Harper's New Monthly Magazine, Vol. V, No. XXIX., October, 1852. Various
on the vest, another buckled on the sword, another placed over the shoulders of the monarch a scarf, to which was attached the cross of the Holy Ghost in diamonds, and the cross of St. Louis. The grand master of the robes presented to the king his cravat of rich lace, while a favorite courtier folded it around his neck. Two handkerchiefs of most costly embroidery and richly perfumed were then placed before his majesty, on an enameled saucer, and his toilet was completed.
The king then returned to his bedside. Obsequious attendants spread before him two soft cushions of crimson velvet. In all the pride of ostentatious humility he kneeled upon these, and repeated his prayers, while the bishops and cardinals in his suit, with suppressed voice, uttered responses. But our readers will be weary of the recital of the routine of the day. From his chamber the king went to his cabinet, where, with a few privileged ones, he decided upon the plans or amusements of the day. He then attended mass in the chapel. At one o'clock he dined alone, in all the dignity of unapproachable majesty. The ceremony at the dinner table was no less punctilious and ridiculous than at the toilet. After dinner he fed his dogs, and amused himself in playing with them. He then, in the presence of a number of courtiers, changed his dress, and leaving the palace by a private staircase, proceeded to his carriage, which awaited him in the marble court-yard. Returning from his drive, he again changed his dress, and visited the apartments of Madame Maintenon, where he remained until 10 o'clock, the hour of supper. The supper was the great event of the day. Six noblemen stationed themselves at each end of the table to wait upon the king. Whenever he raised his cup, the cup bearer exclaimed aloud to all the company, "drink for the king." After supper he held a short ceremonial audience with members of the royal family, and at midnight went again to feed his dogs. He then retired, surrounded by puerilities of ceremony too tedious to be read.
Such was the character of one of the most majestic kings of the Bourbon race. France wearied with them, drove them from the throne, and placed Napoleon there, a man of energy, of intellect, and of action; toiling, night and day, to promote the prosperity of France in all its varied interests. The monarchs of Europe, with their united millions, combined and chained the democratic king to the rock of St. Helena, and replaced the Bourbon. But the end is not even yet. In view of the wretched life of Louis XIV., Madame Maintenon exclaimed: "Could you but form an idea of what kingly life is! Those who occupy thrones are the most unfortunate in the world."
On one occasion Louis gave a grand entertainment in the magnificent banqueting-room of the palace. Seventy-five thousand dollars were expended in loading the tables with every luxury. After the feast the gaming tables were spread. Gold and silver ornaments, jewels and precious stones, glittered on every side. For these treasures thus profusely spread, the courtiers of both sexes gambled without incurring any risk.
As the visitor leaves the palace for the gardens and the park, he enters a labyrinth of enchantment, to which there is apparently no end. Groves, lawns, parterres of flowers, fountains, basins, cascades, lakes, shrubbery, forests, avenues, and serpentine paths bewilder him with their profusion and their opulence of beauty. It is in vain to begin to describe these works. There is the Terrace of the Chateau, the Parterre of Water with its miniature lakes and twenty-four magnificent groups of statuary. Now you approach the Parterre of the South, embellished with colossal vases in bronze; again you saunter through the Parterre of the North, with antique statues in marble, with its group of Tritons and Sirens, with its basins and its gorgeous flower beds. Your steps are invited to the Baths of Diana, to the Grove of the Arch of Triumph, to the Grove of the Three Crowns, to the Basin of the Dragon, and to the magnificent Basin of Neptune, with its wilderness of sculpture and its fantastic jets from which a deluge of water may be thrown. The Basin of Latona presents a group consisting of Latona, with Apollo and Diana. The goddess has implored the vengeance of Jupiter against the peasants of Libya, who had refused her water. Jupiter has transformed the peasants, some half and others entirely, into frogs or tortoises, and they are surrounding Latona and throwing water upon her in liquid arches of beautiful effect. The Fountain of Fame and the Fountain of the Star are neatly represented in the accompanying cuts.
The Parterre of the North, which is represented in the illustration, on page 808, extends in front of the northern wing of the palace, the apartments on the second floor of which are occupied by the king. This parterre is approached by descending a flight of steps constructed of white marble. Fourteen magnificent bronze vases crown the terraced wall which separate these walks of regal luxury from the Parterre d'Eau, which is spread out in front of the palace. Statues and vases of exquisite workmanship crowd the grounds; most of the statues tending to inflame a voluptuous taste. The beautiful flower beds, filled with such a variety of plants and shrubs, as always to present an aspect of gorgeous bloom, are ornamented with two smaller fountains, called the Basins of the Crown, and one large fountain, called the Fountain of the Pyramid. The two smaller basins or fountains are so named from the chiseled groups of Tritons and Sirens supporting crowns of laurel, from the midst of which issue, in graceful curves, columns of water. The Pyramid consists of several round basins rising one above another in a pyramidal form, supported by statues of lead. The water issues from many jets and flows beautifully over the rims of the basins. Just below the Fountain of the Pyramid are the Baths of Diana, which are not represented in this illustration. This basin is embellished with finely executed statuary, representing Diana and her nymphs, in voluptuous attitudes, enjoying the luxury of the bath.
Directly in front of the palace is the Terrace of the Chateaux, embellished with walks, shrubbery, flowers, basins, fountains, and colossal statues in bronze. Connected with this is the Parterre of Water, with two splendid fountains, ever replenishing two large oblong basins filled with golden fishes. Groups of statuary enrich the landscape. From the centre of each of the basins rise jets of water. These grounds lie spread out before the magnificent banqueting hall of the palace. It is difficult to imagine a scene more beautiful than is thus presented to the eye. Let the reader recur to the plan of Versailles, and contemplate the vast expanse of lawn, forest, garden, grove, fountain, lake, walks, and avenues which are spread before him over a space of thirty-two thousand acres. From the Parterre of Water a flight of massive white steps conducts to the Fountain of Latona.
At the extremity of the park is a beautiful palace called the Grand Trianon. It was built by Louis XIV. for Madame Maintenon. This edifice, spacious and aristocratic as it is in all its appliances, possesses the charm of beauty rather than that of grandeur. It seems constructed for an attractive home of opulence and taste. It was a favorite retreat of the Bourbons, from the pomp and ceremony of Versailles. This was also one of the favorite resorts of Napoleon when he sought a few hours of repose from the cares of empire. That he might reach it without loss of time, he constructed a direct road from thence to St. Cloud.
The Little Trianon, however, with its surroundings, constitutes to many minds the most attractive spot in this region of attractions. It is a beautiful house, about eighty feet square, erected by Louis XV. for the hapless Madame du Barri. It is constructed in the style of a Roman pavilion, and surrounded with gardens ornamented in the highest attainments of French and English art. Temples, cottages, groves, lawns, crags, fountains, lakes, cascades, embellish the grounds and present a scene of peaceful beauty which the garden of Eden could hardly have surpassed. This was the favorite abode of Maria Antoinette. She called it her home. In the quietude of this miniature palace, she loved to disembarrass herself of the restraints of regal life; and in the society of congenial friends, and in the privacy of her own rural walks to forget that she was an envied, hated queen. But even here the monotony of life wearied her, and deeply regretting that she had not formed in early youth intellectual tastes, she once sadly exclaimed to her companions, "What a resource, amidst the casualties of life, is to be found in a well cultivated mind. One can then be one's own companion, and find society in one's own thoughts." There is a beautiful sheet of water in the centre of the romantic, deeply wooded grounds of the Little Trianon, upon the green shores of which Maria, for pastime, erected a beautiful Swiss village, with its picturesque inn, its farm house and cow sheds, and its mill.
Here the regal votaries of pleasure, satiated with the gayeties of Paris, weary of the splendors and the etiquette of the Tuileries and Versailles, endeavored to step from the palace to the cottage, and in the humble employments of the humblest life, to alleviate the monotony of an existence devoted only to pleasure. They played that they were peasants, put on the garb of peasants, and engaged heartily in the employments of peasants. King Louis was the inn-keeper,