The Benefactress. Elizabeth von Arnim
that were scattered through the rooms, collected as such things do collect, nobody knew when or why, and she put them down again somewhere else, only because she had the right to alter things and she loved to remind herself of it. She patted the walls and the tables as she passed; she smoothed down the folds of the curtains with tender touches; she went up to every separate looking-glass and stood in front of it a moment, so that there should be none that had not reflected the image of its mistress. She was so childishly delighted with her scanty possessions that she was thankful Susie remained invisible and did not come out and scoff.
What if it seemed an odd, bare place to eyes used to the superfluity of hangings and stuffings that prevailed at Estcourt? These bare boards, these shabby little mats by the side of the beds, the worn foxes' skins before the writing-tables, the cane or wooden chairs, the white calico curtains with meek cotton fringes, the queer little prints on the walls, the painted wooden bedsteads, seemed to her in their very poorness and unpretentiousness to be emblematical of all the virtues. As she lingered in the quiet rooms, while Letty raced along the passages, Anna said to herself that this Spartan simplicity, this absence of every luxury that could still further soften an already languid and effeminate soul, was beautiful. Here, as in the whitewashed praying-places of the Puritans, if there were any beauty and any glory it must all come from within, be all of the spirit, be only the beauty of a clean life and the glory of kind thoughts. She pictured herself waking up in one of those unadorned beds with the morning sun shining on her face, and rising to go her daily round of usefulness in her quiet house, where there would be no quarrels, and no pitiful ambitions, and none of those many bitter heartaches that need never be. Would they not be happy days, those days of simple duties? "The better life—the better life," she repeated musingly, standing in the middle of the big room through whose tall windows she could see the garden, and a strip of marshy land, and then the grey sea and the white of the gulls and the dark line of the Rügen coast over which the dusk was gathering; and she counted on her fingers mechanically, "Simplicity, frugality, hard work. Uncle Joachim said that was the better life, and he was wise—oh, he was very wise—but still–And he loved me, and understood me, but still–"
Looking up she caught sight of herself in a long glass opposite, a slim figure in a fur cloak, with bare head and pensive eyes, lost in reflection. It reminded her of the day the letter came, when she stood before the glass in her London bedroom dressed for dinner, with that same sentence of his persistently in her ears, and how she had not been able to imagine herself leading the life it described. Now, in her travelling dress, pale and tired and subdued after the long journey, shorn of every grace of clothes and curls, she criticised her own fatuity in having held herself to be of too fine a clay, too delicate, too fragile, for a life that might be rough. "Oh, vain and foolish one!" she said aloud, apostrophising the figure in the glass with the familiar Du of the days before her mother died, "Art thou then so much better than others, that thou must for ever be only ornamental and an expense? Canst thou not live, except in luxury? Or walk, except on carpets? Or eat, except thy soup be not of chocolate? Go to the ants, thou sluggard; consider their ways, and be wise." And she wrapped herself in her cloak, and frowned defiance at that other girl.
She was standing scowling at herself with great disapproval when the housemaid, who had been searching for her everywhere, came to tell her that the Herr Oberinspector was downstairs, and had sent up to know if his visit were convenient.
It was not at all convenient; and Anna thought that he might have spared her this first evening at least. But she supposed that she must go down to him, feeling somehow unequal to sending so authoritative a person away.
She found him standing in the inner hall with a portfolio under his arm. He was blowing his nose, making a sound like the blast of a trumpet, and waking the echoes. Not even that could he do quietly, she thought, her new sense of proprietorship oddly irritated by a nose being blown so aggressively in her house. Besides, they were her echoes that he was disturbing. She smiled at her own childishness.
She greeted him kindly, however, in response to his elaborate obeisances, and shook hands on seeing that he expected to be shaken hands with, though she had done so twice already that afternoon; and then she let herself be ushered by him into the drawing-room, a room on the garden side of the house, with French windows, and bookshelves, and a huge round polished table in the middle.
It had been one of the two rooms used by Uncle Joachim, and was full of traces of his visits. She sat down at a big writing-table with a green cloth top, her feet plunged in the long matted hairs of a grey rug, and requested Dellwig to sit down near her, which he did, saying apologetically, "I will be so free."
The servant, Marie, brought in a lamp with a green shade, shut the shutters, and went out again on tiptoe; and Anna settled herself to listen with what patience she could to the loud voice that jarred so on her nerves, fortifying herself with reminders that it was her duty, and really taking pains to understand him. Nor did she say a word, as she had done to the lawyer, that might lead him to suppose she did not intend living there.
But Dellwig's ceaseless flow of talk soon wearied her to such an extent that she found steady attention impossible. To understand the mere words was in itself an effort, and she had not yet learned the German for rye and oats and the rest, and it was of these that he chiefly talked. What was the use of explaining to her in what way he had ploughed and manured and sown certain fields, how they lay, how big they were, and what their soil was, when she had not seen them? Did he imagine that she could keep all these figures and details in her head? "I know nothing of farming," she said at last, "and shall understand your plans better when I have seen the estate."
"Natürlich, natürlich," shouted Dellwig, his voice in strangest contrast to hers, which was particularly sweet and gentle. "Here I have a map—does the gracious Miss permit that I show it?"
The gracious Miss inclined her tired head, and he unrolled it and spread it out on the table, pointing with his fat forefinger as he explained the boundaries, and the divisions into forest, pasture, and arable.
"It seems to be nearly all forest," said Anna.
"Forest! The forest covers two-thirds of the estate. It is the only forest on the entire promontory. Such care as I have bestowed on the forest has seldom been seen. It is grossartig—colossal!" And he lifted his hands the better to express his admiration, and was about to go into lengthy raptures when the map rolled itself up again with loud cracklings, and cut him short. He spread it out once more, and securing its corners began to describe the effects of the various sorts of artificial manure on the different crops, his cleverness in combining them, and his latest triumphant discovery of the superlative mixture that was to strike all Pomerania with awe.
"Ja," said Anna, balancing a paper-knife on one finger, and profoundly bored. "Whose land is that next to mine?" she asked, pointing.
"The land on the north and west belongs to peasants," said Dellwig. "On the east is the sea. On the south it is all Lohm. The gracious one passed through the village of Lohm this afternoon."
"The village where the school is?"
"Quite correct. The pastor, Herr Manske, a worthy man, but, like all pastors, taking ells when he is offered inches, serves both that church and the little one in Kleinwalde village, of which the gracious Miss is patroness. Herr von Lohm, who lives in the house standing back from the road, and perhaps noticed by the gracious Miss, is Amtsvorsteher in both villages."
"What is Amtsvorsteher?" asked Anna, languidly. She was leaning back in her chair, idly balancing the paper-knife, and listening with half an ear only to Dellwig, throwing in questions every now and then when she thought she ought to say something. She did not look at him, preferring much to look at the paper-knife, and he could examine her face at his ease in the shadow of the lamp-shade, her dark eyelashes lowered, her profile only turned to him, with its delicate line of brow and nose, and the soft and gracious curves of the mouth and chin and throat. One hand lay on the table in the circle of light, a slender, beautiful hand, full of character and energy, and the other hung listlessly over the arm of the chair. Anna was very tired, and showed it in every line of her attitude; but Dellwig was not tired at all, was used to talking, enjoyed at all times the sound of his voice, and on this occasion felt it to be his duty to make things clear. So he went into the lengthiest details as to the nature and office of