Colour Measurement and Mixture. Abney William de Wiveleslie Sir
a diffraction grating.
We must now refresh the reader's memory with a few simple facts about light, in order that our meaning may be clear when we speak of rays of different wave-lengths. Every colour in the spectrum has a different wave-length, and it is owing to this difference in wave-length that we are able to separate them by refraction, or diffraction, and to isolate them. Light, or indeed any radiation, is caused by a rhythmic oscillation of the impalpable medium which we, for want of a better term, call ether, and the distance between two of these waves which are in the same phase is called the wave-length of the particular radiation. The extent of the oscillation is called the amplitude, which when squared is in effect a measure of the intensity of the radiation. Thus at sea the distance between the crests of two waves is the wave-length, and the height from trough to crest the amplitude; and the intensity, or power of doing work, of two waves of the same wave-lengths but of different heights, is as the square of their heights. Thus, if the height of one were one unit, and of the other two units, the latter could do four times more work than the former. The waves of radiation which give the sensation of colour in the spectrum vary in length, not perhaps to the extent that might be imagined, considering the great difference that is perceived by the eye, but still they are markedly different. The fact that the spectrum of sunlight is not continuous, but is broken up by innumerable fine lines, has already been alluded to. The position of these lines is always the same, as regards the colour in which they are situated, and is absolutely fixed directly we know their wave-length; hence if we know the wave-lengths of these lines, we can refer the colour in which they lie to them. Now some lines of the solar-spectrum are blacker and consequently more marked than others, and instead of referring the colours to the finer lines, we can refer them to the distance they are from one or more of these darker lines, where these latter are absolutely fixed; in fact they act as mile-stones on a road.
In the red we have three lines in the solar spectrum, which for sake of easy reference are called A, B and C; in the orange we have a line called D, in the green a line called E, in the blue F, in the violet G, and in the extreme violet H. These lines are our fiducial lines, and all colours can be referred to them. The following are the wave-lengths of these lines, on the scale of 1/10,000,000 of a millimetre as a unit
When the spectrum is produced by prisms the intervals between these lines are not proportional to the wave-lengths, and consequently if we measure the distance of a ray in the spectrum from two of these lines, we have to resort to calculation, or to a graphically drawn curve, to ascertain its wave-length. For the purpose of experiments in colour the graphic curve from which the wave-length can immediately be read off is sufficient. The following diagram (Fig. 3) shows how this can be done.
The names and range of the principal colours which are seen in the spectrum has been a matter of some controversy. Professor Rood has, however, made observations which may be accepted as correct with a moderately bright spectrum. If the spectrum be divided into 1000 parts between A in the red, and H, the limit of the violet, he makes the following table of colours.
Fig. 3. – Curve for converting the Prismatic Spectrum into Wave-lengths.
In the above scale (Fig. 3) A = 0, B = 74·0, C = 112·7, D = 220·3, E = 363·1, F = 493·2, G = 753·6, H = 1000.
These are the main subdivisions of colour, but it must be recollected that one melts into the other. When the spectrum is very bright the colours tend to alter in hue; thus the orange becomes paler, and the yellow whiter, and the blue paler. On the other hand, if the spectrum be diminished in brightness the tendency is for the colours to change in the opposite direction. Thus the yellow almost disappears and becomes of a green hue, whilst the orange becomes redder, and the spectrum itself becomes shorter to the eye than before.
Let us strictly guard ourselves, however, from the criticism that all eyes see not alike. Suffice it to say that the above table is correct for the ordinary or normal eye, and does not necessarily apply to those who have defective vision as regards colour sensation.
CHAPTER III
The Visible and Invisible Parts of the Spectrum – Methods for showing the Existence of the Invisible Portions – Phosphorescence – Photography of the Dark Rays – Thermo-Electric Currents.
We are apt to forget, when looking at the spectrum, that what the eye sees is not all that is to be found in the prismatic analysis of light. The spectrum, it must be recollected, is not limited to those rays which the eye perceives. There are rays both beyond the extreme violet and below the extreme red, which exist and which exercise a marked effect on the world's economy. Thus, rays beyond the violet are those which with the violet and the blue rays principally affect vegetation, enabling certain chemical changes to take place which are necessary for its growth and health; whilst the rays below the red are those possessing the greatest amount of energy, and if they fall upon bodies which absorb them, as very nearly all bodies do to a certain extent, they heat them. The warmth we feel from sunlight is principally due to the dark rays which lie below the red of the spectrum.
The existence of both kinds of these dark rays may be demonstrated in a very simple manner by the effect that they produce on certain bodies. For instance, there is a yellow dye with which cheap ribbon is dyed, which if placed in the spectrum and beyond the violet causes a visible prolongation of the spectrum. The light in the newly-seen and once invisible part of the spectrum is yellow, the colour of the ribbon itself. In fact, the whole of that part of the spectrum, which on the white screen is seen as blue and violet, becomes yellow, the red and green remaining unchanged. This change in colour is due to fluorescence, a phenomenon of light which Sir G. Stokes found was caused by an alteration in the lengths of the waves of light when reflected from certain bodies. It is not meant to imply by this that the wave-length of any ray falling on a body can be altered by reflection, but only that the body itself on which the rays fall emits rays of light which are not of the same wave-length as those which fall upon it. Now it is a fact that the rays that lie beyond the violet, and which are ordinarily invisible, are shorter than the violet rays, and that these are shorter than the yellow rays. It follows therefore that when, what we may now call, the ultra-violet rays fall on the yellow dyed ribbon, the waves emitted by it are so lengthened that they appear yellow to the eye instead of dark, violet, or blue.
We can also brush a solution of quinine on the screen, and immediately the place where the ultra-violet rays fall is illuminated by a violet light. We do not see the ultra-violet rays themselves, but only the rays of increased wave-length, which are emitted by their effect on the sulphate of quinine. Common machine oil as used for engines also emits greenish rays when excited by the ultra-violet rays, and a very beautiful colour it is. Fluorescence then is one means of demonstrating the existence of the ultra-violet rays – or Ritter's rays as they were formerly called, after their discoverer – in a very simple manner. The method of rendering the effects of the infra-red rays visible to the eye is also interesting. All, or at all events most, of our readers have seen Balmain's luminous paint. A glass or card coated with this substance, which is essentially a sulphide of calcium, when exposed to the light of the sun, or of the electric arc, and then taken into comparative darkness, is seen to shine with a peculiar violet-coloured light. If when thus excited we place it in a bright spectrum for some little time, we shall find on shutting off the light that where the ultra-violet and blue fell on it, the violet light is intenser than the light of the main part of the screen; where the yellow fell there is neither increase or diminution in brightness; but that in the red it becomes darker, and also beyond the limit of the visible spectrum, indicating the existence of rays beyond, which through their greater length have not the power of affecting the eye. If the spectrum be shut off, however, very soon after it falls on the plate, it has been asserted that the red and infra-red rays have increased the brightness of that particular part of the plate on which they fell. At first these two observations seem to contradict one another; they do not in reality. We may expose a tablet of Balmain's paint to light, and place a heated iron in contact with the back of the plate; we shall then find that the iron