Blackwood's Edinburgh Magazine, Volume 68, No. 421, November 1850. Various
warm sunny light of his native climate. Frank was no judge of the art displayed; but he was greatly struck with the scenes depicted: they were all views of some lake, real or imaginary – in all, dark-blue shining waters reflected dark-blue placid skies. In one, a flight of steps descended to the lake, and a gay group was seen feasting on the margin: in another, sunset threw its rose-hues over a vast villa or palace, backed by Alpine hills, and flanked by long arcades of vines, while pleasure-boats skimmed over the waves below. In short, throughout all the eight compartments, the scene, though it differed in details, preserved the same general character, as if illustrating some favourite locality. The Italian did not, however, evince any desire to do the honours to his own art, but, preceding Frank across the hall, opened the door of his usual sitting-room, and requested him to enter. Frank did so, rather reluctantly, and seated himself with unwonted bashfulness on the edge of a chair. But here new specimens of the Doctor's handicraft soon riveted attention. The room had been originally papered; but Riccabocca had stretched canvass over the walls, and painted thereon sundry satirical devices, each separated from the other by scroll-works of fantastic arabesques. Here a Cupid was trundling a wheelbarrow full of hearts, which he appeared to be selling to an ugly old fellow, with a money-bag in his hand – probably Plutus. There Diogenes might be seen walking through a market-place, with his lantern in his hand, in search of an honest man, whilst the children jeered at him, and the curs snapped at his heels. In another place, a lion was seen half dressed in a fox's hide, while a wolf in a sheep's mask was conversing very amicably with a young lamb. Here again might be seen the geese stretching out their necks from the Roman Capitol in full cackle, while the stout invaders were beheld in the distance, running off as hard as they could. In short, in all these quaint entablatures some pithy sarcasm was symbolically conveyed; only over the mantelpiece was the design graver and more touching. It was the figure of a man in a pilgrim's garb, chained to the earth by small but innumerable ligaments, while a phantom likeness of himself, his shadow, was seen hastening down what seemed an interminable vista; and underneath were written the pathetic words of Horace —
"Patriæ quis exul
Se quoque fugit?."
– "What exile from his country can fly himself as well?" The furniture of the room was extremely simple, and somewhat scanty; yet it was arranged so as to impart an air of taste and elegance to the room. Even a few plaster busts and statues, though bought but of some humble itinerant, had their classical effect, glistening from out stands of flowers that were grouped around them, or backed by graceful screen-works formed from twisted osiers, which, by the simple contrivance of trays at the bottom, filled with earth, served for living parasitical plants, with gay flowers contrasting thick ivy leaves, and gave to the whole room the aspect of a bower.
"May I ask your permission?" said the Italian, with his finger on the seal of the letter.
"Oh yes," said Frank with naiveté.
Riccabocca broke the seal, and a slight smile stole over his countenance. Then he turned a little aside from Frank, shaded his face with his hand, and seemed to muse. "Mrs Hazeldean," said he at last, "does me very great honour. I hardly recognise her handwriting, or I should have been more impatient to open the letter." The dark eyes were lifted over the spectacles, and went right into Frank's unprotected and undiplomatic heart. The Doctor raised the note, and pointed to the characters with his forefinger.
"Cousin Jemima's hand," said Frank, as directly as if the question had been put to him.
The Italian smiled. "Mr Hazeldean has company staying with him?"
"No; that is, only Barney – the Captain. There's seldom much company before the shooting season," added Frank with a slight sigh; "and then you know the holidays are over. For my part, I think we ought to break up a month later."
The Doctor seemed reassured by the first sentence in Frank's reply, and seating himself at the table, wrote his answer – not hastily, as we English write, but with care and precision, like one accustomed to weigh the nature of words – in that stiff Italian hand, which allows the writer so much time to think while he forms his letters. He did not therefore reply at once to Frank's remark about the holidays, but was silent till he had concluded his note, read it three times over, sealed it by the taper he slowly lighted, and then, giving it to Frank, he said —
"For your sake, young gentleman, I regret that your holidays are so early; for mine, I must rejoice, since I accept the kind invitation you have rendered doubly gratifying by bringing it yourself."
"Deuce take the fellow and his fine speeches! One don't know which way to look," thought English Frank.
The Italian smiled again, as if this time he had read the boy's heart, without need of those piercing black eyes, and said, less ceremoniously than before, "You don't care much for compliments, young gentleman?"
"No, I don't indeed," said Frank heartily.
"So much the better for you, since your way in the world is made: it would be so much the worse if you had to make it!"
Frank looked puzzled: the thought was too deep for him – so he turned to the pictures.
"Those are very funny," said he: "they seem capitally done – who did 'em?"
"Signorino Hazeldean, you are giving me what you refused yourself."
"Eh?" said Frank inquiringly.
"Compliments!"
"Oh – I – no; but they are well done, arn't they, sir?"
"Not particularly: you speak to the artist."
"What! you painted them?"
"Yes."
"And the pictures in the hall?"
"Those too."
"Taken from nature – eh?"
"Nature," said the Italian sententiously, perhaps evasively, "lets nothing be taken from her."
"Oh!" said Frank, puzzled again.
"Well, I must wish you good morning, sir; I am very glad you are coming."
"Without compliment?"
"Without compliment."
"A rivedersi– good-by for the present, my young signorino. This way," observing Frank make a bolt towards the wrong door.
"Can I offer you a glass of wine – it is pure, of our own making?"
"No, thank you, indeed, sir," cried Frank, suddenly recollecting his father's admonition. "Good-by – don't trouble yourself, sir; I know my way now."
But the bland Italian followed his guest to the wicket, where Frank had left the pony. The young gentleman, afraid lest so courteous a host should hold the stirrup for him, twitched off the bridle, and mounted in haste, not even staying to ask if the Italian could put him in the way to Rood Hall, of which way he was profoundly ignorant. The Italian's eye followed the boy as he rode up the ascent in the lane, and the Doctor sighed heavily. "The wiser we grow," said he to himself, "the more we regret the age of our follies: it is better to gallop with a light heart up the stony hill than sit in the summer-house and cry 'How true!' to the stony truths of Machiavelli!"
With that he turned back into the Belvidere; but he could not resume his studies. He remained some minutes gazing on the prospect, till the prospect reminded him of the fields, which Jackeymo was bent on his hiring, and the fields reminded him of Lenny Fairfield. He walked back to the house, and in a few moments re-emerged in his out-of-door trim, with cloak and umbrella, relighted his pipe, and strolled towards Hazeldean village.
Meanwhile Frank, after cantering on for some distance, stopped at a cottage, and there learned that there was a short cut across the fields to Rood Hall, by which he could save nearly three miles. Frank, however, missed the short cut, and came out into the highroad: a turnpike keeper, after first taking his toll, put him back again into the short cut; and finally, he got into some green lanes, where a dilapidated finger-post directed him to Rood. Late at noon, having ridden fifteen miles in the desire to reduce ten to seven, he came suddenly upon a wild and primitive piece of ground, that seemed half Chase, half common, with slovenly tumble-down cottages of villanous aspect scattered about in odd nooks and corners; idle