The Eulogy of Richard Jefferies. Walter Besant
divided into three chapters, but the latter two are vague and tentative, compared with the first. The little book should have been called, "He would be an Author."
"Let the aspirant," he says, "begin with acquiring a special knowledge of his own district. The power and habit of doing this may subsequently stand him in good stead as a war-correspondent. Let him next study the trade and industries peculiar to the place. If he is able to write of these graphically, he will acquire a certain connection and good-will among the masters. He will strengthen himself if he contributes papers upon these subjects to the daily papers or to the magazines; thus he will grow to be regarded as a representative man. Next, he should study everywhere the topography, antiquities, traditions, and general characteristics of the country wherever he goes; he should visit the churches, and write about them. He may go on to write a local history, or he may take a local tradition and weave a story round about it – things which local papers readily publish. Afterwards he may write more important tales for country newspapers, and so by easy stages rise to the grandeur of writing tales for the monthly magazines." Observe that so far the ambition of the writer is wholly in the direction of novels.
One piece of advice contrasts strongly with the description of him given by his cousin. He has found out that eccentricity of appearance and manner does not advance a man. Therefore he writes:
"A good personal manner greatly conduces to the success of the reporter. He should be pleasant and genial, but not loud: inquiring without being inquisitive: bold, but not presumptuous: and above all respectful. The reporter should be able to talk on all subjects with all men. He should dress well, because it obtains him immediate attention: but should be careful to avoid anything 'horsey' or fast. The more gentlemanly his appearance and tone, the better he will be received."
The chapter on Editing gives a tolerably complete account of the conduct of a country-town newspaper. The chapter on Authorship is daring, because the writer as yet knew nothing whatever of the subject. Among other mistakes is the very common one of supposing that a young man can help himself on by publishing at his own expense a manuscript which all the respectable publishing houses have refused. He himself subsequently acted upon this mistake, and lost his money without in the least advancing his reputation. The young writer can seldom be made to understand that all publishers are continually on the look-out for good work; that good work is almost certain (though mistakes have been made) to be taken up by the first publisher to whom it is offered; that if it is refused by good Houses, the reason is that it is not good work, and that paying for publication will not turn bad work into good. Jefferies concludes his little book by so shocking a charge against the general public that it shall be quoted just to show what this country lad of nineteen or twenty thought was the right and knowing thing to say about them:
"The public will read any commonplace clap-trap if only a well-known name be attached to it. Hence any amount of expenditure is justified with this object. It is better at once to realize the fact, however unpleasant it may be to the taste, and instead of trying to win the good-will of the public by laborious work, treat literature as a trade, which, like other trades, requires an immense amount of advertising."
This is Jefferies' own ideal of a journalist. In March, 1866, being then eighteen years of age, he began his work on the North Wilts Herald.
CHAPTER III.
LETTERS FROM 1866 TO 1872
The principal sources of information concerning the period of early manhood are the letters – a large number of these are happily preserved – which he wrote to his aunt, Mrs. Harrild. In these letters, which are naturally all about himself, his work, his hopes, and his disappointments, he writes with perfect freedom and from his heart. It is still a boyish heart, young and innocent. "I always feel dull," he says, "when I leave you. I am happier with you than at home, because you enter into my prospects with interest and are always kind… I wish I could have got something to do in the neighbourhood of Sydenham, which would have enabled me to live with you."
The letters reveal a youth taken too soon from school, but passionately fond of reading – of industry and application intense and unwearied; he confesses his ambitions – they are for success; he knows that he has the power of success within him; he tries for success continually, and is as often beaten back, because, though this he cannot understand, in the way he tries success is impossible for him. Let us run through this bundle of letters.
One thing to him who reads the whole becomes immediately apparent, though it is not so clear from the extracts alone. It is the self-consciousness of the writer as regards style. That is because he is intended by nature to become a writer. He thinks how he may put things to the best advantage; he understands the importance of phrase; he wants not only to say a thing, but to say it in a striking and uncommon manner. Later on, when he has gotten a style to himself, he becomes more familiar and chatty. Thus, for instance, the boy speaks of the great organ at the Crystal Palace: "To me music is like a spring of fresh water in the midst of the desert to a wearied Arab." He was genuinely and truly fond of good music, and yet this phrase has in it a note of unreality. Again, he is speaking of one of his aunt's friends, and says, as if he was the author of "Evelina": "How is Mr. A.? I remember him as a pleasant gentleman, anxious not to give trouble, and the result is …" and so forth. When one understands that these letters were written by the immature writer, such little things, with which they abound, are pleasing.
In March, 1866, he describes the commencement of his work on the North Wilts Herald; he speaks of the kindness of his chief and the pleasant nature of his work. In December of the same year he sends a story which he wants his uncle to submit to a London magazine. In June, 1867, he writes that he has completed his "History of Swindon" and its neighbourhood. This probably appeared in the pages of his newspaper.
In the same year he says that he has finished a story called "Malmesbury."
"Here I have no books – no old monkish records to assist me – everything must be hunted out upon the spot. I visit every place I have to refer to, copy inscriptions, listen to legends, examine antiquities, measure this, estimate that; and a thousand other employments essential to a correct account take up my time. The walking I can do is something beyond belief. To give an instance. There is a book published some twenty years ago founded on a local legend. This I wanted, and have actually been to ten different houses in search of it; that is, have had a good fifty miles' walk, and as yet all in vain. However, I think I am on the right scent now, and believe I shall get it.
"This neighbourhood is a mine for an antiquary. I was given to understand at school that in ancient days Britain was a waste – uninhabited, rude and savage. I find this is a mistake. I see traces of former habitation, and former generations, in all directions. There, Roman coins; here, British arrowheads, tumuli, camps – in short, the country, if I may use the expression, seems alive with the dead. I am inclined to believe that this part of North Wilts, at least, was as thickly inhabited of yore as it is now, the difference being only in the spots inhabited having been exchanged for others more adapted to the wants of the times. I do not believe these sweeping assertions as to the barbarous state of our ancestors. The more I study the matter the more absurd and unfounded appear the notions popularly received."
"The spiders have been more disturbed in the last few days than for twelve months past. I detest this cruelty to spiders. I admire these ingenious insects. One individual has taken possession of a box of mine. This fellow I call Cæsar Borgia, because he has such an affection for blood. You will call him a monster, which is praise, since his size shows the number of flies he has destroyed. Why not keep a spider as well as a cat? They are both useful in their way, and a spider has this advantage, that he will spin you a web which will do instead of tapestry."
Between July 21st and September 2nd of this year he writes of a bad illness which sent him to bed and kept him there, until he became as thin as a skeleton. As soon as he was able to get out of bed he wrote to his aunt; his eyes were weak, and he could read but little, which was a dreadful privation for him. And he was most anxious lest he should lose his post on the paper.
Later on he tells the good news that Mr. Piper will give him another fortnight so that he may get a change of air and a visit to Sydenham.
He goes back to Swindon apparently strengthened and in his former