The Spy. Максим Горький
dangerous in them. Books in general did not arouse his interest. He tried to read, but never succeeded in concentrating his mind, which, already burdened by a mass of observation, dwelt upon minutiæ. His thoughts drifted apart, and finally disappeared evaporating like a thin stream of water upon a stone on a hot day. When he worked and stirred about he was altogether incapable of thinking; the motion, as it were, tore the cobweb of his ideas. The boy did his work slowly and accurately, like an automaton, without putting anything of himself into it, and scarcely understanding its meaning.
When he was free and sat motionless he was carried away by a pleasant sensation of flight in a transparent mist, which enveloped the whole of life and softened everything, changing the boisterous reality into a quiet, sweetly sounding half-slumber.
When Yevsey was in this mood the days passed rapidly, in a flight not to be stayed. His external life was monotonous. Thought-stirring events happened rarely, and his brain insensibly became clogged with the dust of the work-day. He seldom went about in the city, for he did not like it. The ceaseless motion tired his eyes, the noise filled his head with heavy, dulling confusion. The endless city at first seemed like a monster in a fairy-tale, displaying a hundred greedy mouths, bellowing with hundreds of insatiable throats. But when Yevsey regarded the varied tumult of the street life he saw in it merely painful and wearisome monotony.
In the morning when he tidied his master's room, Yevsey put his head out of the window for several minutes, and looked down to the bottom of the deep, narrow street. Everywhere he saw the same people, and already knew what each of them would be doing in an hour or the next day. The cabmen drove in the same indolent fashion, and sat on the box each like the other; the shop boys, all of whom he knew, were unpleasant. Their insolence was a source of danger. Every man seemed chained to his business like a dog to his kennel. Occasionally something new flashed by, or whispered to him, but it was difficult for him to see and understand it in the thick mass of all that was familiar, ordinary, and unpleasant.
Even the churches in the city did not please him. They were not cosy, nor bright, but close and penetrated by extremely powerful odors of incense, oil, and sweat. Yevsey could not bear strong smells. They made his head turn, and filled him with confused anxious desires.
Sometimes on a holiday the master closed the shop, and took Yevsey through the city. They walked long and slowly. The old man pointed out the houses of the rich and eminent people, and told of their lives. His recitals were replete with accounts of women who ran away from their husbands, of dead people, and of funerals. He talked about them in a dry solemn voice, criticizing and condemning everything. He grew animated only when telling how and from what this or that man died. In his opinion, apparently, matters of disease and death were the most edifying and interesting of earthly subjects.
At the end of every walk he treated Yevsey to tea in a tavern, where musical machines played. Here everybody knew the old man, and behaved toward him with timid respect. Yevsey grown tired, his brain dizzied by the cloud of heavy odors, would fall into drowsy silence under the rattle and din of the music.
Once, however, the master took him to a house which contained numerous articles of gold and silver, marvellous weapons, and garments of silk brocade. Suddenly the mother's forgotten tales began to beat in the boy's breast, and a winged hope trembled in his heart. He walked silently through the rooms for a long time, disconcertedly blinking his eyes, which burned greedily.
When they returned home he asked the master:
"Whose are they?"
"They are public property – the Czar's," the old man explained impressively.
The boy put more questions.
"Who wore such coats and sabres?"
"Czars, boyars, and various imperial persons."
"There are no such people to-day?"
"How so? Of course there are. It would be impossible to be without them. Only now they dress differently."
"Why differently?"
"More cheaply. Formerly Russia was richer. But now it has been robbed by various foreign people, Jews, Poles, and Germans."
Raspopov talked for a long time about how nobody loved Russia, how all robbed it, and wished it every kind of harm. When he spoke much Yevsey ceased to believe him or understand him. Nevertheless he asked:
"Am I an imperial person, too?"
"In a sense. In our country all are imperial people, all are subjects of the Czar. The whole earth is God's, and the whole of Russia is the Czar's."
Before Yevsey's eyes handsome, stately personages in glittering garb circled in a bright, many-colored round dance. They belonged to another fabulous life, which remained with him after he had lain down to sleep. He saw himself in this life clad in a sky-blue robe embroidered with gold, with red boots of Morocco leather on his feet. Rayisa was there, too, in brocade and adorned with precious gems.
"So it will pass away," he thought.
To-day this thought gave rise not to hope in a different future but to quiet regret for the past.
On the other side of the door he heard the dry even voice of his master:
"Except the Lord build the house, they labor in vain – "
CHAPTER V
One day after closing the shop Yevsey and his master went to the yard where they were met by an anxious ringing shout. It came from Anatol.
"I won't do it again, dear uncle, never!"
Yevsey started, and instinctively exclaimed in quiet triumph:
"Aha!"
It was pleasant to hear the shouts of fear and pain coming from the breast of the cheerful boy, who was everybody's favorite.
"May I stay here in the yard?" Yevsey asked the master.
"We must get our supper. But I'll stay here, too, and see how they punish a rascally good-for-nothing."
The people had gathered at the door of the brick shed behind the stairway. The sound of heavy blows and the wailing voice of Anatol issued from the shed.
"Little uncle, I didn't do it. Oh, God! I won't do it, I won't! Stop, for Christ's sake!"
"That's right! Give it to him!" said watchmaker Yakubov, lighting a cigarette.
The squint-eyed embroiderer Zina upheld the tall, yellow-faced watchmaker.
"Perhaps we shall have peace after this. You couldn't have a single quiet moment in the yard."
Raspopov turned to Yevsey, and said:
"They say he's a wonder at imitating people."
"Of course," rejoined the furrier's cook. "Such a little devil! He makes sport of everybody."
A dull scraping sound came from the shed, as if a sack filled with something soft were being dragged over the old boards of the floor. At the same time the people heard the panting, hoarse voice of Kuzin and Anatol's cries, which now grew feebler and less frequent.
"Forgive me! Oh! Help me – I won't do it again – Oh, God!"
His words became indistinct and flowed together into a thick choking groan. Yevsey trembled, remembering the pain of the beatings he used to receive. The talk of the onlookers stirred a confused feeling in him. It was fearful to stand among people who only the day before had willingly and gaily taken delight in the lively little fellow, and who now looked on with pleasure while he was being beaten. At this moment these half-sick people, surly and worn out with work, seemed more comprehensible to him. He believed that now none of them shammed, but were sincere in the curiosity with which they witnessed the torture of a human being. He felt a little sorry for Anatol, yet it was pleasant to hear his groans. The thought passed through his mind that now he would become quieter and more companionable.
Suddenly Nikolay the furrier appeared, a short black curly-headed man with long arms. As always daring and respecting nobody, he thrust the people aside, walked into the shed, and from there his coarse voice was heard crying out twice:
"Stop! Get away!"
Everybody