The Fortunes of Nigel. Вальтер Скотт
make free with the leaves;” or, “Put it in your pocket and carry it home;” or, “We will make a bookseller of you, sir, and you shall have it at trade price.” Or, perhaps if it is the worthy trader’s own publication, his liberality may even extend itself to – “Never mind booking such a trifle to you, sir – it is an over-copy. Pray, mention the work to your reading friends.” I say nothing of the snug well-selected literary party arranged round a turbot, leg of five-year-old mutton, or some such gear, or of the circulation of a quiet bottle of Robert Cockburn’s choicest black – nay, perhaps, of his new ones. All these are comforts reserved to such as are freemen of the corporation of letters, and I have the advantage of enjoying them in perfection. But all things change under the sun; and it is with no ordinary feelings of regret, that, in my annual visits to the metropolis, I now miss the social and warm-hearted welcome of the quick-witted and kindly friend who first introduced me to the public; who had more original wit than would have set up a dozen of professed sayers of good things, and more racy humour than would have made the fortune of as many more. To this great deprivation has been added, I trust for a time only, the loss of another bibliopolical friend, whose vigorous intellect, and liberal ideas, have not only rendered his native country the mart of her own literature, but established there a Court of Letters, which must command respect, even from those most inclined to dissent from many of its canons. The effect of these changes, operated in a great measure by the strong sense and sagacious calculations of an individual, who knew how to avail himself, to an unhoped-for extent, of the various kinds of talent which his country produced, will probably appear more clearly to the generation which shall follow the present.
I entered the shop at the Cross, to enquire after the health of my worthy friend, and learned with satisfaction, that his residence in the south had abated the rigour of the symptoms of his disorder. Availing myself, then, of the privileges to which I have alluded, I strolled onward in that labyrinth of small dark rooms, or crypts, to speak our own antiquarian language, which form the extensive back-settlements of that celebrated publishing-house. Yet, as I proceeded from one obscure recess to another, filled, some of them with old volumes, some with such as, from the equality of their rank on the shelves, I suspected to be the less saleable modern books of the concern, I could not help feeling a holy horror creep upon me, when I thought of the risk of intruding on some ecstatic bard giving vent to his poetical fury; or it might be, on the yet more formidable privacy of a band of critics, in the act of worrying the game which they had just run down. In such a supposed case, I felt by anticipation the horrors of the Highland seers, whom their gift of deuteroscopy compels to witness things unmeet for mortal eye; and who, to use the expression of Collins,
– “heartless, oft, like moody madness, stare,
To see the phantom train their secret work prepare.”
Still, however, the irresistible impulse of an undefined curiosity drove me on through this succession of darksome chambers, till, like the jeweller of Delhi in the house of the magician Bennaskar, I at length reached a vaulted room, dedicated to secrecy and silence, and beheld, seated by a lamp, and employed in reading a. blotted revise, [Footnote: The uninitiated must be informed, that a second proof-sheet is so called.] the person, or perhaps I should rather say the Eidolon, or representative Vision of the AUTHOR OF WAVERLEY! You will not be surprised at the filial instinct which enabled me at once to acknowledge the features borne by this venerable apparition, and that I at once bended the knee, with the classical salutation of, Salve, magne parens! The vision, however, cut me short, by pointing to a seat, intimating at the same time, that my presence was not expected, and that he had something to say to me.
I sat down with humble obedience, and endeavoured to note the features of him with whom I now found myself so unexpectedly in society. But on this point I can give your reverence no satisfaction; for, besides the obscurity of the apartment, and the fluttered state of my own nerves, I seemed to myself overwhelmed by a sense of filial awe, which prevented my noting and recording what it is probable the personage before me might most desire to have concealed. Indeed, his figure was so closely veiled and wimpled, either with a mantle, morning-gown, or some such loose garb, that the verses of Spenser might well have been applied —
“Yet, certes, by her face and physnomy,
Whether she man or woman only were,
That could not any creature well descry.”
I must, however, go on as I have begun, to apply the masculine gender; for, notwithstanding very ingenious reasons, and indeed something like positive evidence, have been offered to prove the Author of Waverley to be two ladies of talent, I must abide by the general opinion, that he is of the rougher sex. There are in his writings too many things
“Quae maribus sola tribuuntur,”
to permit me to entertain any doubt on that subject. I will proceed, in the manner of dialogue, to repeat as nearly as I can what passed betwixt us, only observing, that in the course of the conversation, my timidity imperceptibly gave way under the familiarity of his address; and that, in the concluding part of our dialogue, I perhaps argued with fully as much confidence as was beseeming.
Author of Waverley. I was willing to see you, Captain Clutterbuck, being the person of my family whom I have most regard for, since the death of Jedediah Cleishbotham; and I am afraid I may have done you some wrong, in assigning to you The Monastery as a portion of my effects. I have some thoughts of making it up to you, by naming you godfather to this yet unborn babe – (he indicated the proof-sheet with his finger) – But first, touching The Monastery – How says the world – you are abroad and can learn?
Captain Clutterbuck. Hem! hem! – The enquiry is delicate – I have not heard any complaints from the Publishers.
Author. That is the principal matter; but yet an indifferent work is sometimes towed on by those which have left harbour before it, with the breeze in their poop. – What say the Critics?
Captain. There is a general – feeling – that the White Lady is no favourite.
Author. I think she is a failure myself; but rather in execution than conception. Could I have evoked an esprit follet, at the same time fantastic and interesting, capricious and kind; a sort of wildfire of the elements, bound by no fixed laws, or motives of action; faithful and fond, yet teazing and uncertain —
Captain. If you will pardon the interruption, sir, I think you are describing a pretty woman.
Author. On my word, I believe I am. I must invest my elementary spirits with a little human flesh and blood – they are too fine-drawn for the present taste of the public.
Captain. They object, too, that the object of your Nixie ought to have been more uniformly noble – Her ducking the priest was no Naiad-like amusement.
Author. Ah! they ought to allow for the capriccios of what is, after all, but a better sort of goblin. The bath into which Ariel, the most delicate creation of Shakspeare’s imagination, seduces our jolly friend Trinculo, was not of amber or rose-water. But no one shall find me rowing against the stream. I care not who knows it – I write for general amusement; and, though I never will aim at popularity by what I think unworthy means, I will not, on the other hand, be pertinacious in the defence of my own errors against the voice of the public.
Captain. You abandon, then, in the present work – (looking, in my turn, towards the proof-sheet) – the mystic, and the magical, and the whole system of signs, wonders, and omens? There are no dreams, or presages, or obscure allusions to future events?
Author. Not a Cock-lane scratch, my son – not one bounce on the drum of Tedworth – not so much as the poor tick of a solitary death-watch in the wainscot. All is clear and above board – a Scots metaphysician might believe every word of it.
Captain. And the story is, I hope, natural and probable; commencing strikingly, proceeding naturally, ending happily – like the course of a famed river, which gushes from the mouth of some obscure and romantic grotto – then gliding on, never pausing, never precipitating its course, visiting, as it were, by natural