The Daring Twins. Baum Lyman Frank
and gentlemen. After her death there was only the old black mammy to cope with the situation. Mr. Daring proved a loving and devoted father to his motherless ones, but he was too indulgent to correct their ways and manners and the younger ones, especially, soon lapsed into the wild and untamed ways of young savages. Mr. Daring realized this, and wrote an account of his doubts and fears for their future to Judith, asking her if she would not come back to America and make her future home with them.
The young woman refused the invitation at that time. She could not leave her studies, or her work, without ruining all her plans. She wrote him to get a governess to look after the accomplishments of the children. Aunt Hyacinth would be sure to take care of their physical requirements. And, having proffered this advice, she dismissed the subject from her mind.
Last fall, when news of Mr. Daring’s death and his bankruptcy reached her, Judith had been much distressed. Duty called her to far away Riverdale, to look after Mollie Eliot’s orphaned little ones. She wrote to Lawyer Ferguson for particulars and he frankly informed her of the unfortunate condition of the young Darings. So she “broke camp,” as she said, and as soon as she could complete and deliver the miniatures which she had contracted to paint for a wealthy Englishman, the successful artist abandoned her brilliant career and departed, bag and baggage, for America.
“So they’re pretty wild, are they?” she asked Aunt Hy.
“Wild ’s hawks, Miss Judy, I’s sorrerful to remahk. Marse Phil an’ Miss Phœbe ain’t so bad, kase dey’s old ’nuff to ’member what ther pore deah ma done tell ’em. But Miss Sue uses jus’ drea’fu’ grammer, an’ she dat stubbo’n ’twould make a mule blush. Marse Don, he’s got a good heart, but he can’t ’member jus’ whar it’s locationed, an’ he plagues ever’body mos’ alarmin’. As fer dat flyaway Becky, ’tain’t jus’ no use triflin’ wid her; she kain’t be brung up proper, nohow.”
“Becky is at a difficult age, just now,” mused Judith, smiling at the eloquent old servant.
“All her ages done ben diff’cult, Miss Judy – shuah’s yo’ bohn. Miss Becky don’ seem like a Daring a’ tall. She’s mo’ like dat Topsy in Unc’ Tom’s Cab’n; ’cept’ she ain’t black.”
Then came the subject of finances, wherein Aunt Hyacinth was able to give definite and fairly lucid information. She had managed to feed her flock so far, but the future contained an alarming menace unless more money was forthcoming. When Aunt Hyacinth’s savings were gone, starvation might stare the Darings in the face. It is true both Phil and Phœbe planned to make some money, “but what’s dem helpless chill’ns know ’bout de expensiveness of livin’?” inquired the old mammy, hopelessly.
Judith looked grave, but she was not greatly surprised.
“Miss Phœbe’s ben workin’ right ’long, ev’ry minute she’s out ’n school,” reported Auntie; “but it ain’t sech work as’ll last long. An’ Marse Phil’s goin’ take a place in de bank, when he’s got his schoolin’ – ’twere all decided no more’n yist’day. But ten dollahs a week ain’t no great ’mount to fill all dem moufs. Lucky we don’ haf to pay rent.”
“I have always thought my uncle – their Grandfather Eliot – a rich man,” remarked Judith, more to herself than to old Hyacinth. “In my girlhood days he was said to be the largest property owner in the county.”
“So he were, Miss Judy. Don’ I ’member when Marse Daring fus’ brung me heah, how Misteh Jonat’n Eliot was de big rich man o’ Riverdale? But he done sold off de hull estate, piece by piece, ’til nuthin’s lef’ but dis yere ol’ house an’ de gahden.”
“But what became of all the money he received for the land?”
“Dunno, honey. Dat’s what Marse Wallace done fight wid him about, years ago. He say ol’ Marse Eliot done sell his land an’ squander de money, what oughter go to Miss Molly an’ her chiluns; an’ ol’ Marse Eliot done tell him min’ his own business. Miss Molly were he on’y chile, an’ she done fit wi’ de ol’ man, too; so we uns didn’t hev no truck wi’ dey uns fer a long time. When Miss Molly died, Marse Wallace try to patch up t’ings, but ol’ Marse Eliot got de stroke what mumbled him, an’ it turned out he’s pore like Job’s turkey.”
“How does he live, then?” asked Judith.
“It don’ take much to feed his gruel to him, an’ ol’ Miss Halliday’s dat pars’monius she don’ eat decent cookin’ herself. She sell de aigs ’n’ chickens, an’ de fruit an’ sich, an’ she bargains at de groc’ry fer de cheapes’ stuff dey got. So dey somehow gits along – don’ ask me how, honey.”
“Well,” said Judith, rising with a sigh, “I see that I’m needed here, in more ways than one. Where may I locate my room, Aunt Hyacinth?”
This puzzled Mammy for a time. The old mansion had been built on a queer plan. Upstairs there were four bedrooms in the front of the house and four in the rear. Of these last the two at the back end overlooked the mountains and the valleys and were the most pleasantly situated of any in the house. Mr. Eliot had therefore chosen them for his own, and now he sat in a chair all day looking out of a window over the broad stretch of land he had always loved. It was a peaceful, quiet scene. Behind the house the streets were merely green lanes, with a few scattered habitations here and there. A little to the right, but in plain sight of this second-floor window, stretched the old-fashioned country graveyard – not yet sufficiently dignified to be called a “cemetery” – and Mr. Eliot’s eyes might clearly see a white mausoleum, which he had built years before, to contain his body when he had passed from life.
Everyone had thought this an eccentric thing for Jonathan Eliot to do; some of the neighbors shuddered at the idea of a live, healthy man preparing his own tomb. But there it was, scarcely a quarter of a mile distant from his dwelling; and, as he now sat paralyzed before the broad window, perhaps his glassy eyes rested more often upon that ghostly tomb than upon the charming landscape of hill and dale, that extended far into the distance toward Exeter.
Opening from this room was a balcony with outside stairs leading to the garden. Adjoining the two large rear rooms were a couple of small chambers opening into a hallway. The hall originally ran to the front of the house, but directly in the center of the passage had been placed a stout door, separating the upper part of the house into two distinct parts, each containing four chambers. Miss Halliday, in reserving the four rear rooms, had fitted up one of the hall chambers as a kitchen and retained the other for her own sleeping apartment. Of the two more spacious rear rooms, one was old Mr. Eliot’s bedroom and the other his living room. These four rooms satisfied all the requirements of the paralytic and his nurse, and so the balance of the house was turned over, somewhat grudgingly, to the orphaned Darings.
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