The Man of Genius. Lombroso Cesare

---

Скачать книгу

---

declares himself inclined to all vices – wine, gaming, lying, licentiousness, envy, cunning, deception, calumny, inconstancy; he observes that four times during the full moon he found himself in a state of real mental alienation. His sensibility was so perverted, that he never felt comfortable except under the stimulus of some physical pain; and in the absence of natural pain, he procured it by artificial means, biting his lips or arms until he fetched blood. “I sought causes of pain to enjoy the pleasure of the cessation of pain, and because I perceived that when I did not suffer I fell into so grave and troublesome a condition, that it was worse than any pain.” This fact helps us to understand many strange tortures which madmen have voluptuously imposed on themselves.166 He had so blind a faith in the revelations of dreams, that he printed a strange work De Somniis, conducted his medical consultations, concluded his marriage, and began his works (for example, that on the Varietà delle Cose and Sulle Febbri) in accordance with dreams.167

      He was impotent up to the age of thirty-four. Virility was given to him in a dream, and to this gift was added, not altogether happily, the cause of his troubles – his future wife, a brigand’s daughter, whom, before this dream, as he asserts, he had never even seen. His unhappy mania even led him to regulate his medical consultations according to his dreams, as he himself boasts of doing in the case of Borromeo’s son. It is possible to cite other examples, sometimes comic, sometimes strange or terrible. I will quote one which unites all these characters: his dream of the jewel.

      It was in May, 1560, when Cardan was fifty-two years of age. His son had just been publicly condemned for poisoning. No misfortune could wound more deeply Cardan’s already sensitive soul. He loved his son with all a father’s tenderness, as is witnessed by his fine verses, De Morte Filii, in which there is the imprint of real passion. He hoped also for a grandson who should resemble himself. Drawn more and more into insane ideas by grief, he saw in this condemnation the hands of persecutors. “Thus overwhelmed, I sought distraction in vain in study or in play. In vain I bit myself and struck my arms and legs. It was my third night of sleeplessness, about two hours before dawn. I saw that there was nothing else for me but to die or go mad. Therefore I prayed God to snatch me entirely away from life. And then, against my expectation, sleep took possession of me, and at the same time I heard a person approaching me, whose form I could not see, but who said, ‘Why grieve about your son? Put into your mouth the precious stone which you bear suspended from your neck, and as long as you carry it there you will not think of your son.’ On waking up, I asked myself what connection there could be between forgetfulness and an emerald; but as I had no other resource, I recalled the sacred words, ‘Credidit et reputatum ei est ad justitiam’; I put the emerald into my mouth, and then, against all expectation, everything that recalled my son vanished from my memory. It was so for a year and a half. It was only during my meals, and at my public lectures, when I was unable to keep the precious stone in my mouth, that I fell back into my old grief.” This singular cure had its pretext in the double sense of the Italian word gioia, which means at once “joy” and “jewel.” Cardan had, however, no need of the revelation of a genius, for in his own works he had already recognized a consoling virtue in precious stones, due to the bond of this absurd etymology.168

      A megalomaniac, he called himself “the seventh physician since the creation of the world;” he claimed to know the things which are before and above us, and those which shall come after.169

      Like Rousseau and like Haller, Cardan, during the last days of his tormented existence, wrote his own life; he also foretold the exact date of his death, which he looked for, and perhaps himself brought about, in order that his horoscope should not be made to lie.170

      What shall we say of Tasso? For those who do not know Verga’s monograph (Lipemania del Tasso), it will be enough to quote the following letter: “So great is my grief, that I am considered by others and by myself as mad, when, powerless to keep my sorrowful thoughts hidden, I give myself up to long conversations with myself. My troubles are at once human and diabolical; the human are cries of men, and especially of women, and also the laughter of beasts; the diabolical are songs, &c. When I take into my hands a book to give myself up to study, I hear voices sounding in my ear, and distinguish the name of Paul Fulvius.” In his Messaggiero, which became with him, later on, a real hallucination, he had already made the often-repeated confession of his madness, which he attributed to wine and to women. I am thus inclined to believe that he described himself in the character of Thyrsis, in that admirable stanza of the Aminta, which another monomaniac, Rousseau, loved so much: —

      “Vivrò fra i miei tormenti e fra le cure,

      Mie giuste furie, forsennato, errante;

      Paventerò l’ombre solinghe e scure

      Che il primo error mi recheranno avante;

      E del sol che scoprì le mie sventure

      A schivo ed in orror avrò it sembiante:

      Temerò me medesmo, e da me stesso

      Sempre fuggendo, avrò me sempre appresso.”171

      One day, certainly under the influence of some hallucination, or in a maniacal attack, he drew a knife, and was about to attack a serving-man who entered the ducal chamber; he was imprisoned, says the Tuscan Ambassador, more to cure him than to punish him.

      The unfortunate poet went from one country to another, but sorrowful visions everywhere threatened him; and with them came ceaseless remorse, suspicions of poison, and the terrors of hell for the heresies of which he accused himself in three letters to the “too-indulgent” inquisitor.

      “I am always troubled by sad and wearisome thoughts,” he confesses to the physician Cavallaro, “by figures and phantoms; also by a great weakness of memory, therefore I beg of your lordship to think to strengthen my memory in the pills that you order for me.” “I am frenzied,” he wrote to Gonzaga, “and I am surprised that they have not written to you of all the things that I say in talking to myself: honours, the good graces of emperors and kings which I dream of, forming and re-forming them according to my fancy.” This curious letter shows us how sombre and sorrowful images alternated in him with others that were joyous, like subjective colours in the retina.

      Some days later he wrote to Cattaneo: “I have here much more need of the exorcist than of the physician, for my trouble is caused by magic art. I will tell you about my goblin. The little thief has robbed me of many crowns; he puts all my books upside down, opens my chests, hides my keys, so that I do not know how to protect myself against him. I am always unhappy, but especially at night, and I do not know if my trouble should be attributed to frenzy.” In another letter: “When I am awake I seem to see lights sparkling in the air; sometimes my eyes are inflamed so that I fear I may lose my sight. At other times I hear horrible noises, hissings, and tinklings, the sound of bells, and, as it were, clocks all striking the hour at the same time. When I am asleep I seem to see a horseman throwing himself on me and casting me to the earth, or else I imagine that I am covered by filthy beasts. All my joints feel it; my head becomes heavy, and in the midst of so many pains and terrors sometimes there appears to me the image of the Virgin, beautiful and young, with her Son, and crowned with a rainbow.” Later he told Cattaneo how a goblin carried away letters in which he was mentioned, “and that is one of the miracles which I saw myself at the hospital. Thus I possess the certainty that these wonders must be attributed to a magician. I have numerous proofs of it. One day a loaf was taken from me, beneath my eyes, towards three o’clock.”

      When ill with acute fever he was cured, thanks to an apparition of the Virgin, to whom he testified his gratitude in a sonnet. He wrote and spoke to, almost touched, his genius, who often resembled his former Messaggiero, and suggested to him ideas which he had not conceived before.

      Swift, the inventor of irony and humour, predicted even in youth that he would die insane, as had been the case with

---

Скачать книгу