L'Assommoir. Emile Zola
one's bed?"
"And never to be beaten," added Coupeau gaily. "But I would never beat you, if you would only try me, Madame Gervaise. You've no cause for fear. I don't drink and then I love you too much. Come, shall it be marriage? I'll get you divorced and make you my wife."
He was speaking low, whispering at the back of her neck while she made her way through the crowd of men with her basket held before her. She kept shaking her head "no." Yet she turned around to smile at him, apparently happy to know that he never drank. Yes, certainly, she would say "yes" to him, except she had already sworn to herself never to start up with another man. Eventually they reached the door and went out.
When they left, l'Assommoir was packed to the door, spilling its hubbub of rough voices and its heavy smell of vitriol into the street. My-Boots could be heard railing at Pere Colombe, calling him a scoundrel and accusing him of only half filling his glass. He didn't have to come in here. He'd never come back. He suggested to his comrades a place near the Barriere Saint-Denis where you drank good stuff straight.
"Ah," sighed Gervaise when they reached the sidewalk. "You can breathe out here. Good-bye, Monsieur Coupeau, and thank you. I must hurry now."
He seized her hand as she started along the boulevard, insisting, "Take a walk with me along Rue de la Goutte-d'Or. It's not much farther for you. I've got to see my sister before going back to work. We'll keep each other company."
In the end, Gervaise agreed and they walked beside each other along the Rue des Poissonniers, although she did not take his arm. He told her about his family. His mother, an old vest-maker, now had to do housekeeping because her eyesight was poor. Her birthday was the third of last month and she was sixty-two. He was the youngest. One of his sisters, a widow of thirty-six, worked in a flower shop and lived in the Batignolles section, on Rue des Moines. The other sister was thirty years old now. She had married a deadpan chainmaker named Lorilleux. That's where he was going now. They lived in a big tenement on the left side. He ate with them in the evenings; it saved a bit for all of them. But he had been invited out this evening and he was going to tell her not to expect him.
Gervaise, who was listening to him, suddenly interrupted him to ask, with a smile: "So you're called 'Young Cassis,' Monsieur Coupeau?"
"Oh!" replied he, "it's a nickname my mates have given me because I generally drink 'cassis' when they force me to accompany them to the wineshop. It's no worse to be called Young Cassis than My-Boots, is it?"
"Of course not. Young Cassis isn't an ugly name," observed the young woman.
And she questioned him about his work. He was still working there, behind the octroi wall at the new hospital. Oh! there was no want of work, he would not be finished there for a year at least. There were yards and yards of gutters!
"You know," said he, "I can see the Hotel Boncoeur when I'm up there. Yesterday you were at the window, and I waved my arms, but you didn't notice me."
They had already gone about a hundred paces along the Rue de la Goutte-d'Or, when he stood still and raising his eyes, said:
"That's the house. I was born farther on, at No. 22. But this house is, all the same, a fine block of masonry! It's as big as a barrack inside!"
Gervaise looked up, examining the facade. On the street side, the tenement had five stories, each with fifteen windows, whose black shutters with their broken slats gave an air of desolation to the wide expanse of wall. Four shops occupied the ground floor. To the right of the entrance, a large, greasy hash house, and to the left, a coal dealer, a notions seller, and an umbrella merchant. The building appeared even larger than it was because it had on each side a small, low building which seemed to lean against it for support. This immense, squared-off building was outlined against the sky. Its unplastered side walls were as bare as prison walls, except for rows of roughly jutting stones which suggested jaws full of decayed teeth yawning vacantly.
Gervaise was gazing at the entrance with interest. The high, arched doorway rose to the second floor and opened onto a deep porch, at the end of which could be seen the pale daylight of a courtyard. This entranceway was paved like the street, and down the center flowed a streamlet of pink-stained water.
"Come in," said Coupeau, "no one will eat you."
Gervaise wanted to wait for him in the street. However, she could not resist going through the porch as far as the concierge's room on the right. And there, on the threshold, she raised her eyes. Inside, the building was six stories high, with four identical plain walls enclosing the broad central court. The drab walls were corroded by yellowish spots and streaked by drippings from the roof gutters. The walls went straight up to the eaves with no molding or ornament except the angles on the drain pipes at each floor. Here the sink drains added their stains. The glass window panes resembled murky water. Mattresses of checkered blue ticking were hanging out of several windows to air. Clothes lines stretched from other windows with family washing hanging to dry. On a third floor line was a baby's diaper, still implanted with filth. This crowded tenement was bursting at the seams, spilling out poverty and misery through every crevice.
Each of the four walls had, at ground level, a narrow entrance, plastered without a trace of woodwork. This opened into a vestibule containing a dirt-encrusted staircase which spiraled upward. They were each labeled with one of the first four letters of the alphabet painted on the wall.
Several large work-shops with weather-blackened skylights were scattered about the court. Near the concierge's room was the dyeing establishment responsible for the pink streamlet. Puddles of water infested the courtyard, along with wood shavings and coal cinders. Grass and weeds grew between the paving stones. The unforgiving sunlight seemed to cut the court into two parts. On the shady side was a dripping water tap with three small hens scratching for worms with their filth-smeared claws.
Gervaise slowly gazed about, lowering her glance from the sixth floor to the paving stones, then raising it again, surprised at the vastness, feeling as it were in the midst of a living organ, in the very heart of a city, and interested in the house, as though it were a giant before her.
"Is madame seeking for any one?" called out the inquisitive concierge, emerging from her room.
The young woman explained that she was waiting for a friend. She returned to the street; then as Coupeau did not come, she went back to the courtyard seized with the desire to take another look. She did not think the house ugly. Amongst the rags hanging from the windows she discovered various cheerful touches – a wall-flower blooming in a pot, a cage of chirruping canaries, shaving-glasses shining like stars in the depth of the shadow. A carpenter was singing in his work-shop, accompanied by the whining of his plane. The blacksmith's hammers were ringing rhythmically.
In contrast to the apparent wretched poverty, at nearly every open window appeared the begrimed faces of laughing children. Women with peaceful faces could be seen bent over their sewing. The rooms were empty of men who had gone back to work after lunch. The whole tenement was tranquil except for the sounds from the work-shops below which served as a sort of lullaby that went on, unceasingly, always the same.
The only thing she did not like was the courtyard's dampness. She would want rooms at the rear, on the sunny side. Gervaise took a few more steps into the courtyard, inhaling the characteristic odor of the slums, comprised of dust and rotten garbage. But the sharp odor of the waste water from the dye shop was strong, and Gervaise thought it smelled better here than at the Hotel Boncoeur. She chose a window for herself, the one at the far left with a small window box planted with scarlet runners.
"I'm afraid I've kept you waiting rather a long time," said Coupeau, whom she suddenly heard close beside her. "They always make an awful fuss whenever I don't dine with them, and it was worse than ever to-day as my sister had bought some veal."
And as Gervaise had slightly started with surprise, he continued glancing around in his turn:
"You were looking at the house. It's always all let from the top to the bottom. There are three hundred lodgers, I think. If I had any furniture, I would have secured a small room. One would be comfortable here, don't you think so?"
"Yes, one would be comfortable," murmured Gervaise. "In our street at Plassans there weren't near so many people. Look, that's pretty – that window up