The Spell of Flanders. Edward Neville Vose
another branch of the Yser in 1160. It was fortified three years later, and for several centuries was one of the strong towns defending the Low Countries on the French frontier. Its strategic importance made it the scene of many battles and sieges. It was destroyed by the English and their allies, the men of Ghent, in 1383. The lonely tower or Donjon of the Templars, standing on the edge of the town, is all that remains of a monastery of that order which was ruined at that time.
The city itself, however, was quickly rebuilt, and among other memorable sieges beat off a great French force in the year 1489. In 1568 the Spanish, under Condé, beat a French army commanded by Turenne not far from the city. Another famous fight before the walls of the old town took place in the year 1600 during the long war between Spain and her revolted Provinces. Count Maurice of Nassau, at the head of twelve thousand men from the United Provinces, had invaded Flanders, which still remained under the power of Spain, and marching rapidly from the Scheldt past Ostende, proceeded to besiege Nieuport. The Archduke Albert, hastily raising an army of fifteen thousand Spaniards, advanced unexpectedly on the Dutch, who were taken completely by surprise. Perceiving that he was caught in a trap, Count Maurice—in order to give his men the courage of despair—ordered the Dutch fleet to withdraw, and told his soldiers that they must either conquer or “be prepared to drink all the water behind them.”
Meanwhile an advance guard of the Dutch army was driven back by the advancing Spaniards who, thinking they had met the whole army, sent couriers to Bruges and Ghent announcing the victory. Bells were rung to celebrate the Archduke’s supposed success which, as the event proved, was a strategic victory for Nassau as it delayed the enemy several hours. It was three o’clock in the afternoon when the advancing Spaniards found themselves face to face with the main army of the republic, drawn up on the very beach outside the city walls. Perceiving their sturdy ranks and unyielding front the Archduke hesitated, but the Spaniards urged him not to let them lose their prey, whom they regarded as hateful rebels and heretics.
Thus encouraged, the Archduke gave the order to advance and the battle soon became general. The fate of the day was decided by the artillery of the Dutch which, by a fortunate order of their far-sighted commander, had been lifted off from the sand and mounted on platforms made from boughs, brush and such timber as was handy. That of the Archduke, mounted in haste directly on the beach, embedded itself in the sand at each discharge until it became useless, while that of the republicans became more accurate and deadly. At the same time the rays of the setting sun falling directly in the eyes of the Spanish soldiers, who were facing westward, blinded them and caused them to fire wildly. The Archduke performed prodigies of valour, having two horses killed under him and being himself slightly wounded, but as darkness began to fall on the bloody beach Count Maurice ordered a charge by a force of cavalry he had held in reserve. This fresh force proved irresistible, the Spanish lines began to give way on all sides, and the retreat quickly turned into a rout. Even the proud Archduke had to seek safety in flight, and the day, which had begun so auspiciously, ended in one of the greatest disasters of the disastrous war.
Nieuport and its sister cities in this, until lately, half-forgotten corner of Flanders were, in former times, renowned for other contests happily less bloody than these famous battles. Here, during the Middle Ages, flourished a group of societies devoted to rhetoric. In place of the still more ancient tourneys, where armed knights fought with lance and sword, these “Chambers of Rhetoric” held annual contests of oratory. From one end of Flanders to the other the movement spread; and these debating societies did much to cultivate a regard for learning and dialectic skill among the mass of the population. Sternly suppressed by Alva, implacable foe of every form of free thought, these societies were revived after the Spanish scourge was withdrawn, and some of them continue to the present day.
The visitor who wandered around the long, slightly hilly streets of the Nieuport of last July would have had little trouble in locating plenty of the “monuments” of its famous past, although the beach has now receded two or three miles to the northward and pleasant fields extend along the edge of the wide marshes which then were probably part of the sea. A curious old lighthouse with a pointed tower stands about midway between the present town and Nieuport Bains, as the beach town is called, showing where the coastline lay some three hundred and fifty years ago. Even this spot is now too far inland for the light to be seen at sea and a new lighthouse has been built on the rampart of dunes that runs, like a miniature mountain range, almost to Ostende toward the east, and westward to Coxyde and beyond.
Our first visit at Nieuport was to the Tower of the Templars, a huge square pile of brick standing in the midst of a potato patch. This prosaic environment detracted not a little from the sentimental interest of the edifice, and we were unable to get into the structure, although one of the gens d’armes of the village was said to have a key to the low wooden door at its base. Equally disappointing was a visit to the ancient Halle aux Draps, or Cloth Hall, now used on certain days as a local butter market. Here again, the door was locked and no one seemed to know who had the key. Curiously enough, although situated very close to the French frontier, we found in this little town and its neighbours, Dixmude and Furnes, very few people who understood French. Flemish is the universal language hereabouts apparently, but it was only on this little trip that we were at all inconvenienced by our inability to speak it. Elsewhere in Flanders—even at Ypres and Audenaerde, where our friends said we would have trouble—we were able to make our French universally understood.
On the Grande Place, close to the Cloth Hall, we found a little inn, called the Hotel du Pelican, where the Professor proposed that we should get some liquid refreshment. We failed, however, to obtain any response to our raps and thumps on the door, and concluding that the establishment must be run for pelicans only we took ourselves and our patronage elsewhere. The Church of Notre Dame, which stands just off the Grande Place, we found to be a most quaint and interesting old structure dating, it is said, from the thirteenth century. While less imposing externally than St. Nicholas at Furnes its massive square baroque tower was very striking, and formed a fine picture in conjunction with the more slender tower of the Cloth Hall hard by. The approach to the main entrance of the church was beneath some lofty trees and we did not see a solitary human being either outside of the edifice or within it. This church has an interesting jubé or rood loft, a fine wooden pulpit, and we also noticed a curious winding stairway that seemed to lead upward within one of the pillars at the intersection of the transept and the choir. As the tower is not built at this point, but at one end of the edifice, it was quite a mystery where this stairway went and what its purpose might be, but as it seemed exceedingly narrow and dark we did not explore it, nor did we find any one to whom we could apply for information about it.
It was in this church, by the way, or possibly in one of those at Dixmude or Furnes, that the Madame developed a violent antipathy to a certain painting that seems to be one of the most cherished possessions of nearly every church in Flanders. As old Cotton and Increase Mather delighted in scaring and harrowing their audiences with word pictures of the tortures of the burning fiery pit, so nearly every old Flemish artist seems to have delighted in portraying most vividly the sufferings and martyrdoms of the saints, and one subject in particular appears to have caught the fancy of every one of them. This was the beheading of John the Baptist. At times the head is shown rolling in the dust or mire of the street, at times it is represented as being served on a platter—but to one and all of these works of art the Madame objected. This circumstance added not a little to the happiness of Mr. and Mrs. Professor, who were continually contriving to lead her artfully around to inspect some new wonder, which proved to be another representation of this agreeable scene. As works of art they were nearly all atrocities, but as jokes on the Madame they were one and all great successes, and it was really surprising how many of them there were.
The Hotel de Ville, a somewhat commonplace looking structure, is said to contain a small collection of paintings, but we were unable to make any of the phlegmatic gens d’armes whom we found lounging close by take enough interest in our questions to inform us where admission might be obtained. In fact the whole town seemed singularly uninterested in tourists, apparently caring not a bit whether they came or stayed away. While the war will undoubtedly change this, still any one desiring to visit it will do well to make the trip from Ostende or Furnes, returning for the night to some point where hotel accommodations are more adequate. In our case we went over to Ostende, where there are many good hotels. No doubt a