Complete Original Short Stories of Guy De Maupassant. Guy de Maupassant
gazed in rapture at the last gleams of the dying day. She seemed longing to embrace the sky, the sea, the whole landscape.
“She murmured: ‘Aoh! I love – I love’ I saw a tear in her eye. She continued: ‘I wish I were a little bird, so that I could mount up into the firmament.’
“She remained standing as I had often before seen her, perched on the cliff, her face as red as her shawl. I should have liked to have sketched her in my album. It would have been a caricature of ecstasy.
“I turned away so as not to laugh.
“I then spoke to her of painting as I would have done to a fellow artist, using the technical terms common among the devotees of the profession. She listened attentively, eagerly seeking to divine the meaning of the terms, so as to understand my thoughts. From time to time she would exclaim:
“‘Oh! I understand, I understand. It is very interesting.’
“We returned home.
“The next day, on seeing me, she approached me, cordially holding out her hand; and we at once became firm friends.
“She was a good creature who had a kind of soul on springs, which became enthusiastic at a bound. She lacked equilibrium like all women who are spinsters at the age of fifty. She seemed to be preserved in a pickle of innocence, but her heart still retained something very youthful and inflammable. She loved both nature and animals with a fervor, a love like old wine fermented through age, with a sensuous love that she had never bestowed on men.
“One thing is certain, that the sight of a bitch nursing her puppies, a mare roaming in a meadow with a foal at its side, a bird’s nest full of young ones, screaming, with their open mouths and their enormous heads, affected her perceptibly.
“Poor, solitary, sad, wandering beings! I love you ever since I became acquainted with Miss Harriet.
“I soon discovered that she had something she would like to tell me, but dare not, and I was amused at her timidity. When I started out in the morning with my knapsack on my back, she would accompany me in silence as far as the end of the village, evidently struggling to find words with which to begin a conversation. Then she would leave me abruptly and walk away quickly with her springy step.
“One day, however, she plucked up courage:
“I would like to see how you paint pictures. Are you willing? I have been very curious.’
“And she blushed as if she had said something very audacious.
“I conducted her to the bottom of the Petit-Val, where I had begun a large picture.
“She remained standing behind me, following all my gestures with concentrated attention. Then, suddenly, fearing perhaps that she was disturbing me, she said: ‘Thank you,’ and walked away.
“But she soon became more friendly, and accompanied me every day, her countenance exhibiting visible pleasure. She carried her camp stool under her arm, not permitting me to carry it. She would remain there for hours, silent and motionless, following with her eyes the point of my brush, in its every movement. When I obtained unexpectedly just the effect I wanted by a dash of color put on with the palette knife, she involuntarily uttered a little ‘Ah!’ of astonishment, of joy, of admiration. She had the most tender respect for my canvases, an almost religious respect for that human reproduction of a part of nature’s work divine. My studies appeared to her a kind of religious pictures, and sometimes she spoke to me of God, with the idea of converting me.
“Oh, he was a queer, good-natured being, this God of hers! He was a sort of village philosopher without any great resources and without great power, for she always figured him to herself as inconsolable over injustices committed under his eyes, as though he were powerless to prevent them.
“She was, however, on excellent terms with him, affecting even to be the confidante of his secrets and of his troubles. She would say:
“‘God wills’ or ‘God does not will,’ just like a sergeant announcing to a recruit: ‘The colonel has commanded.’
“At the bottom of her heart she deplored my ignorance of the intentions of the Eternal, which she endeavored to impart to me.
“Almost every day I found in my pockets, in my hat when I lifted it from the ground, in my paintbox, in my polished shoes, standing in front of my door in the morning, those little pious tracts which she no doubt, received directly from Paradise.
“I treated her as one would an old friend, with unaffected cordiality. But I soon perceived that she had changed somewhat in her manner, though, for a while, I paid little attention to it.
“When I was painting, whether in my valley or in some country lane, I would see her suddenly appear with her rapid, springy walk. She would then sit down abruptly, out of breath, as though she had been running or were overcome by some profound emotion. Her face would be red, that English red which is denied to the people of all other countries; then, without any reason, she would turn ashy pale and seem about to faint away. Gradually, however, her natural color would return and she would begin to speak.
“Then, without warning, she would break off in the middle of a sentence, spring up from her seat and walk away so rapidly and so strangely that I was at my wits’ ends to discover whether I had done or said anything to displease or wound her.
“I finally came to the conclusion that those were her normal manners, somewhat modified no doubt in my honor during the first days of our acquaintance.
“When she returned to the farm, after walking for hours on the windy coast, her long curls often hung straight down, as if their springs had been broken. This had hitherto seldom given her any concern, and she would come to dinner without embarrassment all dishevelled by her sister, the breeze.
“But now she would go to her room and arrange the untidy locks, and when I would say, with familiar gallantry, which, however, always offended her:
“‘You are as beautiful as a star to-day, Miss Harriet,’ a blush would immediately rise to her cheeks, the blush of a young girl, of a girl of fifteen.
“Then she would suddenly become quite reserved and cease coming to watch me paint. I thought, ‘This is only a fit of temper; it will blow over.’ But it did not always blow over, and when I spoke to her she would answer me either with affected indifference or with sullen annoyance.
“She became by turns rude, impatient and nervous. I never saw her now except at meals, and we spoke but little. I concluded at length that I must have offended her in some way, and, accordingly, I said to her one evening:
“‘Miss Harriet, why is it that you do not act toward me as formerly? What have I done to displease you? You are causing me much pain!’
“She replied in a most comical tone of anger:
“‘I am just the same with you as formerly. It is not true, not true,’ and she ran upstairs and shut herself up in her room.
“Occasionally she would look at me in a peculiar manner. I have often said to myself since then that those who are condemned to death must look thus when they are informed that their last day has come. In her eye there lurked a species of insanity, an insanity at once mystical and violent; and even more, a fever, an aggravated longing, impatient and impotent, for the unattained and unattainable.
“Nay, it seemed to me there was also going on within her a struggle in which her heart wrestled with an unknown force that she sought to master, and even, perhaps, something else. But what do I know? What do I know?
“It was indeed a singular revelation.
“For some time I had commenced to work, as soon as daylight appeared, on a picture the subject of which was as follows:
“A deep ravine, enclosed, surmounted by two thickets of trees and vines, extended into the distance and was lost, submerged in that milky vapor, in that cloud like cotton down that sometimes floats over valleys at daybreak. And at the extreme end of that heavy, transparent fog one saw, or, rather, surmised, that a couple of human beings were approaching, a human couple, a youth and a maiden, their arms interlaced, embracing each other, their heads