The Dream. Emile Zola
failed, and they worked constantly at those vestments, with their five colours: the white, for Confessors and Virgins; the red, for Apostles and Martyrs; the black, for the days of fasting and for the dead; the violet, for the Innocents; and the green for fete-days. Gold was also often used in place of white or of green. The same symbols were always in the centre of the Cross: the monograms of Jesus and of the Virgin Mary, the triangle surrounded with rays, the lamb, the pelican, the dove, a chalice, a monstrance, and a bleeding heart pierced with thorns; while higher up and on the arms were designs, or flowers, all the ornamentation being in the ancient style, and all the flora in large blossoms, like anemones, tulips, peonies, pomegranates, or hortensias. No season passed in which she did not remake the grapes and thorns symbolic, putting silver on black, and gold on red. For the most costly vestments, she varied the pictures of the heads of saints, having, as a central design, the Annunciation, the Last Supper, or the Crucifixion. Sometimes the orfreys were worked on the original material itself; at others, she applied bands of silk or satin on brocades of gold cloth, or of velvet. And all this efflorescence of sacred splendour was created, little by little, by her deft fingers. At this moment the vestment on which Angelique was at work was a chasuble of white satin, the cross of which was made by a sheaf of golden lilies intertwined with bright roses, in various shades of silk. In the centre, in a wreath of little roses of dead gold, was the monogram of the Blessed Virgin, in red and green gold, with a great variety of ornaments.
For an hour, during which she skilfully finished the little roses, the silence had not been broken even by a single word. But her thread broke again, and she re-threaded her needle by feeling carefully under the frame, as only an adroit person can do. Then, as she raised her head, she again inhaled with satisfaction the pure, fresh air that came in from the garden.
“Ah!” she said softly, “how beautiful it was yesterday! The sunshine is always perfect.”
Hubertine shook her head as she stopped to wax her thread.
“As for me, I am so wearied, it seems as if I had no arms, and it tires me to work. But that is not strange, for I so seldom go out, and am no longer young and strong, as you are at sixteen.”
Angelique had reseated herself and resumed her work. She prepared the lilies by sewing bits of vellum on certain places that had been marked, so as to give them relief, but the flowers themselves were not to be made until later, for fear the gold be tarnished were the hands moved much over it.
Hubert, who, having finished arranging the material in its frame, was about drawing with pumice the pattern of the cope, joined in the conversation and said: “These first warm days of spring are sure to give me a terrible headache.”
Angelique’s eyes seemed to be vaguely lost in the rays which now fell upon one of the flying buttresses of the church, as she dreamily added: “Oh no, father, I do not think so. One day in the lively air, like yesterday, does me a world of good.”
Having finished the little golden leaves, she began one of the large roses, near the lilies. Already she had threaded several needles with the silks required, and she embroidered in stitches varying in length, according to the natural position and movement of the petals, and notwithstanding the extreme delicacy and absorbing nature of this work, the recollections of the previous day, which she lived over again in thought and in silence, now came to her lips, and crowded so closely upon each other that she no longer tried to keep them back. So she talked of their setting out upon their expedition, of the beautiful fields they crossed, of their lunch over there in the ruins of Hautecoeur, upon the flagstones of a little room whose tumble-down walls towered far above the Ligneul, which rolled gently among the willows fifty yards below them.
She was enthusiastic over these crumbling ruins, and the scattered blocks of stone among the brambles, which showed how enormous the colossal structure must have been as, when first built, it commanded the two valleys. The donjon remained, nearly two hundred feet in height, discoloured, cracked, but nevertheless firm, upon its foundation pillars fifteen feet thick. Two of its towers had also resisted the attacks of Time – that of Charlemagne and that of David – united by a heavy wall almost intact. In the interior, the chapel, the court-room, and certain chambers were still easily recognised; and all this appeared to have been built by giants, for the steps of the stairways, the sills of the windows, and the branches on the terraces, were all on a scale far out of proportion for the generation of to-day. It was, in fact, quite a little fortified city. Five hundred men could have sustained there a siege of thirty months without suffering from want of ammunition or of provisions. For two centuries the bricks of the lowest story had been disjointed by the wild roses; lilacs and laburnums covered with blossoms the rubbish of the fallen ceilings; a plane-tree had even grown up in the fireplace of the guardroom. But when, at sunset, the outline of the donjon cast its long shadow over three leagues of cultivated ground, and the colossal Chateau seemed to be rebuilt in the evening mists, one still felt the great strength, and the old sovereignty, which had made of it so impregnable a fortress that even the kings of France trembled before it.
“And I am sure,” continued Angelique, “that it is inhabited by the souls of the dead, who return at night. All kinds of noises are heard there; in every direction are monsters who look at you, and when I turned round as we were coming away, I saw great white figures fluttering above the wall. But, mother, you know all the history of the castle, do you not?”
Hubertine replied, as she smiled in an amused way: “Oh! as for ghosts, I have never seen any of them myself.”
But in reality, she remembered perfectly the history, which she had read long ago, and to satisfy the eager questionings of the young girl, she was obliged to relate it over again.
The land belonged to the Bishopric of Rheims, since the days of Saint Remi, who had received it from Clovis.
An archbishop, Severin, in the early years of the tenth century, had erected at Hautecoeur a fortress to defend the country against the Normans, who were coming up the river Oise, into which the Ligneul flows.
In the following century a successor of Severin gave it in fief to Norbert, a younger son of the house of Normandy, in consideration of an annual quit-rent of sixty sous, and on the condition that the city of Beaumont and its church should remain free and unincumbered. It was in this way that Norbert I became the head of the Marquesses of Hautecoeur, whose famous line from that date became so well known in history. Herve IV, excommunicated twice for his robbery of ecclesiastical property, became a noted highwayman, who killed, on a certain occasion, with his own hands, thirty citizens, and his tower was razed to the ground by Louis le Gros, against whom he had dared to declare war. Raoul I, who went to the Crusades with Philip Augustus, perished before Saint Jean d’Acre, having been pierced through the heart by a lance. But the most illustrious of the race was John V, the Great, who, in 1225, rebuilt the fortress, finishing in less than five years this formidable Chateau of Hautecoeur, under whose shelter he, for a moment, dreamed of aspiring to the throne of France, and after having escaped from being killed in twenty battles, he at last died quietly in his bed, brother-in-law to the King of Scotland. Then came Felician III, who made a pilgrimage to Jerusalem barefooted; Herve VII, who asserted his claims to the throne of Scotland; and still many others, noble and powerful in their day and generation, down to Jean IX, who, under Mazarin, had the grief of assisting at the dismantling of the castle. After a desperate siege, the vaults of the towers and of the donjon were blown up with powder, and the different constructions were set on fire; where Charles VI had been sent to rest, and to turn his attention from his vagaries, and where, nearly two hundred years later, Henri IV had passed a week as Gabrielle D’Estress. Thenceforth, all these royal souvenirs had passed into oblivion.
Angelique, without stopping the movement of her needle, listened eagerly, as if the vision of these past grandeurs rose up from her frame, in proportion as the rose grew there in its delicate life of colour. Her ignorance of general history enlarged facts, and she received them as if they were the basis of a marvellous legend. She trembled with delight, and, transported by her faith, it seemed as if the reconstructed Chateau mounted to the very gates of heaven, and the Hautecoeurs were cousins to the Virgin Mary.
When there was a pause in the recital she asked, “Is not our new Bishop Monseigneur d’Hautecoeur, a descendant of this noted family?”
Hubertine replied that Monseigneur must