Old-Time Gardens, Newly Set Forth. Earle Alice Morse
yard, which was too shaded for them. Weeds grew here at the kitchen door in a rank profusion which was hard to conquer; but here the winter's Fuchsias or Geraniums stood in flower pots in the sunlight, and the tubs of Oleanders and Agapanthus Lilies.
The flowers of the front yard seemed to bear a more formal, a "company" aspect; conventionality rigidly bound them. Bachelor's Buttons might grow there by accident, but Marigolds never were tolerated, – they were pot herbs. Sunflowers were not even permitted in the flower beds at the side of the house unless these stretched down to the vegetable beds. Outside the front yard would be a rioting and cheerful growth of pink Bouncing Bet, or of purple Honesty, and tall straggling plants of a certain small flowered, ragged Campanula, and a white Mallow with flannelly leaves which, doubtless, aspired to inhabit the sacred bounds of the front yard (and probably dwelt there originally), and often were gladly permitted to grow in side gardens or kitchen dooryards, but which were regarded as interloping weeds by the guardians of the front yard, and sternly exiled. Sometimes a bed of these orange-tawny Day Lilies which had once been warmly welcomed from the Orient, and now were not wanted anywhere by any one, kept company with the Bouncing Bet, and stretched cheerfully down the roadside.
When the fences disappeared with the night rambles of the cows, the front yards gradually changed character; the tender blooms vanished, but the tall shrubs and the Peonies and Flower de Luce sturdily grew and blossomed, save where that dreary destroyer of a garden crept in – the desire for a lawn. The result was then a meagre expanse of poorly kept grass, with no variety, color, or change, – neither lawn nor front yard. It is ever a pleasure to me when driving in a village street or a country road to find one of these front yards still enclosed, or even to note in front of many houses the traces of a past front yard still plainly visible in the flourishing old-fashioned plants of many years' growth.
CHAPTER III
VARIED GARDENS FAIR
"And all without were walkes and alleys dight
With divers trees enrang'd in even rankes;
And here and there were pleasant arbors pight
And shadie seats, and sundry flowering bankes
To sit and rest the walkers wearie shankes."
Many simple forms of gardens were common besides the enclosed front yard; and as wealth poured in on the colonies, the beautiful gardens so much thought of in England were copied here, especially by wealthy merchants, as is noted in the first chapter of this book, and by the provincial governors and their little courts; the garden of Governor Hutchinson, in Milford, Massachusetts, is stately still and little changed.
English gardens, at the time of the settlement of America, had passed beyond the time when, as old Gervayse Markham said, "Of all the best Ornaments used in our English gardens, Knots and Mazes are the most ancient." A maze was a placing of low garden hedges of Privet, Box, or Hyssop, usually set in concentric circles which enclosed paths, that opened into each other by such artful contrivance that it was difficult to find one's way in and out through these bewildering paths. "When well formed, of a man's height, your friend may perhaps wander in gathering berries as he cannot recover himself without your help."
The maze was not a thing of beauty, it was "nothing for sweetness and health," to use Lord Bacon's words; it was only a whimsical notion of gardening amusement, pleasing to a generation who liked to have hidden fountains in their gardens to sprinkle suddenly the unwary. I doubt if any mazes were ever laid out in America, though I have heard vague references to one in Virginia. Knots had been the choice adornment of the Tudor garden. They were not wholly a thing of the past when we had here our first gardens, and they have had a distinct influence on garden laying-out till our own day.
An Elizabethan poet wrote: —
"My Garden sweet, enclosed with walles strong,
Embanked with benches to sitt and take my rest;
The knots so enknotted it cannot be expressed
The arbores and alyes so pleasant and so dulce."
These garden knots were not flower beds edged with Box or Rosemary, with narrow walks between the edgings, as were the parterres of our later formal gardens. They were square, ornamental beds, each of which had a design set in some close-growing, trim plant, clipped flatly across the top, and the design filled in with colored earth or sand; and with no dividing paths. Elaborate models in complicated geometrical pattern were given in gardeners' books, for setting out these knots, which were first drawn on paper and subdivided into squares; then the square of earth was similarly divided, and set out by precise rules. William Lawson, the Izaak Walton of gardeners, gave, as a result of forty-eight years of experience, some very attractive directions for large "knottys" with different "thrids" of flowers, each of one color, which made the design appear as if "made of diverse colored ribands." One of his knots, from A New Orchard and Garden 1618, being a garden fashion in vogue when my forbears came to America, I have chosen as a device for the dedication of this book, thinking it, in Lawson's words, "so comely, and orderly placed, and so intermingled, that one looking thereon cannot but wonder." His knots had significant names, such as "Cinkfoyle; Flower de Luce; Trefoyle; Frette; Lozenge; Groseboowe; Diamond; Ovall; Maze."
Gervayse Markham gives various knot patterns to be bordered with Box cut eighteen inches broad at the bottom and kept flat at the top – with the ever present thought for the fine English linen. He has a varied list of circular, diamond-shaped, mixed, and "single impleated knots."
These garden knots were mildly sneered at by Lord Bacon; he said, "they be but toys, you see as good sights many times in tarts;" still I think they must have been quaint, and I should like to see a garden laid out to-day in these pretty Elizabethan knots, set in the old patterns, and with the old flowers. Nor did Parkinson and other practical gardeners look with favor on "curiously knotted gardens," though all gave designs to "satisfy the desires" of their readers. "Open knots" were preferred; these were made with borders of lead, tiles, boards, or even the shankbones of sheep, "which will become white and prettily grace out the garden," – a fashion I saw a few years ago around flower beds in Charlton, Massachusetts. "Round whitish pebble stones" for edgings were Parkinson's own invention, and proud he was of it, simple as it seems to us. These open knots were then filled in, but "thin and sparingly," with "English Flowers"; or with "Out-Landish Flowers," which were flowers fetched from foreign parts.
The parterre succeeded the knot, and has been used in gardens till the present day. Parterres were of different combinations, "well-contriv'd and ingenious." The "parterre of cut-work" was a Box-bordered formal flower garden, of which the garden at Hampton, Maryland (pages 57, 60, and 95), is a striking and perfect example; also the present garden at Mount Vernon (opposite page 12), wherein carefully designed flower beds, edged with Box, are planted with variety of flowers, and separated by paths. Sometimes, of old, fine white sand was carefully strewn on the earth under the flowers. The "parterre à l'Anglaise" had an elaborate design of vari-shaped beds edged with Box, but enclosing grass instead of flowers. In the "parterre de broderie" the Box-edged beds were filled with vari-colored earths and sands. Black earth could be made of iron filings; red earth of pounded tiles. This last-named parterre differed from a knot solely in having the paths among the beds. The Retir'd Gard'ner gives patterns for ten parterres.
The main walks which formed the basis of the garden design had in ancient days a singular name – forthrights; these were ever to be "spacious and fair," and neatly spread with colored sands or gravel. Parkinson says, "The fairer and larger your allies and walks be the more grace your garden should have, the lesse harm the herbes and flowers shall receive, and the better shall your weeders cleanse both the bed and the allies." "Covert-walks," or "shade-alleys," had trees meeting in an arch over them.
A curious term, found in references to old American flower beds and garden designs, as well as English ones, is the "goose-foot." A "goose-foot" consisted of three flower beds or three avenues radiating rather closely together from a small semicircle; and in some places and under some conditions it is still a charming and striking design, as you stand at the heel of the design and glance down the three avenues.
In all these flower