The Blue Poetry Book. Lang Andrew
glistens, —
Speak not when the people listens, —
Stop thine ear against the singer, —
From the red gold keep thy finger, —
Vacant heart, and hand, and eye,
Easy live and quiet die.
EVENING
The sun upon the lake is low,
The wild birds hush their song;
The hills have evening’s deepest glow,
Yet Leonard tarries long.
Now all whom varied toil and care
From home and love divide,
In the calm sunset may repair
Each to the loved one’s side.
The noble dame on turret high,
Who waits her gallant knight,
Looks to the western beam to spy
The flash of armour bright.
The village maid, with hand on brow
The level ray to shade,
Upon the footpath watches now
For Colin’s darkening plaid.
Now to their mates the wild swans row,
By day they swam apart;
And to the thicket wanders slow
The hind beside the hart.
The woodlark at his partner’s side
Twitters his closing song —
All meet whom day and care divide, —
But Leonard tarries long!
SONG
Orpheus with his lute made trees,
And the mountain tops that freeze,
Bow themselves when he did sing:
To his music, plants and flowers
Ever sprung; as sun and showers
There had made a lasting spring.
Everything that heard him play,
Even the billows of the sea,
Hung their heads, and then lay by.
In sweet music is such art,
Killing care and grief of heart
Fall asleep, or, hearing, die.
THE TWA CORBIES
As I was walking all alane,
I heard twa corbies making a mane;
The tane unto the t’other say,
‘Whar sall we gang and dine the day?’
’In behint yon auld fail2 dyke,
I wot there lies a new-slain knight;
And naebody kens that he lies there
But his hawk, his hound, and lady fair.
’His hound is to the hunting gane,
His hawk to fetch the wild-fowl hame,
His lady’s ta’en another mate,
So we may make our dinner sweet.
’Ye’ll sit on his white hause bane,
And I’ll pike out his bonny blue e’en:
Wi’ ae lock o’ his gowden hair,
We’ll theek our nest when it grows bare.
‘Mony a one for him makes mane,
But nane sall ken whae he is gane:
O’er his white banes, when they are bare,
The wind sall blaw for evermair.’
TO ONE IN PARADISE
Thou wast all to me, love,
For which my soul did pine —
A green isle in the sea, love,
A fountain and a shrine,
All wreathed with fairy fruits and flowers,
And all the flowers were mine.
Ah, dream, too bright to last!
Ah, starry Hope! that didst arise
But to be overcast!
A voice from out the Future cries,
‘On! on!’ – but o’er the Past
(Dim gulf!) my spirit hovering lies
Mute, motionless, aghast!
For, alas! alas! with me
The light of Life is o’er!
‘No more – no more – no more’ —
(Such language holds the solemn sea
To the sands upon the shore)
Shall bloom the thunder-blasted tree,
Or the stricken eagle soar!
And all my days are trances,
And all my nightly dreams
Are where thy dark eye glances,
And where thy footstep gleams;
In what ethereal dances,
By what eternal streams.
HYMN TO DIANA
Queen and Huntress, chaste and fair.
Now the sun is laid to sleep,
Seated in thy silver chair,
State in wonted manner keep:
Hesperus entreats thy light,
Goddess excellently bright.
Earth, let not thy envious shade
Dare itself to interpose;
Cynthia’s shining orb was made
Heav’n to clear, when day did close:
Bless us then with wished sight,
Goddess excellently bright.
Lay thy bow of pearl apart
And thy crystal shining quiver;
Give unto the flying hart
Space to breathe, how short soever:
Thou that mak’st a day of night,
Goddess excellently bright.
COUNTY GUY
Ah! County Guy, the hour is nigh,
The sun has left the lea,
The orange flower perfumes the bower,
The breeze is on the sea.
The lark, his lay who trill’d all day,
Sits hush’d his partner nigh;
Breeze, bird, and flower, confess the hour
But where is County Guy?
The village maid steals through the shade,
Her shepherd’s suit to hear;
To
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