Cafe des Varietes. And at this Simonne told them how Nana had recognized in Satin an old schoolmate, had taken a vast fancy to her and was now plaguing Bordenave to let her make a first appearance on the stage.
“How d’ye do?” said Fontan, shaking hands with Mignon and Fauchery, who now came into the room.
Old Bosc himself gave them the tips of his fingers while the two women kissed Mignon.
“A good house this evening?” queried Fauchery.
“Oh, a splendid one!” replied Prulliere. “You should see ‘em gaping.”
“I say, my little dears,” remarked Mignon, “it must be your turn!”
Oh, all in good time! They were only at the fourth scene as yet, but Bosc got up in obedience to instinct, as became a rattling old actor who felt that his cue was coming. At that very moment the callboy was opening the door.
“Monsieur Bosc!” he called. “Mademoiselle Simonne!”
Simonne flung a fur-lined pelisse briskly over her shoulders and went out. Bosc, without hurrying at all, went and got his crown, which he settled on his brow with a rap. Then dragging himself unsteadily along in his greatcoat, he took his departure, grumbling and looking as annoyed as a man who has been rudely disturbed.
“You were very amiable in your last notice,” continued Fontan, addressing Fauchery. “Only why do you say that comedians are vain?”
“Yes, my little man, why d’you say that?” shouted Mignon, bringing down his huge hands on the journalist’s slender shoulders with such force as almost to double him up.
Prulliere and Clarisse refrained from laughing aloud. For some time past the whole company had been deriving amusement from a comedy which was going on in the wings. Mignon, rendered frantic by his wife’s caprice and annoyed at the thought that this man Fauchery brought nothing but a certain doubtful notoriety to his household, had conceived the idea of revenging himself on the journalist by overwhelming him with tokens of friendship. Every evening, therefore, when he met him behind scenes he would shower friendly slaps on his back and shoulders, as though fairly carried away by an outburst of tenderness, and Fauchery, who was a frail, small man in comparison with such a giant, was fain to take the raps with a strained smile in order not to quarrel with Rose’s husband.
“Aha, my buck, you’ve insulted Fontan,” resumed Mignon, who was doing his best to force the joke. “Stand on guard! One – two – got him right in the middle of his chest!”
He lunged and struck the young man with such force that the latter grew very pale and could not speak for some seconds. With a wink Clarisse showed the others where Rose Mignon was standing on the threshold of the greenroom. Rose had witnessed the scene, and she marched straight up to the journalist, as though she had failed to notice her husband and, standing on tiptoe, bare-armed and in baby costume, she held her face up to him with a caressing, infantine pout.
“Good evening, baby,” said Fauchery, kissing her familiarly.
Thus he indemnified himself. Mignon, however, did not seem to have observed this kiss, for everybody kissed his wife at the theater. But he laughed and gave the journalist a keen little look. The latter would assurely have to pay for Rose’s bravado.
In the passage the tightly shutting door opened and closed again, and a tempest of applause was blown as far as the greenroom. Simonne came in after her scene.
“Oh, Father Bosc HAS just scored!” she cried. “The prince was writhing with laughter