In Our Town. White William Allen
way the triangular board broke, and the reporter and Henry were pop-eyed with wonder to see David hold his hands above the pencil and make it write, dragging a splinter of board behind it. David yawned five or six times and lay down on the office couch, and when he got up a moment later his hands were fingering the air, his lips fluttering like the wings of fledglings, and he seemed to be trying some new kind of lingo. He did not look about him, but went straight to the table, gripped the air above the pencil with the broken board upon it, and the pencil came up and began writing something, evidently in verse. David's face was shiny and smiling the while, but his eyes were fixed, though his lips moved as they do when one writes and is unused to it. Larmy stared at the boy with open mouth, clearly afraid of the spectacle that was before him. A night creaking of the building made him jump, and he moistened his lips as the pencil wrote on. When the sheet was filled, the pencil fell and David looked about him with a smile and dropping his head on the desk began to yawn. He seemed to be coming out of a deep sleep, and grinned up blinking: "Gee, I must 'a' gone to sleep on you fellows. I was up late last night."
Larmy told the boy what had happened, and the three of them looked at the paper, but could make nothing of it. David shook his head.
"Not on your life," he laughed. "What do you fellers take me for—a phonograph having the D. T.'s, or a mimeograph with a past? Uh-huh! Not for little David! Why—say, that is some kind of Dutch!"
The reporter knew enough to know that it was Latin, but his High School days were five years behind him, and he could not translate it. The Latin professor at the college, however, said that it seemed to be an imitation of Ovid.
And the next time the reporter saw a light in the office window he broke into the seance. When the boy and his girl were not holding down the sofa at her father's home, or when there was no dance at the Imperial Club hall, nor any other social diversion, David and Larmy and the reporter would meet at the office and dive into things too deep for Horatio's philosophy.
Their favourite theme was the immortality of the soul, and when they were on this theme David would get nervous, pace up and down the office, and finally throw himself on the lounge and begin to yawn. Whereupon a control, or state of mind, or personality that called itself Fra Guiseppi would rise to consciousness and dominate the boy. Larmy and the reporter called it "father," and talked to it with considerable jocularity, considering that the father claimed they were talking to a ghost. It would do odd things for them; go into rooms where David had never been: describe their furnishings and occupants accurately; read the numbers on watches of prominent citizens, which the reporter would verify the next day; and pretend to bring other departed spirits into the room to discuss various matters. Larmy had a pleasant social chat with Karl Marx, and had the spirits hunting all over the kingdom-come for Tom Paine and Murat. But the messenger either could not find them, or the line was busy with someone else, so these worthies never appeared.
Still, this must be said of the "father," that it had a philosophy of life, and a distinct personality far deeper and more charming and in some way sweeter than David's; that it talked with an accent, which to the hearers seemed Italian, and in a voice that certainly could not have been the boy's by any trick of ventriloquism. One night in their talks Larmy said:
"'Father,' you say you believe that the judgments of God are just—how do you account for the sufferings, the heartaches, the sorrows, the misery that come in the wake of those judgments? Here is a great railway accident that strikes down twenty people, renders some cripples for life, kills others. Here is a flood that sweeps away the property of good men and bad men. Is that just? What compensation is there for it?"
The "father" put his chin in one hand and remained silent for a time, as one deep in thought; then he replied:
"That is—what you call—life. That is what makes life, life; what makes it different from the existence we know now. All your misfortunes, your hardships, your joys, all your miseries and failures and triumphs—these are the school of the soul which you call life. It is a preparation for the hereafter."
And David waking knew nothing of the thing that possessed him sleeping. When they told him, he would smoke his cigarette, and make reply that he must have had 'em pretty bad this time, or that he was glad he wasn't that "buggy" when he was awake.
David's talent soon became known in the office. We used to call it his spook, but only once did we harness it to practical business and that was when old Charley Hedrick, the local boss, was picking a candidate for the Legislature. The reporter and Larmy asked the "father" one night if it could get us connected with Mr. Hedrick. It said it would try; it needed help. And there appeared another personality with which they were more or less familiar, called the Jew. The Jew claimed to be a literary man, and said it would act as receiver while the father acted as transmitter on Hedrick. Then they got this one-sided telephonic conversation in a thick, wheezy voice that was astonishingly like Hedrick's:
"Harmony—hell, yes; we're always getting the harmony and the Worthington state bank gets the offices." Then a pause ensued. "Well, let'em bolt. I'm getting tired of giving up the whole county ticket to them fellows to keep 'em from bolting." After another pause, he seemed to answer someone: "Oh, Bill?—you can't trust him! He's played both sides in this town for ten years. What I want isn't a man to satisfy them, but just this once I want a man who won't be even under the suspicion of satisfying them. I want a fellow to satisfy me." The other side of the telephone must have spoken, for this came: "Well, then, we'll bust their damn bank! Did you see their last statement: cash down to fifteen per cent. and no dividends on half a million assets for a year and a half? Something's rotten there. They're a lot of 'toads in a poisoned tank,' as old Browning says. If they want a fight, they can have it." After the silence he replied: "I tell you fellows they can't afford a fight. And, anyway, there'll never be peace in this town till we get things on the basis of one bank, one newspaper, one wife and one country, and the way to do that is to get out in the open and fight. If I've got as much sense as a rabbit I say that Ab Handy is the man, and whether I'm right or wrong I'm going to run him." He seemed to retort to some objector: "Yes, and the first thing you know he'd come charging up to the Speaker's desk with a maximum freight-rate bill, or a stock-yards bill—and where would I be? I tell you he won't stand hitched. He'll swell up like a pizened pup, and you couldn't handle him. Where'd any of us be, if the Representative from this county got to pawing the air for reform? I know Jake as though I'd been through him with a lantern." There must have been a discussion of some kind among the others, for a lengthy interim followed; then the voice continued: "Elect him?—of course we can elect him. I can get five hundred from the State Committee and we can raise that much down here. This is a Republican year, and we could elect Judas Iscariot against any of the eleven brethren this year on the Republican ticket, and I tell you it's Ab. You fellows can do as you please, but I'm going to run Ab."
Then, being full of political curiosity rather than impelled by a desire for psychological research, the reporter slipped out and waited in a stairway opposite the Exchange National Bank building until the light in Hedrick's law office was extinguished. Then he saw old Charley and his henchmen come out, one at a time, look cautiously up and down the street and go forth in different, devious ways. The story in our paper the next day of the candidacy of Ab Handy threw consternation into the ranks of the enemy. We had printed the conversation as it had occurred, after which five men publicly contended that one of their number was a traitor.
The summer browned the pastures, and the coming of autumn brought trouble for David Lewis, president of the Imperial Dancing Club, short-stop for the Maroons, snare-drummer in the band, and operator of linotypes. We who are at the period of life where love is a harvest forget the days of the harrow, and are prone to smile at the season of the seeding. We do not know that the heaviest burden God puts on a young soul is a burden of the heart. A travelling silk-salesman, with a haughty manner and a two-hundred-dollar job, saw the blonde in the Racket Store and began calling at her father's home like the captain of an army with banners. David, being only an armour-bearer at fifteen dollars a week, found heartbreak in it all for him. A girl of twenty is so much older than a boy of twenty-one that the blonde began to assume a maternal attitude toward the boy, and he took to walking afield on Sundays, looking at the sky in agony and asking his little "now-I-lay-me" God, what life was given to him for. He fabricated a legend that she was selling herself for gold, and when the haughty manner and the blonde sped by David's