Maria; Or, The Wrongs of Woman. Wollstonecraft Mary
with sympathetic alarm; and she turned over the leaves with awe, as if they had become sacred from passing through the hands of an unfortunate being, oppressed by a similar fate.
Dryden’s Fables, Milton’s Paradise Lost, with several modern productions, composed the collection. It was a mine of treasure. Some marginal notes, in Dryden’s Fables, caught her attention: they were written with force and taste; and, in one of the modern pamphlets, there was a fragment left, containing various observations on the present state of society and government, with a comparative view of the politics of Europe and America. These remarks were written with a degree of generous warmth, when alluding to the enslaved state of the labouring majority, perfectly in unison with Maria’s mode of thinking.
She read them over and over again; and fancy, treacherous fancy, began to sketch a character, congenial with her own, from these shadowy outlines.—“Was he mad?” She reperused the marginal notes, and they seemed the production of an animated, but not of a disturbed imagination. Confined to this speculation, every time she re-read them, some fresh refinement of sentiment, or acuteness of thought impressed her, which she was astonished at herself for not having before observed.
What a creative power has an affectionate heart! There are beings who cannot live without loving, as poets love; and who feel the electric spark of genius, wherever it awakens sentiment or grace. Maria had often thought, when disciplining her wayward heart, “that to charm, was to be virtuous.” “They who make me wish to appear the most amiable and good in their eyes, must possess in a degree,” she would exclaim, “the graces and virtues they call into action.”
She took up a book on the powers of the human mind; but, her attention strayed from cold arguments on the nature of what she felt, while she was feeling, and she snapt the chain of the theory to read Dryden’s Guiscard and Sigismunda.
Maria, in the course of the ensuing day, returned some of the books, with the hope of getting others—and more marginal notes. Thus shut out from human intercourse, and compelled to view nothing but the prison of vexed spirits, to meet a wretch in the same situation, was more surely to find a friend, than to imagine a countryman one, in a strange land, where the human voice conveys no information to the eager ear.
“Did you ever see the unfortunate being to whom these books belong?” asked Maria, when Jemima brought her slipper. “Yes. He sometimes walks out, between five and six, before the family is stirring, in the morning, with two keepers; but even then his hands are confined.”
“What! is he so unruly?” enquired Maria, with an accent of disappointment.
“No, not that I perceive,” replied Jemima; “but he has an untamed look, a vehemence of eye, that excites apprehension. Were his hands free, he looks as if he could soon manage both his guards: yet he appears tranquil.”
“If he be so strong, he must be young,” observed Maria.
“Three or four and thirty, I suppose; but there is no judging of a person in his situation.”
“Are you sure that he is mad?” interrupted Maria with eagerness. Jemima quitted the room, without replying.
“No, no, he certainly is not!” exclaimed Maria, answering herself; “the man who could write those observations was not disordered in his intellects.”
She sat musing, gazing at the moon, and watching its motion as it seemed to glide under the clouds. Then, preparing for bed, she thought, “Of what use could I be to him, or he to me, if it be true that he is unjustly confined?—Could he aid me to escape, who is himself more closely watched?—Still I should like to see him.” She went to bed, dreamed of her child, yet woke exactly at half after five o’clock, and starting up, only wrapped a gown around her, and ran to the window. The morning was chill, it was the latter end of September; yet she did not retire to warm herself and think in bed, till the sound of the servants, moving about the house, convinced her that the unknown would not walk in the garden that morning. She was ashamed at feeling disappointed; and began to reflect, as an excuse to herself, on the little objects which attract attention when there is nothing to divert the mind; and how difficult it was for women to avoid growing romantic, who have no active duties or pursuits.
At breakfast, Jemima enquired whether she understood French? for, unless she did, the stranger’s stock of books was exhausted. Maria replied in the affirmative; but forbore to ask any more questions respecting the person to whom they belonged. And Jemima gave her a new subject for contemplation, by describing the person of a lovely maniac, just brought into an adjoining chamber. She was singing the pathetic ballad of old Rob3 with the most heart-melting falls and pauses. Jemima had half-opened the door, when she distinguished her voice, and Maria stood close to it, scarcely daring to respire, lest a modulation should escape her, so exquisitely sweet, so passionately wild. She began with sympathy to pourtray to herself another victim, when the lovely warbler flew, as it were, from the spray, and a torrent of unconnected exclamations and questions burst from her, interrupted by fits of laughter, so horrid, that Maria shut the door, and, turning her eyes up to heaven, exclaimed—“Gracious God!”
Several minutes elapsed before Maria could enquire respecting the rumour of the house (for this poor wretch was obviously not confined without a cause); and then Jemima could only tell her, that it was said, “she had been married, against her inclination, to a rich old man, extremely jealous (no wonder, for she was a charming creature); and that, in consequence of his treatment, or something which hung on her mind, she had, during her first lying-in, lost her senses.”
What a subject of meditation—even to the very confines of madness.
“Woman, fragile flower! why were you suffered to adorn a world exposed to the inroad of such stormy elements?” thought Maria, while the poor maniac’s strain was still breathing on her ear, and sinking into her very soul.
Towards the evening, Jemima brought her Rousseau’s Heloise; and she sat reading with eyes and heart, till the return of her guard to extinguish the light. One instance of her kindness was, the permitting Maria to have one, till her own hour of retiring to rest. She had read this work long since; but now it seemed to open a new world to her—the only one worth inhabiting. Sleep was not to be wooed; yet, far from being fatigued by the restless rotation of thought, she rose and opened her window, just as the thin watery clouds of twilight made the long silent shadows visible. The air swept across her face with a voluptuous freshness that thrilled to her heart, awakening indefinable emotions; and the sound of a waving branch, or the twittering of a startled bird, alone broke the stillness of reposing nature. Absorbed by the sublime sensibility which renders the consciousness of existence felicity, Maria was happy, till an autumnal scent, wafted by the breeze of morn from the fallen leaves of the adjacent wood, made her recollect that the season had changed since her confinement; yet life afforded no variety to solace an afflicted heart. She returned dispirited to her couch, and thought of her child till the broad glare of day again invited her to the window. She looked not for the unknown, still how great was her vexation at perceiving the back of a man, certainly he, with his two attendants, as he turned into a side-path which led to the house! A confused recollection of having seen somebody who resembled him, immediately occurred, to puzzle and torment her with endless conjectures. Five minutes sooner, and she should have seen his face, and been out of suspense—was ever any thing so unlucky! His steady, bold step, and the whole air of his person, bursting as it were from a cloud, pleased her, and gave an outline to the imagination to sketch the individual form she wished to recognize.
Feeling the disappointment more severely than she was willing to believe, she flew to Rousseau, as her only refuge from the idea of him, who might prove a friend, could she but find a way to interest him in her fate; still the personification of Saint Preux, or of an ideal lover far superior, was after this imperfect model, of which merely a glance had been caught, even to the minutiae of the coat and hat of the stranger. But if she lent St. Preux, or the demi-god of her fancy, his form, she richly repaid him by the donation of all St. Preux’s sentiments and feelings, culled to gratify her own, to which he seemed to have an undoubted right, when she read on the margin of an impassioned letter, written in the well-known hand—“Rousseau alone, the true Prometheus of sentiment, possessed the fire of genius necessary to pourtray the passion,
A blank space about ten characters in length occurs here in the original edition [Publisher’s note].