Fourth Reader. Various
by hardy rose trees, and looking on a garden in which grew abundantly pear trees, plum trees, and strawberries. The little son of neighbor Sanzio ran in and out of this bigger house and wider garden of Benedetto at his pleasure, for the maiden Pacifica was always glad to see him, and even the master potter would show the child how to lay the color on the tremulous unbaked clay. Raphael loved Pacifica, as he loved everything that was beautiful, and every one that was kind.
Master Benedetto had four apprentices or pupils at that time, but the one that Raphael and Pacifica liked best was one Luca, a youth with a noble, dark beauty of his own. For love of Pacifica he had come down from his mountain home, and had bound himself to her father’s service. Now he spent his days trying in vain to make designs fair enough to find favor in the eyes of his master.
One day, as Raphael was standing by his favorite window in the potter’s house, his friend, the handsome Luca, who was also standing there, sighed so deeply that the child was startled from his dreams. “Good Luca, what ails you?” he queried, winding his arms about the young man’s knees.
“Oh, ‘Faello!” sighed the apprentice, wofully, “here is a chance to win the hand of Pacifica if only I had talent. If the good Lord had only gifted me with a master’s skill, instead of all the strength of this great body of mine, I might win Pacifica.”
“What chance is it?” asked Raphael.
“Dear one,” answered Luca, with a tremendous sigh, “you must know that a new order has come in this very forenoon from the Duke. He wishes a dish and a jar of the very finest majolica to be painted with the story of Esther, and made ready in three months from this date. The master has said that whoever makes a dish and a jar beautiful enough for the great Duke shall become his partner and the husband of Pacifica. Now you see, ‘Faello mine, why I am so bitterly sad of heart; for at the painting of clay I am but a tyro. Even your good father told me that, though I had a heart of gold, yet I would never be able to decorate anything more than a barber’s basin. Alas! what shall I do? They will all beat me;” and tears rolled down the poor youth’s face.
Raphael heard all this in silence, leaning his elbows on his friend’s knee, and his chin on the palms of his own hands. He knew that the other pupils were better painters by far than his Luca; though not one of them was such a good-hearted youth, and for none of them did the maiden Pacifica care.
Raphael was very pensive for a while; then he raised his head and said, “Listen! I have thought of something, Luca. But I do not know whether you will let me try it.”
“You angel child! What would your old Luca deny to you? But as for helping me, put that out of your little mind forever, for no one can help me.”
“Let me try!” said the child a hundred times.
Luca could hardly restrain his shouts of mirth at the audacious fancy. Baby Raphael, only seven years old, to paint a majolica dish and vase for the Duke! But the sight of the serious face of Raphael, looking up with serene confidence, kept the good fellow grave. So utterly in earnest was the child, and so intense was Luca’s despair, that the young man gave way to Raphael’s entreaties.
“Never can I do aught,” he said bitterly. “And sometimes by the help of cherubs the saints work miracles.”
“It shall be no miracle,” replied Raphael; “it shall be myself, and what the dear God has put into me.”
From that hour Luca let him do what he would, and through all the lovely summer days the child shut himself in the garret and studied, and thought, and worked. For three months Raphael passed the most anxious hours of all his sunny young life. He would not allow Luca even to look at what he did. The swallows came in and out of the open window and fluttered all around him; the morning sunbeams came in, too, and made a halo about his golden head. He was only seven years old, but he labored as earnestly as if he were a man grown, his little rosy fingers grasping that pencil which was to make him, in life and death, more famous than all the kings of the earth.
One afternoon Raphael took Luca by the hand and said to him, “Come.” He led the young man up to the table beneath the window where he had passed so many days of the spring and summer. Luca gave a great cry, and then fell on his knees, clasping the little feet of the child.
“Dear Luca,” he said softly, “do not do that. If it be indeed good, let us thank God.”
What Luca saw was the great oval dish and the great jar or vase with all manner of graceful symbols and classic designs wrought upon them. Their borders were garlanded with cherubs and flowers, and the landscapes were the beautiful landscapes round about Urbino; and amidst the figures there was one white-robed, golden-crowned Esther, to whom the child painter had given the face of Pacifica.
“Oh, wondrous boy!” sighed the poor apprentice as he gazed, and his heart was so full that he burst into tears. At last he said timidly: “But, Raphael, I do not see how your marvellous creation can help me! Even if you would allow it to pass as mine, I could not accept such a thing, – not even to win Pacifica. It would be a fraud, a shame.”
“Wait just a little longer, my good friend, and trust me,” said Raphael.
The next morning was a midsummer day. Now, the pottery was all to be placed on a long table, and the Duke was then to come and make his choice from amidst them. A few privileged persons had been invited, among them the father of Raphael, who came with his little son clinging to his hand.
The young Duke and his court came riding down the street, and paused before the old stone house of the master potter. Bowing to the ground, Master Benedetto led the way, and the others followed into the workshop. In all there were ten competitors. The dishes and jars were arranged with a number attached to each – no name to any.
The Duke, doffing his plumed cap, walked down the long room and examined each production in its turn. With fair words he complimented Signor Benedetto on the brave show, and only before the work of poor Luca was he entirely silent. At last, before a vase and a dish that stood at the farthest end of the table, the Duke gave a sudden cry of wonder and delight.
“This is beyond all comparison,” said he, taking the great oval dish in his hands. “It is worth its weight in gold. I pray you, quick, name the artist.”
“It is marked number eleven, my lord,” answered the master potter, trembling with pleasure and surprise. “Ho, you who reply to that number, stand out and give your name.”
But no one moved. The young men looked at one another. Where was this nameless rival? There were but ten of themselves.
“Ho, there!” cried the master, becoming angry. “Can you not find a tongue? Who has wrought this wondrous work?”
Then the child loosened his little hand from his father’s hold and stepped forward, and stood before the master potter.
“I painted it,” he said, with a pleased smile; “I, Raphael.”
Can you not fancy the wonder, the rapture, the questions, the praise, that followed on the discovery of the child artist? The Duke felt his eyes wet, and his heart swell. He took a gold chain from his own neck and threw it over Raphael’s shoulders.
“There is your first reward,” he said. “You shall have many, O wondrous child, and you shall live when we who stand here are dust!”
Raphael, with winning grace, kissed the Duke’s hand, and then turned to his own father.
“Is it true that I have won the prize?”
“Quite true, my child,” said Sanzio, with tremulous voice.
Raphael looked up at Master Benedetto and gently said, “Then I claim the hand of Pacifica.”
“Dear and marvellous child,” murmured Benedetto, “you are only jesting, I know; but tell me in truth what you would have. I can deny you nothing; you are my master.”
“I am your pupil,” said Raphael, with sweet simplicity. “Had you not taught me the secret of your colors, I could have done nothing. Now, dear Master, and you, my lord Duke, I pray you hear me. By the terms of this contest I have won the hand of Pacifica and a partnership with Master Benedetto. I take these