Lever declared that his Baron Lendrick was a portrait upon which he had expended “a good deal of time and paint” – E. D.
1
Mr Blackwood had written: “Observe that in the garden scene you make it a fine night, and from the morning showing before they separated, apparently the night was short; whereas when Tony started in the cold and snow for Burnside it was clearly winter.”
2
The Major, amongst the many reminiscences of his friend confided to Dr Fitzpatrick, tells a tale of this period which shows that Lever, with all his tact, could occasionally allow temper to master discretion. A personage holding a high diplomatic post (which he had obtained notoriously through influence) said to Lever at some social gathering: “Your appointment is a sinecure, is it not?”
“Not altogether,” answered the consul. “But you are consul at Spezzia, and you live altogether at Florence,” persisted the personage. “You got the post, I suppose, on account of your novels.” “Yes, sir,” replied Lever tartly, “I got the post in compliment to my brains: you got yours in compliment to your relatives.” – E. D.
3
Lever must have intended to recast and to rewrite the adventures of “Gerald Fitzgerald, the Chevalier,” the story which appeared as a serial in ‘The Dublin University’ in 1869. – E. D.
4
Baron Lendrick (in ‘Sir Brook Fossbrooke’) was one of Lever’s favourite characters. The old judge was a sketch for which he had to depend upon a memory of a journey made more than twenty years before ‘Sir Brook’ was written. Lever had travelled to London in the ‘Forties with a distinguished party – Isaac Butt, Frederick Shaw (the member for Dublin University), Henry West (afterwards a judge), and Sergeant Lefroy (afterwards – Lord Chief-Justice of Ireland). Baron Lendrick was a study of Lefroy. It was said that Lever was the only man who had ever succeeded in making Lefroy laugh.
Lever declared that his Baron Lendrick was a portrait upon which he had expended “a good deal of time and paint” – E. D.