Forty Years of 'Spy'. Leslie Ward

Forty Years of 'Spy' - Leslie Ward


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a year during which I worked very conscientiously, considering my adverse sympathies, with bricks and mortar, Mr. Smirke finished his last work on Burlington House, and announced his intention of retiring.

      In the meantime I had visited Christchurch and Bournemouth, and had completed a series of drawings of interiors. One of these—of the Lady Chapel—was bought by Montague Williams, whose wife had then recently died. My picture, which represented a woman placing flowers upon a tomb, figured in the drawing, was the best work I had done up to that period, and it probably possessed some sad association or suggestion for him. I had wished to sell the picture to the Rev. Zacchary Nash, the Rector of Christchurch, and he wrote to me, saying, "If you very much wish me to buy the water-colour drawing, I will; but I dislike all pictures, and consider they never rise to my preconceived idea of the subject or object they are intended to represent."

      The walls of his house were entirely without the usual ornamentation, and I do not remember to have seen there a single picture, with the exception of the usual conventional and handed-down portraits of relations.

      I was made a member of the Architectural Association, and exhibited my drawings of Christchurch, which were so highly appreciated by my father, and so pleased him by what he considered my advance in the architectural profession, that I had not the heart to tell him of my ever-increasing desire to leave it and go through the Academy Schools, and become a painter. He had repeatedly said he would rather I swept a crossing than be an artist, whereupon I decided upon the one outside our house, in anticipation.

      On my return, my father immediately exerted himself to find a new office for me, and Mr. Smirke suggested a colleague of his, Mr. Street, in the following letter:—

      My dear Sir,

      … with regard to Leslie I quite concur with you in wishing him to get into some busy and eminent office where he can see and profit by all the matters connected with the carrying out of architectural work. I have enclosed herewith a note to Mr. Street, requesting him to tell me candidly whether he can readily admit Leslie into his office, and I shall not fail to let him know how highly I appreciate Leslie's qualification. At the same time I must remind you that in an eminent architect's office, each stool has its money value and very big premiums are realised. What I shall tell Street will be that in taking Leslie into his office he is taking an excellent draughtsman with taste and intelligence to boot, and not a raw recruit—one in short, who would be found useful from the first day of his entrance.

Yours sincerely,Sydney Smirke.

      My father in the meantime had spoken to his friend Mr. Edward Barry, R.A., with a view to my entering his office. This interview resulted in my calling upon Mr. Barry with specimens of my work, of which he approved and upon which he complimented me. At the same time he warned me that T-squares and compass, and not the paint brush, would be my daily implements for at least five years. This was too much for me, and I frankly told him it would be impossible, and that three years—until my coming of age—would be my limit. Barry then expressed his opinion that an artist's career was what I was fitted for, and not an architect's office, and although I quite agreed with him I went home with a heavy heart at the thought of my father's disappointment. On my return I sought my room, and, after locking the door, I sat down to consider the situation. Also, I found that—perhaps from the effect of my excitement—my nose was bleeding, and I endeavoured to staunch the flow of blood. Presently, before I had decided upon a tactful plan of action, my father knocked at the door, and when I opened it, rushed in, greatly excited to hear the result of the interview. A rousing scene followed, and although I respected his feelings and was sorry to go against his wishes, I instinctively clung to my decision to live my life as I chose and to follow my own career. The same evening my father consulted his friend, Mr. Frith, on the matter, and he kindly consented to act as mediator in this affair of my future career. After trying to dissuade me, and presenting an artist's life from its very blackest standpoint, and still finding me full of hope and enthusiasm, Mr. Frith at last said, "I don't mind telling you that, had you been my son, I should certainly have encouraged you in your desire to adopt an artist's profession."

      Finally my father was persuaded, and as there was nothing more to be said, we shook hands upon my determination. Thus we buried the long-cherished idea of my architectural career, of which I was heartily glad to hear the last.

      After the disagreement, Frith, to encourage me, commissioned me to "square out" one of his pictures from a small sketch—"The Procession of Our Lady of Boulogne." I received eighteen guineas when my task was completed, but in my excitement at receiving my first cheque, I threw it (in its envelope) accidentally in the fire. I was in despair when I discovered my blunder, and, in my ignorance of paper money, went to Frith and told him of the calamity. He chaffed me, and said, "You know, Leslie, I'm not compelled to give you another cheque … but if you wish it I will." Whereupon he gave me my long-looked-for and fateful eighteen guineas.

      I was now free to face my future and to begin life as I wished; and in the meanwhile I nearly ended it prematurely while I was on a visit to my friend William Virtue, at Sunbury. At my host's suggestion, we started with three friends for a bathe in the river, early on a Sunday morning, the tide being high and the current strong. I was a fair swimmer and very fond of the pastime, and so, when our return home for breakfast was suggested, I thought to have one more plunge, whereupon Bill, as we called him, being familiar with the current in the vicinity of the weir, advised me to avail myself of one in particular, which would, if I followed it, he said, carry me back to the boat. I acted upon the suggestion, but upon reaching our boat found myself unable to get a firm enough grip upon it, and, after making several attempts, became quite exhausted, and then tried to float on my back to give myself a rest. Then an article I had been reading the night before headed "Precautions in case of Drowning," came to my mind, with the advice when exhausted to "Throw yourself upon your back." But this precaution proved fruitless, as at this moment an under-current sucked me down. Being by this time quite helpless, I was shot up again like the imp in the bottle, only to be washed under again, and then in desperation I called for "Help!" and sank for the last time. In my case no past incidents lit up my brain with one lightning flash of thought—no beautiful ideas surged up—as one has heard told in novels. I only thought of the boat … I must get to the boat … and when I sank I said to myself, "Good-bye."

      My host, who was then in smooth water on the other side of the river exclaimed, to the rest of the party, "Where's Ward?" and as he spoke he observed the ring in the water where I had disappeared. Fearing I was dead, he exclaimed, "Good God, how shall I break the news?" but he plunged in and lost no time in rescuing me.

      How it was done, he was scarcely able to say, but he found me obedient to his directions, and, being a powerfully built man, he was able to battle against the rush of water, whilst supporting me. I was eventually dragged into the boat, and, wonderful to relate, I had retained sufficient consciousness to know I was alive, while fearing at the same time for Virtue, who, placing me in safety, had swum after another of our party who had rashly gone to the aid of both of us, and was in difficulties himself. Needless to add, my heroic friend was in a fainting condition when we reached his house, but with the aid of a little brandy, he soon recovered, and no harm came to any of us. In fact, in the afternoon I had sufficiently recovered to walk to Teddington, where I called upon the Edward Levys, who had taken a house there for the summer. Feeling quite fit in spite of the episode of the morning, I was sitting in the drawing-room regaling my hostess with the little incident of my rescue, when she asked me to ring the bell for tea. On either side of the fireplace a bell appeared to be attached to the wall. One of these, as happens in old-fashioned houses, was a dummy, and this one I attempted to pull; being at that age when a young man does not wish to be outwitted, and finding the bell was extremely difficult to manage, I gave it an extra hard tug, and, to my consternation, pulled off the dummy handle and with it masses of plaster which came showering down all around me. My feelings on discovering my blunder were too deep for words.

      Another lamentable accident happened to me when I was attempting to coax my coming moustache with a pair of curling tongs—to curl the edges! In carelessly handling the lamp (which exploded), and in trying to blow out the flames, I burnt myself so badly that I lost every atom of hair on my face, eyebrows, eyelashes, and the rest. Seeing an advertisement a little later for hair restorer and moustache renovator, I bought it in high hopes,


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