The Works of "Fiona Macleod", Volume IV. Sharp Elizabeth Amelia
clay merely to be the house of the soul. Were it so, were the soul unwed to its mortal comrades, it would be no more than a moment's uplifted wave on an infinite sea. Without memory, without hope, it would be no more than a breath of the Spirit. But before the Divine Power moulded us into substance, we were shaped by it in form. And form is, in the spiritual law, what the crystal is in the chemic law.
For now I see clearly that the chief end of the body is to enable the soul to come into intimate union with the natural law, so that it may fulfil the divine law of Form, and be at one with all created life and yet be for ever itself and individual. By itself the soul would only vainly aspire; it has to learn to remember, to become at one with the wind and the grass and with all that lives and moves; to take its life from the root of the body, and its green life from the mind, and its flower and fragrance from what it may of itself obtain, not only from this world, but from its own dews, its own rainbows, dawn stars and evening stars, and vast incalculable fans of time and death. And this I have learned: that there is no absolute Truth, no absolute Beauty, even for the Soul. It may be that in the Divine Forges we shall be so moulded as to have perfect vision. Meanwhile only that Truth is deepest, that Beauty highest which is seen, not by the Soul only, or by the Mind, or by the Body, but all three as one. Let each be perfect in kind and perfect in unity. This is the signal meaning of the mystery. It is so inevitable that it has its blind descent to fetich as well as its divine ascension. But the ignoble use does not annul the noble purport, any more than the blindness of many obscures the dream of one.
There could be no life hereafter for the soul were it not for the body, and what were that life without the mind, the child of both, whom the ancient seers knew and named Mnemosynê? Without memory life would be a void breath, immortality a vacuum.
Ah, the glory of the lifting light! The new day is come. Farewell.
IONA
"There are moments when the soul takes wings: what it has to remember, it remembers: what it loves, it loves still more: what it longs for, to that it flies."
A few places in the world are to be held holy, because of the love which consecrates them and the faith which enshrines them. Their names are themselves talismans of spiritual beauty. Of these is Iona.
The Arabs speak of Mecca as a holy place before the time of the prophet, saying that Adam himself lies buried here: and, before Adam, that the Sons of Allah, who are called Angels, worshipped; and that when Allah Himself stood upon perfected Earth it was on this spot. And here, they add, when there is no man left upon earth, an angel shall gather up the dust of this world, and say to Allah, "There is nothing left of the whole earth but Mecca: and now Mecca is but the few grains of sand that I hold in the hollow of my palm, O Allah."
In spiritual geography Iona is the Mecca of the Gael.
It is but a small isle, fashioned of a little sand, a few grasses salt with the spray of an ever-restless wave, a few rocks that wade in heather and upon whose brows the sea-wind weaves the yellow lichen. But since the remotest days sacrosanct men have bowed here in worship. In this little island a lamp was lit whose flame lighted pagan Europe, from the Saxon in his fens to the swarthy folk who came by Greek waters to trade the Orient. Here Learning and Faith had their tranquil home, when the shadow of the sword lay upon all lands, from Syracuse by the Tyrrhene Sea to the rainy isles of Orcc. From age to age, lowly hearts have never ceased to bring their burthen here. Iona herself has given us for remembrance a fount of youth more wonderful than that which lies under her own boulders of Dûn-I. And here Hope waits.
To tell the story of Iona is to go back to God, and to end in God.
But to write of Iona, there are many ways of approach. No place that has a spiritual history can be revealed to those who know nothing of it by facts and descriptions. The approach may be through the obscure glens of another's mind and so out by the moonlit way, as well as by the track that thousands travel. I have nothing to say of Iona's acreage, or fisheries, or pastures: nothing of how the islanders live. These things are the accidental. There is small difference in simple life anywhere. Moreover, there are many to tell all that need be known.
There is one Iona, a little island of the west. There is another Iona, of which I would speak. I do not say that it lies open to all. It is as we come that we find. If we come, bringing nothing with us, we go away ill-content, having seen and heard nothing of what we had vaguely expected to see or hear. It is another Iona than the Iona of sacred memories and prophecies: Iona the metropolis of dreams. None can understand it who does not see it through its pagan light, its Christian light, its singular blending of paganism and romance and spiritual beauty. There is, too, an Iona that is more than Gaelic, that is more than a place rainbow-lit with the seven desires of the world, the Iona that, if we will it so, is a mirror of your heart and of mine.
History may be written in many ways, but I think that in days to come the method of spiritual history will be found more suggestive than the method of statistical history. The one will, in its own way, reveal inward life, and hidden significance, and palpable destiny: as the other, in the good but narrow way of convention, does with exactitude delineate features, narrate facts, and relate events. The true interpreter will as little despise the one as he will claim all for the other.
And that is why I would speak here of Iona as befalls my pen, rather than as perhaps my pen should go: and choose legend and remembrance, and my own and other memories and associations, and knowledge of my own and others, and hidden meanings, and beauty and strangeness surviving in dreams and imaginations, rather than facts and figures, that others could adduce more deftly and with more will.
In the Félire na Naomh Nerennach is a strangely beautiful if fantastic legend of one Mochaoi, Abbot of n'-Aondruim in Uladh. With some companions he was at the edge of a wood, and while busy in cutting wattles wherewith to build a church, "he heard a bright bird singing on the blackthorn near him. It was more beautiful than the birds of the world." Mochaoi listened entranced. There was more in that voice than in the throat of any bird he had ever heard, so he stopped his wattle-cutting, and, looking at the bird, courteously asked who was thus delighting him. The bird at once answered, "A man of the people of my Lord" (that is, an angel). "Hail," said Mochaoi, "and for why that, O bird that is an angel?" "I am come here by command to encourage you in your good work, but also, because of the love in your heart, to amuse you for a time with my sweet singing." "I am glad of that," said the saint. Thereupon the bird sang a single surpassing sweet air, and then fixed his beak in the feathers of his wing, and slept. But Mochaoi heard the beauty and sweetness and infinite range of that song for three hundred years. Three hundred years were in that angelic song, but to Mochaoi it was less than an hour. For three hundred years he remained listening, in the spell of beauty: nor in that enchanted hour did any age come upon him, or any withering upon the wattles he had gathered; nor in the wood itself did a single leaf turn to a red or yellow flame before his eyes. Where the spider spun her web, she spun no more: where the dove leaned her grey breast from the fir, she leaned still.
Then suddenly the bird took its beak from its wing-feathers, and said farewell. When it was gone, Mochaoi lifted his wattles, and went homeward as one in a dream. He stared, when he looked for the little wattled cells of the Sons of Patrick. A great church built of stone stood before his wondering eyes. A man passed him, and told the stranger that it was the church of St. Mochaoi. When he spoke to the assembled brothers, none knew him: some thought he had been taken away by the people of the Shee, and come back at fairy-nightfall, which is the last hour of the last day of three hundred years. "Tell us your name and lineage," they cried. "I am Mochaoi, Abbot of n'-Aondruim," he said, and then he told his tale, and they knew him, and made him abbot again. In the enchanted wood a shrine was built, and about it a church grew, "and surpassingly white angels often alighted there, or sang hymns to it from the branches of the forest trees, or leaned with their foot on tiptoe, their eyes on the horizon, their ear on the ground, their wings flapping, their bodies trembling, waiting to send tidings of prayer and repentance with a beat of their wings to the King of the Everlasting."
There are many who thought that Mochaoi was dead, when he was seen no more of his fellow-monks at the forest monastery of n'Aondruim in Uladh. But his chronicler knew: "a sleep without decay of the body Mochaoi of Antrim slept."
I am reminded of the story