The Lock and Key Library: The most interesting stories of all nations: American. Коллектив авторов
course! Why not?" cried Caroline sternly.
"I am sure I don't want to take my sewing into the other room, when it is all cleaned up for to-morrow," said Mrs. Brigham.
"Why, I never heard such a to-do about lighting a lamp."
Rebecca rose and left the room. Presently she entered with a lamp – a large one with a white porcelain shade. She set it on a table, an old-fashioned card-table which was placed against the opposite wall from the window. That wall was clear of bookcases and books, which were only on three sides of the room. That opposite wall was taken up with three doors, the one small space being occupied by the table. Above the table on the old-fashioned paper, of a white satin gloss, traversed by an indeterminate green scroll, hung quite high a small gilt and black-framed ivory miniature taken in her girlhood of the mother of the family. When the lamp was set on the table beneath it, the tiny pretty face painted on the ivory seemed to gleam out with a look of intelligence.
"What have you put that lamp over there for?" asked Mrs. Brigham, with more of impatience than her voice usually revealed. "Why didn't you set it in the hall and have done with it. Neither Caroline nor I can see if it is on that table."
"I thought perhaps you would move," replied Rebecca hoarsely.
"If I do move, we can't both sit at that table. Caroline has her paper all spread around. Why don't you set the lamp on the study table in the middle of the room, then we can both see?"
Rebecca hesitated. Her face was very pale. She looked with an appeal that was fairly agonizing at her sister Caroline.
"Why don't you put the lamp on this table, as she says?" asked
Caroline, almost fiercely. "Why do you act so, Rebecca?"
"I should think you WOULD ask her that," said Mrs. Brigham. "She doesn't act like herself at all."
Rebecca took the lamp and set it on the table in the middle of the room without another word. Then she turned her back upon it quickly and seated herself on the sofa, and placed a hand over her eyes as if to shade them, and remained so.
"Does the light hurt your eyes, and is that the reason why you didn't want the lamp?" asked Mrs. Brigham kindly.
"I always like to sit in the dark," replied Rebecca chokingly. Then she snatched her handkerchief hastily from her pocket and began to weep. Caroline continued to write, Mrs. Brigham to sew.
Suddenly Mrs. Brigham as she sewed glanced at the opposite wall. The glance became a steady stare. She looked intently, her work suspended in her hands. Then she looked away again and took a few more stitches, then she looked again, and again turned to her task. At last she laid her work in her lap and stared concentratedly. She looked from the wall around the room, taking note of the various objects; she looked at the wall long and intently. Then she turned to her sisters.
"What IS that?" said she.
"What?" asked Caroline harshly; her pen scratched loudly across the paper.
Rebecca gave one of her convulsive gasps.
"That strange shadow on the wall," replied Mrs. Brigham.
Rebecca sat with her face hidden: Caroline dipped her pen in the inkstand.
"Why don't you turn around and look?" asked Mrs. Brigham in a wondering and somewhat aggrieved way.
"I am in a hurry to finish this letter, if Mrs. Wilson Ebbit is going to get word in time to come to the funeral," replied Caroline shortly.
Mrs. Brigham rose, her work slipping to the floor, and she began walking around the room, moving various articles of furniture, with her eyes on the shadow.
Then suddenly she shrieked out:
"Look at this awful shadow! What is it? Caroline, look, look!
Rebecca, look! WHAT IS IT?"
All Mrs. Brigham's triumphant placidity was gone. Her handsome face was livid with horror. She stood stiffly pointing at the shadow.
"Look!" said she, pointing her finger at it. "Look! What is it?"
Then Rebecca burst out in a wild wail after a shuddering glance at the wall:
"Oh, Caroline, there it is again! There it is again!"
"Caroline Glynn, you look!" said Mrs. Brigham. "Look! What is that dreadful shadow?"
Caroline rose, turned, and stood confronting the wall.
"How should I know?" she said.
"It has been there every night since he died," cried Rebecca.
"Every night?"
"Yes. He died Thursday and this is Saturday; that makes three nights," said Caroline rigidly. She stood as if holding herself calm with a vise of concentrated will.
"It – it looks like – like – " stammered Mrs. Brigham in a tone of intense horror.
"I know what it looks like well enough," said Caroline. "I've got eyes in my head."
"It looks like Edward," burst out Rebecca in a sort of frenzy of fear. "Only – "
"Yes, it does," assented Mrs. Brigham, whose horror-stricken tone matched her sister's, "only – Oh, it is awful! What is it, Caroline?"
"I ask you again, how should I know?" replied Caroline. "I see it there like you. How should I know any more than you?"
"It MUST be something in the room," said Mrs. Brigham, staring wildly around.
"We moved everything in the room the first night it came," said
Rebecca; "it is not anything in the room."
Caroline turned upon her with a sort of fury. "Of course it is something in the room," said she. "How you act! What do you mean by talking so? Of course it is something in the room."
"Of course, it is," agreed Mrs. Brigham, looking at Caroline suspiciously. "Of course it must be. It is only a coincidence. It just happens so. Perhaps it is that fold of the window curtain that makes it. It must be something in the room."
"It is not anything in the room," repeated Rebecca with obstinate horror.
The door opened suddenly and Henry Glynn entered. He began to speak, then his eyes followed the direction of the others'. He stood stock still staring at the shadow on the wall. It was life size and stretched across the white parallelogram of a door, half across the wall space on which the picture hung.
"What is that?" he demanded in a strange voice.
"It must be due to something in the room, Mrs. Brigham said faintly.
"It is not due to anything in the room," said Rebecca again with the shrill insistency of terror.
"How you act, Rebecca Glynn," said Caroline.
Henry Glynn stood and stared a moment longer. His face showed a gamut of emotions – horror, conviction, then furious incredulity. Suddenly he began hastening hither and thither about the room. He moved the furniture with fierce jerks, turning ever to see the effect upon the shadow on the wall. Not a line of its terrible outlines wavered.
"It must be something in the room!" he declared in a voice which seemed to snap like a lash.
His face changed. The inmost secrecy of his nature seemed evident until one almost lost sight of his lineaments. Rebecca stood close to her sofa, regarding him with woeful, fascinated eyes. Mrs. Brigham clutched Caroline's hand. They both stood in a corner out of his way. For a few moments he raged about the room like a caged wild animal. He moved every piece of furniture; when the moving of a piece did not affect the shadow, he flung it to the floor, his sisters watching.
Then suddenly he desisted. He laughed and began straightening the furniture which he had flung down.
"What an absurdity," he said easily. "Such a to-do about a shadow."
"That's so," assented Mrs. Brigham, in a scared voice which she tried to make natural. As she spoke she lifted a chair near her.
"I think you have broken the chair that Edward was so fond of," said Caroline.
Terror and