Dawn. Генри Райдер Хаггард
missy creeping down the tunnel walk. I was that scared that I ran down, got hold of Sam, for Jakes said he wouldn’t go out with all them trees a-flying about in the air like straws—no, not for a thousand pounds, and off we set after her.” Here Pigott paused to groan at the recollection of that walk.
"Well,” said Mr. Fraser, who was rather interested—everything about this queer child interested him; "where did you find her?”
"Well, sir, you know where the old wall runs out into the water, before Caresfoot’s Staff there? Well, at the end of it there’s a post sunk in, with a ring in it to tie boats to. Now, would you believe it? out there at the end of the wall, and tied to the ring by a scarf passed round her middle, was that dreadful child. She was standing there, her back against the post, right in the teeth of the gale, with the spray dashing over her, her arms stretched out before her, her hat gone, her long hair standing out behind straight as an iron bar, and her eyes flashing as though they were on fire, and all the while there were the great trees crashing down all round in a way enough to make a body sick with fright. We got her back safe, thank God; but how long we shall keep her, I’m sure I don’t know. Now she is drowning herself in the lake, for she takes to the water like a duck, and now breaking her neck off trees, and now going to ghosts in the churchyard for company. It’s wearing me to the bone —that’s what it is.”
Mr. Fraser smiled, for, to tell the truth, Pigott’s bones were pretty comfortably covered.
"Come,” he said, "you would not part with her for all her wicked deeds, would you?”
"Part with her,” answered Pigott, in hot indignation, "part with my little beauty? I would rather part with my head. The love, there never was another like her, nor never will be, with her sweet ways; and, if I know anything about girls, she’ll be the beauty of England, she will. She’s made for a beautiful woman; and look at them eyes and forehead and hair—where did you ever see the like? And, as for her queer ways, what can you expect from a child as has got a great empty mind and nothing to put in it, and no one to talk to but a common woman like me, and a father”—here she dropped her voice—”as is a miser, and hates the sight of his own flesh and blood?”
"Hush! you should not say such things, Pigott! Now I will tell you something; I am going on to ask your master to allow me to educate Angela.”
"I’m right glad to hear it, sir. She’s sharp enough to learn anything, and it’s kind of you to teach her. If you can make her mind like what her body will be if she lives, somebody will be a lucky man one of these days. Good- night, sir, and many thanks for bringing missy home.”
Next day Angela began her education.
Chapter XVI
Reader, we are about to see Angela again, and to see a good deal of her; but you must be prepared for a change in her personal appearance, for the curtain has been down for ten years since last you met the child whose odd propensities excited Pigott’s wonder and indignation and Mr. Fraser’s interest; and ten years, as we all know, can work many changes in the history of the world and individuals. In ten years some have been swept clean off the board, and their places taken by others; a few have grown richer, many poorer, some of us sadder, some wiser, and all of us ten years older. Now, this was exactly what had happened to little Angela—that is, the Angela we knew as little, and ten years make curious differences between the slim child of nine and a half and the woman of nearly twenty.
When we last saw her, Angela was about to commence her education. Let us re-introduce ourselves on the memorable evening when, after ten years of study, Mr. Fraser, a master by no means easily pleased, expressed himself unable to teach her any more.
It is Christmas Eve. Drip, drop, drip, falls the rain from the leafless boughs on to the sodden earth. The apology for daylight that has been doing its dull duty for the last few hours is slowly effacing itself, and the gale is celebrating the fact, and showing its joy at the closing-in of the melancholy night by howling its loudest through the trees, and flogging the flying scud it has brought with it from the sea, till it whirls across the sky like a succession of ghostly racehorses.
This is outside the vicarage; let us look within. In a well-worn arm- chair in the comfortable study, near to a table covered with books and holding some loose sheets of foolscap in his hand, sits Mr. Fraser. His hair is a little greyer than when he began Angela’s education, about as grey as rather accommodating hair will get at the age of fifty-three; otherwise his general appearance is much the same, and his face as refined and gentlemanlike as ever. Presently he lays down the sheets of paper which he has been studying attentively, and says:
"Your solution is perfectly sound, Angela; but you have arrived at it in a characteristic fashion, and by your own road. Not but what your method has some merits—for one thing, it is more concise than my own; but, on the other hand, it shows a feminine weakness. It is not possible to follow every step from your premises to your conclusion, correct as it is.”
"Ah!” says a low voice, with a happy ripple in it, the owner of which is busy with some tea-things out of range of the ring of light thrown by the double reading-lamp, "you often blame me for jumping to conclusions; but what does it matter, provided they are right? The whole secret is that I used the equivalent algebraic formula, but suppressed the working in order to puzzle you,” and the voice laughed sweetly.
"That is not worthy of a mathematician,” said Mr. Fraser, with some irritation; "it is nothing but a trick, a tour de force.”
"The solution is correct, you say?”
"Quite.”
"Then I maintain that it is perfectly mathematical; the object of mathematics is to arrive at the truth.”
"Vox et preterea nihil. Come out of that corner, my dear. I hate arguing with a person I cannot see. But there, there, what is the use of arguing at all? The fact is, Angela, you are a first-class mathematician, and I am only second-class. I am obliged to stick to the old tracks; you cut a Roman road of your own. Great masters are entitled to do that. The algebraic formula never occurred to me when I worked the problem out, and it took me two days to do.”
"You are trying to make me vain. You forget that whatever I know, which is just enough to show me how much I have to learn, I have learnt from you. As for being your superior in mathematics, I don’t think that, as a clergyman, you should make such a statement. Here is your tea.” And the owner of the voice came forward into the ring of light.
She was tall beyond the ordinary height of woman, and possessed unusual beauty of form, that the tight-fitting grey dress she wore was well calculated to display. Her complexion, which was of a dazzling fairness, was set off by the darkness of the lashes that curled over the deep grey eyes. The face itself was rounded and very lovely, and surmounted by an ample forehead, whilst her hair, which was twisted into a massive knot, was of a tinge of chestnut gold, and marked with deep-set ripples. The charm of her face, however, did not, as is so often the case, begin and end with its physical attractions. There was more, much more, in it than that. But how is it possible to describe on paper a presence at once so full of grace and dignity, of the soft loveliness of woman, and of a higher and more spiritual beauty? There hangs in the Louvre a picture by Raphael, which represents a saint passing with light steps over the prostrate form of a dragon. There is in that heaven-inspired face, the equal of which has been rarely, if ever, put on canvas, a blending of earthly beauty and of the calm, awe-compelling spirit-gaze—that gaze, that holy dignity which can only come to such as are in truth and in deed "pure in heart” —that will give to those who know it a better idea of what Angela was like than any written description.
At times, but, ah, how rarely! we may have seen some such look as that she wore on the faces of those around us. It may be brought by a great sorrow, or be the companion of an overwhelming joy. It may announce the consummation of some sublime self-sacrifice, or convey the swift assurance of an everlasting love. It is to be found alike on the features of the happy mother as she kisses her new-born babe, and on the pallid countenance of the saint sinking to his rest. The sharp moment that brings us nearer God, and goes nigh to piercing the veil that hides His presence, is the occasion that calls it into being. It is a beauty born of the murmuring sound of the harps of heaven; it is the light of the eternal lamp