My Winter on the Nile. Warner Charles Dudley
and the light-house, the palms, the minarets, and the outline of the domes painted on the straw-color of the sky—a dream-like picture. The curtain draws up with Eastern leisure—the sun appears to rise more deliberately in the Orient than elsewhere; the sky grows more brilliant, there are long lines of clouds, golden and crimson, and we seem to be looking miles and miles into an enchanted country. Then ships and boats, a vast number of them, become visible in the harbor, and as the light grows stronger, the city and land lose something of their beauty, but the sky grows more softly fiery till the sun breaks through. The city lies low along the flat coast, and seems at first like a brownish white streak, with fine lines of masts, palm-trees, and minarets above it.
The excitement of the arrival in Alexandria and the novelty of everything connected with the landing can never be repeated. In one moment the Orient flashes upon the bewildered traveler; and though he may travel far and see stranger sights, and penetrate the hollow shell of Eastern mystery, he never will see again at once such a complete contrast to all his previous experience. One strange, unfamiliar form takes the place of another so rapidly that there is no time to fix an impression, and everything is so bizarre that the new-comer has no points of comparison. He is launched into a new world, and has no time to adjust the focus of his observation. For myself, I wished the Orient would stand off a little and stand still so that I could try to comprehend it. But it would not; a revolving kaleidoscope never presented more bewildering figures and colors to a child, than the port of Alexandria to us.
Our first sight of strange dress is that of the pilot and the crew who bring him off—they are Nubians, he is a swarthy Egyptian. “How black they are,” says the Baroness; “I don’t like it.” As the pilot steps on deck, in his white turban, loose robe of cotton, and red slippers, he brings the East with him; we pass into the influence of the Moslem spirit. Coming into the harbor we have pointed out to us the batteries, the palace and harem of the Pasha (more curiosity is felt about a harem than about any other building, except perhaps a lunatic asylum), and the new villas along the curve of the shore. It is difficult to see any ingress, on account of the crowd of shipping.
The anchor is not down before we are surrounded by rowboats, six or eight deep on both sides, with a mob of boatmen and guides, all standing up and shouting at us in all the broken languages of three continents. They are soon up the sides and on deck, black, brown, yellow, in turbans, in tarbooshes, in robes of white, blue, brown, in brilliant waist-shawls, slippered, and bare-legged, bare-footed, half-naked, with little on except a pair of cotton drawers and a red fez, eager, big-eyed, pushing, yelping, gesticulating, seizing hold of passengers and baggage, and fighting for the possession of the traveler’s goods which seem to him about to be shared among a lot of pirates. I saw a dazed traveler start to land, with some of his traveling-bags in one boat, his trunk in a second, and himself in yet a third, and a commissionaire at each arm attempting to drag him into two others. He evidently couldn’t make up his mind, which to take.
We have decided upon our hotel, and ask for the commissionaire of it. He appears. In fact there are twenty or thirty of him. The first one is a tall, persuasive, nearly naked Ethiop, who declares that he is the only Simon Pure, and grasps our handbags. Instantly, a fluent, business-like Alexandrian pushes him aside—“I am the commissionaire”—and is about to take possession of us. But a dozen others are of like mind, and Babel begins. We rescue our property, and for ten minutes a lively and most amusing altercation goes on as to who is the representative of the hotel. They all look like pirates from the Barbary coast, instead of guardians of peaceful travelers. Quartering an orange, I stand in the center of an interesting group, engaged in the most lively discussion, pushing, howling and fiery gesticulation. The dispute is finally between two:
“I Hotel Europe!”
“I Hotel Europe; he no hotel.”
“He my brother, all same me.”
“He! I never see he before,” with a shrug of the utmost contempt.
As soon as we select one of them, the tumult subsides, the enemies become friends and cordially join in loading our luggage. In the first five minutes of his stay in Egypt the traveler learns that he is to trust and be served by people who haven’t the least idea that lying is not a perfectly legitimate means of attaining any desirable end. And he begins to lose any prejudice he may have in favor of a white complexion and of clothes. In a decent climate he sees how little clothing is needed for comfort, and how much artificial nations are accustomed to put on from false modesty.
We begin to thread our way through a maze of shipping, and hundreds of small boats and barges; the scene is gay and exciting beyond expression. The first sight of the colored, pictured, lounging, waiting Orient is enough to drive an impressionable person wild; so much that is novel and picturesque is crowded into a few minutes; so many colors and flying robes, such a display of bare legs and swarthy figures. We meet flat boats coming down the harbor loaded with laborers, dark, immobile groups in turbans and gowns, squatting on deck in the attitude which is the most characteristic of the East; no one stands or sits—everybody squats or reposes cross-legged. Soldiers are on the move; smart Turkish officers dart by in light boats with half a dozen rowers; the crew of an English man-of-war pull past; in all directions the swift boats fly, and with their freight of color, it is like the thrusting of quick shuttles, in the weaving of a brilliant carpet, before our eyes.
We step on shore at the Custom-House. I have heard travelers complain of the delay in getting through it. I feel that I want to go slowly, that I would like to be all day in getting through—that I am hurried along like a person who is dragged hastily through a gallery, past striking pictures of which he gets only glimpses. What a group this is on shore; importunate guides, porters, coolies. They seize hold of us, We want to stay and look at them. Did ever any civilized men dress so gaily, so little, or so much in the wrong place? If that fellow would untwist the folds of his gigantic turban he would have cloth enough to clothe himself perfectly. Look! that’s an East Indian, that’s a Greek, that’s a Turk that’s a Syrian-Jew? No, he’s Egyptian, the crook-nose is not uncommon to Egyptians, that tall round hat is Persian, that one is from Abys—there they go, we haven’t half seen them! We leave our passports at the entrance, and are whisked through into the baggage-room, where our guide pays a noble official three francs for the pleasure of his chance acquaintance; some nearly naked coolie-porters, who bear long cords, carry off our luggage, and before we know it we are in a carriage, and a rascally guide and interpreter—Heaven knows how he fastened himself upon us in the last five minutes—is on the box and apparently owns us? (It took us half a day and liberal backsheesh to get rid of the evil-eyed fellow) We have gone only a little distance when half a dozen of the naked coolies rush after us, running by the carriage and laying hold of it, demanding backsheesh. It appears that either the boatman has cheated them, or they think he will, or they havn’t had enough. Nobody trusts anybody else, and nobody is ever satisfied with what he gets, in Egypt. These blacks, in their dirty white gowns, swinging their porter’s ropes and howling like madmen, pursue us a long way and look as if they would tear us in pieces. But nothing comes of it. We drive to the Place Mehemet Ali, the European square,—having nothing Oriental about it, a square with an equestrian statue of Mehemet Ali, some trees and a fountain—surrounded by hotels, bankers’ offices and Frank shops.
There is not much in Alexandria to look at except the people, and the dirty bazaars. We never before had seen so much nakedness, filth and dirt, so much poverty, and such enjoyment of it, or at least indifference to it. We were forced to strike a new scale of estimating poverty and wretchedness. People are poor in proportion as their wants are not gratified. And here are thousands who have few of the wants that we have, and perhaps less poverty. It is difficult to estimate the poverty of those fortunate children to whom the generous sun gives a warm color for clothing, who have no occupation but to sit in the same, all day, in some noisy and picturesque thoroughfare, and stretch out the hand for the few paras sufficient to buy their food, who drink at the public fountain, wash in the tank of the mosque, sleep in street-corners, and feel sure of their salvation if they know the direction of Mecca. And the Mohammedan religion seems to be a sort of soul-compass, by which the most ignorant believer can always orient himself. The best-dressed Christian may feel certain of one thing, that he is the object of the cool contempt of the most naked, opthalmic, flea-attended, wretched Moslem he meets. The Oriental conceit is a peg