The Mentor: Russian Music, Vol. 4, Num. 18, Serial No. 118, November 1, 1916. Finck Henry Theophilus

The Mentor: Russian Music, Vol. 4, Num. 18, Serial No. 118, November 1, 1916 - Finck Henry Theophilus


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died suddenly. His mother and brother were forced to return to Moscow. Anton went to Vienna to earn a living. For nearly two years more he studied hard there, and then went on two concert tours through Hungary. The Revolution broke out in Vienna and prevented his return to that city, so he went to Petrograd, where he studied, composed and lived pleasantly for the next few years.

      About this time he came near being exiled to Siberia through an unfortunate error of the police. He was saved from this by his patroness, the Grand Duchess Helene.

      He composed several operas during the next few years; and he visited Hamburg and Leipzig and then went on to London, arriving there for the second time in 1857. He remained there for a short time and reappeared the following year, in the meantime having been appointed concert director of the Royal Russian Musical Society. In 1862 he helped to found the Conservatory at Petrograd. Of this he was director until 1867.

      Rubinstein then traveled for some years, visiting America in 1872 – a tour which brought him $40,000. So popular was his playing that he was afterward offered $125,000 for fifty concerts; but he could not overcome his dread of the sea voyage. He returned to Russia from America, and after a short rest continued his concert tours. For the remaining years of his life he lived in turn at Petrograd, Berlin, and Dresden, devoting his time to concerts, teaching, and to composition. In 1885 he began a series of historical recitals, which he gave in most of the chief European capitals. Rubinstein died near Petrograd on November 20, 1894.

      RUSSIAN MUSIC

      Modeste Petrovich Moussorgsky

THREE

      Moussorgsky’s artistic creed might be summed up in one sentence – he was devoted absolutely to the principle of “art for life’s sake.” This is quite the opposite of “Art for art’s sake.” Moussorgsky looked on musical art not as an end in itself, but as a means of vital expression. He was a full-blooded realist, and his music throbs with life.

      Modeste Petrovich Moussorgsky was born on the estate of his father at Karevo on March 28, 1839. His father was a man of moderate means, and the boy spent his first ten years in the country and in close touch with the peasants. This early environment inspired his later feelings of sympathy with the land and its people. Long before he could play the piano he tried to reproduce songs that he heard among the peasants. His mother was pleased at this, and began to give him lessons on the piano when he was still a young child. At the age of seven he was able to play some of the smaller pieces of Liszt. Sometimes he even improvised musical settings for the fairy tales that his nurse told him.

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