A Daughter of the Rich. Mary Ella Waller
he laid his hand on his friend's shoulder, "send her away into the country, that is country,–something, by the way, which you know precious little about. Let me find her a place up among those life-giving Green Hills, and do you do without her for one year. Let me prescribe for her there; and I 'll guarantee she returns to you hale and hearty. Trust her to me, John; you 'll thank me in the end. I can do no more for her here."
"Do you mean, Richard, to put her away into real country conditions?"
"Yes, just that; into a farmer's family, if possible,–and I know I can make it possible,–and let her be as one of them, work, play, go barefoot, eat, sleep, be merry–in fact, be what the Lord intended her to be; and you 'll find out that is something very different from what she is, if only you 'll hear to me."
The Doctor was pacing the room in his earnestness. He was not accustomed to beg thus to be allowed to prescribe for his patients. His one word was law, and he was not required to explain his motives.
Mr. Clyde's eyes followed him; then he broke the prolonged silence.
"Richard, you have asked me the one thing to which her mother would never have consented. How, then, can I?"
"Think it over, John, and let me know."
The two men clasped hands.
"Let me take you along in my cab to the reception; it's inhuman to take out your horses on such a night."
"Thank you, no; I think I 'll give it up; I 'm not in the mood for it. Good-night, old fellow."
"Good-night, Johnny."
The next morning, at breakfast, the Doctor took up a note that lay beside his plate, and after reading it beamed joyously while he stirred his coffee vigorously without drinking it. When, finally, he looked up, his wife elevated her eyebrows over the top of the coffee urn, and the Doctor laughed.
"To be sure, wifie, read the note." And this is what she read:–
DEAR RICHARD,–I 've had a hard night, trying to look at things from your point of view and see my own duty towards Hazel. Things have grown rather misty, looking both backwards and forwards, and I have concluded I can't do better than to take you at your word,–trust her to you, and accept the guarantee of her return to me with her physical condition such as it should be.
This decision will, as you well know, raise a storm of protest among the relations. The whole swarm will be about my ears in less than no time. Stand by me. The whole responsibility rests upon you,–and tell Hazel; I 'm too much of a coward. This is a confession, but you will understand. Let me know the details of your plans so soon as possible. I have never been able to give you such a proof of friendship. Have you ever asked another man for such? I mistrust you, old fellow.
IV
A LITTLE MILLIONAIRE
"Gabrielle."
"Oui, mademoiselle Hazel," came in shrill yet muffled tones from the depths of the dressing-room closet.
"Bring me my white silk kimono."
"Oui, mademoiselle."
The order, in French, was given in a weak and slightly fretful voice that issued from the bed at the farther end of a large room from which the dressing-room opened. The apartment was, in truth, what Doctor Heath had called it, "a nest of luxury."
It was a bitter Saint Valentine's Day which succeeded the Doctor's evening visit. The wood-fire, blazing cheerily in the ample fireplace, sent its warmth and light far out into the room, flashing red reflections in the curiously twisted bars of the brass bedstead. At the left of the fireplace stood a small round tea-table, and upon it a little silver tea-kettle on a standard of the same metal. Dainty cups and saucers of egg-shell china were grouped about it; a miniature silver tray held a sugar-dish and a cream-pot and a half-dozen gold-lined souvenir spoons.
On the richly carved mantel stood an exquisite plate-glass clock, the chimes of which were just striking nine, and, keeping it company to right and left, were two dainty figures of a shepherd and shepherdess in Dresden china. The remaining mantel space was filled with tiny figures in bisque,–a dachshund, a cat and kittens, a porcelain box, heart-shaped, the top covered with china forget-me-nots, a silver drinking-cup, a small oval portrait on ivory of a beautiful young woman, framed in richly chased gold, the inner rim set round with pearls. A blue pitcher of Cloisonné and a tray of filigree silver heaped with dainty cotillion favors stood on one end; on the other, a crystal vase filled with white tulips.
Soft blue and white Japanese rugs lay upon the polished floor; delicate blue and white draperies hung at the windows. Dressing-case and writing-desk of white curled maple were each laden with articles for the toilet and for writing, in solid silver, engraved with the monogram H.C. A couch, upholstered in blue and white Japanese silk, stood at the right of the fireplace, and all about the room were dainty wicker chairs enamelled in white, and cushioned to match the hangings.
The bed was canopied in pale blue covered with white net and edged with lace, and the coverlet was of silk of the same delicate color, embroidered with white violets and edged like the canopy, only with a deeper frill of lace. The occupant of this couch, fit for a princess royal, was the little mistress of all she surveyed, as well as the mansion of which the room formed a small part; and a woebegone-looking little girl she was, who called again, and this time impatiently:–
"Gabrielle, hurry, do."
"Oui, oui, mademoiselle Hazel;" and Gabrielle tripped across the room with the white kimono in one hand and fresh towels in the other. She had just slipped it upon Hazel when there was a knock at the door. Gabrielle opened it, and Wilkins asked in a voice intended to be low, but which proved only husky:–
"Nuss say she mus' jes' speak wif Marse Clyde 'fo' she come up, an' wan's to know if Miss Hazel will haf her breffus now or wait till she come up herse'f."
Before Gabrielle could answer, Hazel called out, "You may bring it up now, Wilkins; and has the postman come yet?"
Wilkins' broad smile sounded in his voice, as it came out of its huskiness.
"Yes, Miss Hazel, ben jes' 'fo' I come up. I ain't seen no hearts, but dey's thicker 'n spatter by de feel, an' a heap o' boxes by 'spress!"
"Oh, bring them up quick, Wilkins, and tell papa to be sure and come up directly after breakfast."
"Yes, for sho', Miss Hazel," said Wilkins, delighted to have a word with the little daughter of her whom he had carried in his arms thirty-two years ago up and down the jasmine-covered porch of an old New Orleans mansion.
In a few minutes, he reappeared with two large silver trays, on one of which was the tempting breakfast of Hamburg grapes, a dropped egg, a slice of golden-brown toast, half of a squab broiled to the melting-point, and a cup of cocoa. On the other were boxes large and small, and white envelopes of all sizes.
Gabrielle cut the string and opened the boxes, while Hazel looked on, pleased to be remembered, but finding nothing unusual in the display; for Christmas and Easter and birthdays and parties brought just about the same collection, minus "the hearts," which Wilkins had felt through the covers. The only fun, after all, was in the guessing.
Just then Mr. Clyde entered.
"Oh, papa! I 'm so glad you have come; it's no fun guessing alone." She put up her peaked, sallow little face for the good-morning kiss; and her father, with the thought of his last night's struggle, took the face in both hands and kissed brow and mouth with unusual tenderness.
"Why, papa!" she exclaimed, "that kiss is my best valentine; you never kissed me that way before."
"Well, it's time I began, Birdie; let's see what you have for nonsense here. What's this–from Cambridge?"
"Oh, that's Jack, I 'm sure; he always sends me violets; but what is that in the middle of the bunch?" With a smile she drew out a tiny vignette of her Harvard Sophomore cousin. It was framed in a little gold heart, and on a slip of paper was written, "For thee, I 'm all 'art."
"Jack 's a gay deceiver," laughed her father; "he 's all ''art' for a good many girls, big and little. What's this?–and