Clarissa Harlowe; or the history of a young lady — Volume 9. Сэмюэл Ричардсон
ears and neck in broken curls, or ragged ends; and each at my entrance taken with one motion, stroking their matted locks with both hands under their coifs, mobs, or pinners, every one of which was awry. They were all slip-shoed; stockingless some; only under-petticoated all; their gowns, made to cover straddling hoops, hanging trollopy, and tangling about their heels; but hastily wrapt round them, as soon as I came up stairs. And half of them (unpadded, shoulder-bent, pallid-lips, limber-jointed wretches) appearing, from a blooming nineteen or twenty perhaps over-night, haggard well-worn strumpets of thirty-eight or forty.
I am the more particular in describing to thee the appearance these creatures made in my eyes when I came into the room, because I believe thou never sawest any of them, much less a group of them, thus unprepared for being seen.6 I, for my part, never did before; nor had I now, but upon this occasion, being thus favoured. If thou hadst, I believe thou wouldst hate a profligate woman, as one of Swift's yahoos, or Virgil's obscene harpies, squirting their ordure upon the Trojan trenches; since the persons of such in their retirements are as filthy as their minds.— Hate them as much as I do; and as much as I admire, and next to adore, a truly virtuous and elegant woman: for to me it is evident, that as a neat and clean woman must be an angel of a creature, so a sluttish one is the impurest animal in nature. But these were the veterans, the chosen band; for now-and-then flitted in to the number of half a dozen or more, by turns, subordinate sinners, under-graduates, younger than some of the chosen phalanx, but not less obscene in their appearance, though indeed not so much beholden to the plastering focus; yet unpropt by stays, squalid, loose in attire, sluggish-haired, uner-petticoated only as the former, eyes half-opened, winking and pinking, mispatched, yawning, stretching, as if from the unworn-off effects of the midnight revel; all armed in succession with supplies of cordials (of which every one present was either taster or partaker) under the direction of the busier Dorcas, who frequently popt in, to see her slops duly given and taken.
But when I approached the old wretch, what a spectacle presented itself to my eyes!
Her misfortune has not at all sunk, but rather, as I thought, increased her flesh; rage and violence perhaps swelling her muscular features. Behold her, then, spreading the whole troubled bed with her huge quaggy carcase: her mill-post arms held up; her broad hands clenched with violence; her big eyes, goggling and flaming ready as we may suppose those of a salamander; her matted griesly hair, made irreverend by her wickedness (her clouted head-dress being half off, spread about her fat ears and brawny neck;) her livid lips parched, and working violently; her broad chin in convulsive motion; her wide mouth, by reason of the contraction of her forehead (which seemed to be half-lost in its own frightful furrows) splitting her face, as it were, into two parts; and her huge tongue hideously rolling in it; heaving, puffing as if four breath; her bellows-shaped and various-coloured breasts ascending by turns to her chin, and descending out of sight, with the violence of her gaspings.
This was the spectacle, as recollection has enabled me to describe it, that this wretch made to my eye, by her suffragans and daughters, who surveyed her with scouling frighted attention, which one might easily see had more in it of horror and self-concern (and self-condemnation too) than of love or pity; as who should say, See! what we ourselves must one day be!
As soon as she saw me, her naturally-big voice, more hoarsened by her ravings, broke upon me: O Mr. Belford! O Sir! see what I am come to!— See what I am brought to!—To have such a cursed crew about me, and not one of them to take care of me! But to let me tumble down stairs so distant from the room I went from! so distant from the room I meant to go to!—Cursed, cursed be every careless devil!—May this or worse be their fate every one of them!
And then she cursed and swore most vehemently, and the more, as two or three of them were excusing themselves on the score of their being at that time as unable to help themselves as she. As soon as she had cleared the passage of her throat by the oaths and curses which her wild impatience made her utter, she began in a more hollow and whining strain to bemoan herself. And here, said she—Heaven grant me patience! [clenching and unclenching her hands] am I to die thus miserably!—of a broken leg in my old age!—snatched away by means of my own intemperance! Self-do! Self-undone!—No time for my affairs! No time to repent!—And in a few hours (Oh!—Oh!—with another long howling O—h!—U—gh—o! a kind of screaming key terminating it) who knows, who can tell where I shall be?—Oh! that indeed I never, never, had had a being!
What could one say to such a wretch as this, whose whole life had been spent in the most diffusive wickedness, and who no doubt has numbers of souls to answer for? Yet I told her, she must be patient: that her violence made her worse: and that, if she would compose herself, she might get into a frame more proper for her present circumstances.
Who, I? interrupted she: I get into a better frame! I, who can neither cry, nor pray! Yet already feel the torments of the d——d! What mercy can I expect? What hope is left for me?—Then, that sweet creature! that incomparable Miss Harlowe! she, it seems, is dead and gone! O that cursed man! Had it not been for him! I had never had this, the most crying of all my sins, to answer for!
And then she set up another howl.
And is she dead?—Indeed dead? proceeded she, when her howl was over—O what an angel have I been the means of destroying! For though it was that it was mine, and your's, and your's, and your's, devils as we all were [turning to Sally, to Polly, and to one or two more] that he did not do her justice! And that, that is my curse, and will one day be yours! And then again she howled.
I still advised patience. I said, that if her time were to be so short as she apprehended, the more ought she to endeavour to compose herself: and then she would at least die with more ease to herself—and satisfaction to her friends, I was going to say—But the word die put her into a violent raving, and thus she broke in upon me. Die, did you say, Sir?—Die!—I will not, I cannot die!—I know not how to die!—Die, Sir! —And must I then die?—Leave this world?—I cannot bear it!—And who brought you hither, Sir?—[her eyes striking fire at me] Who brought you hither to tell me I must die, Sir?—I cannot, I will not leave this world. Let others die, who wish for another! who expect a better!—I have had my plagues in this; but would compound for all future hopes, so as I may be nothing after this!
And then she howled and bellowed by turns.
By my faith, Lovelace, I trembled in every joint; and looking upon her who spoke this, and roared thus, and upon the company round me, I more than once thought myself to be in one of the infernal mansions.
Yet will I proceed, and try, for thy good, if I can shock thee but half as much with my descriptions, as I was shocked with what I saw and heard.
Sally!—Polly!—Sister Carter! said she, did you not tell me I might recover? Did not the surgeon tell me I might?
And so you may, cried Sally; Monsieur Garon says you may, if you'll be patient. But, as I have often told you this blessed morning, you are reader to take despair from your own fears, than comfort from all the hope we can give you.
Yet, cried the wretch, interrupting, does not Mr. Belford (and to him you have told the truth, though you won't to me; does not he) tell me that I shall die?—I cannot bear it! I cannot bear the thoughts of dying!
And then, but that half a dozen at once endeavoured to keep down her violent hands, would she have beaten herself; as it seems she had often attempted to do from the time the surgeon popt out the word mortification to her.
Well, but to what purpose, said I (turning aside to her sister, and to Sally and Polly), are these hopes given her, if the gentlemen of the faculty give her over? You should let her know the worst, and then she must submit; for there is no running away from death. If she had any matters to settle, put her upon settling them; and do not, by telling her she will live, when there is no room to expect it, take from her the opportunity of doing needful things. Do the surgeons actually give her over?
They do, whispered they. Her gross habit, they say, gives no hopes. We have sent for both surgeons, whom we expect every minute.
Both the surgeons (who are French; for Mrs. Sinclair has heard Tourville launch out in the praise
Whoever has seen Dean Swift's Lady's Dressing room, will think this description of Mr. Belford's not only more natural, but more decent painting, as well as better justified by the design, and by the use that may be made of it.