Blackwood's Edinburgh Magazine, Volume 65, No. 402, April, 1849. Various
American literature; and their qualities and excellencies are so different as at once to invite and suggest critical discrimination.
The great characteristic of Lord Jeffrey is, with some striking exceptions, the fairness and general justice of the criticism which his works exhibit, the kindly feeling which they evince, and the lively illustrations with which they abound. He had vast powers of application. When in great practice at the bar, and deservedly a leading counsel in jury cases, he contrived to find time to conduct the Edinburgh Review, and to enrich its pages by above a hundred contributions. There is no great extent of learning in them, few original ideas, and little of that earnestness of expression which springs from strong internal conviction, and is the chief fountain of eloquent and overpowering oratory. He rarely quotes classical or Italian literature, and his writings give no token of a mind stored with their imagery. He seldom gives you the feeling that he is serious, or deeply impressed with his subject. He seldom strikes with force, but very often touches with felicity. The feeling which pervades his writings is always excellent, often generous; his taste is correct, his criticism in general just; and it is impossible not to admire the light and airy hand with which he treats of the most difficult subjects, and the happy expressions with which he often illustrates the most abstruse ideas. He deals more in Scotch metaphysics than suits the present age: he made some signal and well-known mistakes in the estimation of contemporary poetry; and laboured, without effect, to write up Ford, Massinger, and the old dramatists, whom their inveterate indecency has justly banished from general popularity. But these faults are amply redeemed by the attractions of his essays in other respects. There are no more charming reviews in our language than some which his collected papers contain: and no one can rise from their perusal with any surprise that the accomplished author of works containing so much just and kindly criticism should deservedly be a most popular and respected judge.
It is impossible to imagine a more thorough contrast to Lord Jeffrey than the writings of Sidney Smith exhibit. Though a reverend and pious divine, the prebendary of St Paul's had very little of the sacerdotal character in him. His conversational talents were great, his success in the highest London society unbounded; but this intoxicating course neither relaxed the vigour of his application, nor deadened the warmth of his feelings. His powers, and they were of no ordinary kind, were always directed, though sometimes with mistaken zeal, to the interests of humanity. His sayings, like those of Talleyrand, were repeated from one end of the empire to the other. These brilliant and sparkling qualities are conspicuous in his writings, and have mainly contributed to their remarkable success both in this country and America. There is scarcely any scholarship, and little information, to be met with in his works. Few take them up to be instructed; many to be amused. He has little of the equanimity of the judge about him, but a great deal of the wit and jocularity of the pleader. He would have made a first-rate jury counsel, for he would alternately have driven them by the force of his arguments, and amused them by the brilliancy of his expressions. There is no more vigorous and forcible diatribe in our language than his celebrated letter on North American repudiation, which roused the attention, and excited the admiration, of the repudiators themselves. He has expressed in a single line a great truth, applicable, it is to be feared, to other nations besides the Americans: "They preferred any load of infamy, however great, to any burden of taxation, however light." But Sidney Smith's blows were expended, and wit lavished, in general, on subjects of passing or ephemeral interest: they were not, like the strokes of Johnson, levelled at the universal frailties and characteristics of human nature. On this account, though their success hitherto has been greater, it is doubtful whether his essays will take so high a lasting place in English literature as those of Lord Jeffrey, which in general treat of works of permanent interest.
Sir James Mackintosh differs as widely from the original pillars of the Edinburgh Review as they do from each other. The publication of his collected essays, with the historical sketch and fragment which he has left, enables us now to form a fair estimate of his powers. That they were great, no one can doubt; but they are of a different kind from what was at first anticipated. Not a shadow of a doubt can now remain, that, though his noble mind had not been in a great degree swallowed up as it was in the bottomless gulf of London society, and he had spent his whole forenoons for the last fifteen years of his life in writing his history, instead of conversing with fashionable or literary ladies, his labours would have terminated in disappointment. The beginning of a history which he has left, is a sufficient proof of this: it is learned, minute, and elaborate, but dull. The Whigs, according to their usual practice with all writers of their own party, hailed its appearance with a flourish of trumpets; but we doubt whether many of them have yet read it through. He had little dramatic power; his writings exhibit no traces of a pictorial eye, and though he had much poetry in his mind, they are not imbued with the poetic character. These deficiencies are fatal to the popularity of any historian: no amount of learning or philosophical acuteness can supply their want in the narrative of events. Guizot is a proof of this: he is, perhaps, one of the greatest writers on the philosophy of history that ever lived; but his history of the English Revolution is lifeless beside the pages of Livy or Gibbon. Sir James Mackintosh was fitted to have been the Guizot of English history. His mind was essentially didactic. Reflection, not action, was both the bent of his disposition and the theatre of his glory. His History of England, written for Lardner's Encyclopedia, can scarcely be called a history; it is rather a series of essays on history. It treats so largely of some events, so scantily of others, that a reader not previously acquainted with the subject, might rise from its perusal with scarcely any idea of the thread of English story. But no one who was already informed on it can do so, without feeling his mind stored with original and valuable reflection, just and profound views. His collected essays from the Edinburgh Review, lately put together, are not so discursive as those of Lord Jeffrey, nor so amusing as those of Sidney Smith; but they are much more profound than either, and treat of subjects more permanently interesting to the human race. Many of them, particularly that on representative governments, abound with views equally just and original. It is impossible not to regret, that a mind so richly stored with historical knowledge, and so largely endowed with philosophic penetration, should have left so few lasting monuments of its great and varied powers.
Much as these very eminent men differ from each other, Mr Macaulay is, perhaps, still more clearly distinguished from either. Both his turn of mind and style of writing are peculiar, and exhibit a combination rarely if ever before witnessed in English, or even modern literature. Unlike Lord Jeffrey, he is deeply learned in ancient and modern lore; his mind is richly stored with the poetry and history both of classical and Continental literature. Unlike Mackintosh, he is eminently dramatic and pictorial; he alternately speaks poetry to the soul and pictures to the eye. Unlike Sidney Smith, he has avoided subjects of party contention and passing interest, and grappled with the great questions, the immortal names, which will for ever attract the interest and command the attention of man. Milton, Bacon, Machiavelli, first awakened his discriminating and critical taste; Clive, Warren Hastings, Frederick the Great, called forth his dramatic and historic powers. He has treated of the Reformation and the Catholic reaction in his review of Ranke; of the splendid despotism of the Popedom in that of Hildebrand; of the French Revolution in that of Barère. There is no danger of his essays being forgotten, like many of those of Addison; nor of pompous uniformity of style being complained of, as in most of those of Johnson. His learning is prodigious; and perhaps the chief defects of his composition arise from the exuberant riches of the stores from which they are drawn. When warmed in his subject he is thoroughly in earnest, and his language, in consequence, goes direct to the heart. In many of his writings – and especially the first volume of his history, and his essay on the Reformation – there are reflections equally just and original, which never were surpassed in the philosophy of history. That he is imbued with the soul of poetry need be told to none who have read his Battle of the Lake Regillus; that he is a great biographer will be disputed by none who are acquainted with the splendid biographies of Clive and Hastings, by much the finest productions of the kind in the English language.
Macaulay's style, like other original things, has already produced a school of imitators. Its influence may distinctly be traced, both in the periodical and daily literature of the day. Its great characteristic is the shortness of the sentences, which often equals that of Tacitus himself, and the rapidity with which new and distinct ideas or facts succeed each other in his richly-stored pages. He is the Pope of English prose: