The Story of Siena and San Gimignano. Gardner Edmund G.

The Story of Siena and San Gimignano - Gardner Edmund G.


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“yet do I say that the Riformatori were more thoroughly artisan than any other government ever was, and also the most loyal men towards their Commune; and they were more courageous against their neighbours than any other government.” According to him they were undone by Florentine intrigue, and by the fault of a few bad men among them. On March 23rd, 1385, certain of the Dodicini forced the Bargello to release a prisoner whom he had arrested near the Porta Salaia. This was the occasion of the rising. The Riformatori called their partisans to arms, while the Dodicini and Noveschi, led by the Saracini and Scotti, assailed them furiously in the Campo. For the greater part of the day the struggle raged through Siena. The masses of the people were desperately excited, but divided and disposed to support the Riformatori. Then said a Jew to one of the Saracini: “Do you wish to conquer? Now cry, Viva la Pace! And at that word all the people will hold with you.” The rabble, tutta la gente minuta, at once turned upon the Riformatori, and the rout was complete; and on the following day the nobles and their allies entered Siena in triumph. “Thus,” writes our chronicler,16 “the city was despoiled of all the Arts, and the Kingdom benefited thereby and all the Marches and the Patrimony, and Pisa grew populous with them. And I, the writer, who am not one of the Riformatori, judged that it was ill done; for the city of Siena was ruined and wasted, seeing that successively more than four thousand good artisans, citizens of the city, were driven out, of whom not the sixth part ever returned.”

      CHAPTER II

      Saint Catherine of Siena

      THE closing years of this great republican epoch are lit up by the genius and the inspiration of one of the most wonderful women in the history of Italy: Caterina Benincasa, now more generally known as St Catherine of Siena. She was born on March 25th, 1347, the youngest of a large family of sons and daughters that Monna Lapa bore to her husband, Giacomo Benincasa, a dyer of the contrada of Fontebranda. The family of the Benincasa belonged to the Monte de’ Dodici. Until the death of Giacomo in 1368, his children all lived together with him in the house still shown – one of the most revered sanctuaries of Siena – in the valley below San Domenico.

      In her childhood Catherine began to see visions, to practise almost incredible austerities. Her talk already seemed full of a wisdom and a prudence not her own. “It would have been enough,” writes one of the friars of San Domenico, who frequented Giacomo’s house, “for any of the wisest servants of God.” For a long while her family opposed her abnormal mode of life; but they were at last overcome by her sweetness and perseverance. Her father especially, who had seen a white dove hovering over her head while she knelt at prayer, was convinced that she was acting in accordance with the inspiration of the Holy Spirit, and bade the others leave her in perfect liberty to live as she chose. At the age of sixteen or seventeen she took the habit of the Dominican Sisters of Penance – the white robe of purity and the black mantle of humility in which we still see her clad on the walls of so many of Siena’s churches and palaces. She still remained in her father’s house, though for the next three years she lived apart from her family and utterly severed from the outer world: “Within her own house she found the desert, and a solitude in the midst of people.” She never left the house save to go into San Domenico – especially that chapel known as the Cappella delle Volte, so full still of the aroma of her sweet spirit. Wondrous revelations came to her of the Divine Beauty; she smelt the fragrance of unearthly lilies, and heard the celestial music of Paradise, led by Mary Magdalene, singing con voce alta e con grazia di singolar dolcezza. In her visions Christ stood continually by her side; with Him she walked familiarly; with Him she talked as friend to friend, or recited the psalms in her little room, as one religious is wont to do with another. At last the divine voice spoke in her heart: “I will espouse thee to Myself in perfect faith.” On the last day of the carnival, while all Siena was riotously feasting and making merry, Christ appeared to her as she knelt in prayer in her cell, and the voice in her heart spoke again: “Now will I wed thy soul, which shall ever be conjoined and united to Me with most sincere faith, as I promised thee before.” Then seemed it to her that the Blessed Virgin came, gloriously attended, to give her in mystical marriage to her Divine Son, who, “gladly accepting, espoused her on the finger with a most noble ring, which had a right wondrous diamond set in the midst of four goodly pearls.” “When this most certain vision passed away, the virgin saw continually this ring when she looked at her finger, albeit to us it was invisible.”17

      After this vision, Catherine, being now about twenty years old, joined once more in the family life of her home, and began to mix with men and women of the outer world. She chose for herself all the menial offices of the house, was assiduous in the service of the poor and in tending the sick. She became, to adopt her own phrase, serva e schiava de’ servi di Gesù Cristo. “Catherine,” writes the best of her modern biographers, “possessed of that magnificent gift, the perfection of faith, beheld in each poor sufferer to whom she ministered nothing less than the person of her Lord. She sought Him then in the streets and broadways of her native city, and she found Him in the hospitals of the lepers, and wherever sickness had assumed its most terrible and repulsive forms.”18 Her ecstatic trances grew more prolonged, her wondrous visions more continuous; she suffered intolerable pains in all her frame, and appears gradually to have come to live without nourishment of ordinary food and drink. All that approached her were struck by her mirthfulness and never-failing bright spirits; “ella è sempre lieta e ridente,” wrote one that saw her. The Benincasa were prosperous then, and her father allowed Catherine to dispense to the poor, at her own discretion, all that was in his house. But Giacomo died in 1368, and in the revolution of the following year his family suffered heavily. The three sons only saved their lives by the intervention of their sister, who led them in safety, through an armed mob of their enemies, to take refuge in the Spedale on the opposite hill. Shortly after, the three left Siena for Florence, where they became Florentine citizens.

      The same year that her brothers left Siena, 1370, marks an epoch in Catherine’s life. “Do you not see, father,” she said to Frate Tommaso della Fonte, “that I am no longer she who I was, but that I am changed into another?” Praying as usual in the Cappella delle Volte in San Domenico, her Divine Spouse had appeared to her in vision, and drawn forth her heart from her side, placing His own, uno cuore rubicundo e lucidissimo, therein instead. Meditating upon the Passion, she began to endure in her body and in her soul what Christ had endured for man. A little later she seemed to be dying, or actually dead. In this suspension of her life or mystical death – call it what you will – she beheld the spiritual lives of Hell, Purgatory, and Paradise, and was bidden to return to the world, to convince it of sin and error, to warn it of impending peril. “The salvation of many souls demands thy return,” said the voice of the Divine Spouse in her heart, “nor shalt thou any longer keep that way of life that up to now thou hast kept. No longer shalt thou have thy cell for dwelling-place; nay, thou shalt go forth from thy own city for the utility of souls. I shall be ever with thee: I shall guide thee, and lead thee. Thou shalt bear the honour of My name, and shalt give spiritual teaching to small and great, to the laity no less than to clerics and religious; for I shall give thee such speech and wisdom that no one shall be able to resist. I shall bring thee even before Pontiffs and before the rulers of the Church and of the Christian people, to the end that, as is my wont, I may by means of the weak confound the pride of the strong.”19

      Henceforth her work was done in the light of the world. Incorrigible sinners, like that singolare ribaldo Andrea di Naddino Bellanti, were moved to repentance by her prayers; felons, dying in torments under the red-hot pincers of the executioners (attanagliati in the horrible phrase of the epoch), turned their despairing blasphemies to words of joy and comfort; fierce faction leaders, like Giacomo Tolomei, laid aside their fury and went humbly to confession. When the pestilence raged in Siena in 1374 and many fled the city, Catherine was foremost in tending the stricken, in encouraging the dying, preparing them for death, even burying them with her own hands. “Never,” writes one of her friends, “did she appear more admirable than at this time.”

      Gradually a little band of followers and disciples, of both sexes, gathered round her. At first these were mainly Dominican friars, headed by Frate Tommaso


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<p>16</p>

Op. cit. 294.

<p>17</p>

Leggenda minore, i. 12.

<p>18</p>

Augusta Drane, vol. i. p. 83. I think that this author unquestionably deserves to be called the best of Catherine’s modern biographers; but the reader must be warned against her historical inaccuracies and her treatment of some of the Saint’s political letters.

<p>19</p>

Raimondo da Capua, Leggenda, p. 226.