The Tatler, Volume 1. Джозеф Аддисон
to Blackmore, author of this poem, in No. 14. Sir Richard Blackmore (died 1729) was a Whig physician who wrote epics on religious and other subjects, and was often at loggerheads with the actors and wits. Though he was not a poet, Addison and Steele praised him on account of the religious tone of his work (see
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Vanderbank, or as his father sometimes wrote his name, Vandrebanc, was a son of Peter Vanderbank, a Parisian, who came into England with Gascar the painter, about 1674, and died at Bradfield, in Hertfordshire, in 1697. His father was admired for the softness of his prints, and still more for the size of them, some of his heads being the largest that had then appeared in England; but the prices he received by no means compensated for the time employed on his works, and he was reduced to want, and died at the house of Mr. Forester, his brother-in-law. After his death, his widow sold his plates to one Brown, a print-seller, who made a great profit by them. His eldest son had some share in the theatre at Dublin; the youngest, William, was a poor labourer, who gave an account of his father and the family to Vertue. The person mentioned in this paper was probably his father's name-son, and might be, as Walpole conjectures, an engraver. Whatever concern the father might have had in any manufacture of tapestry, he could not be the person meant here, for at this time he had been dead above ten years. The suite of tapestry, in the Duke of Ancaster's sale, with Vanderbank's name to it, mentioned by Walpole, must therefore be supposed to belong to the son, who is said, upon the authority of the French translator of the
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Trick (the early editions have "gigg").
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Waller wrote "Instructions to a Painter" and "Advice to a Painter," and Denham "Directions to a Painter."
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Farquhar's "Beaux' Stratagem," 1707.
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Bickerstaff acted the part of the Captain in Mrs. Centlivre's farce, "A Bickerstaff's Burying; or, Work for the Upholders" (1713), which was dedicated to the "magnificent Company of Upholders, whom the judicious Censor of Great Britain has so often condescended to mention." In the "British Apollo," vol. ii. No. 107 (Feb. 27 to March 1, 1710), is a "New Prologue to 'Don Quixote' for Mr. Bickerstaff's Benefit at the Theatre Royal, spoken by himself." The prologue ends:
In the
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George Powell, actor and dramatist, gave way often to drink. He died in 1714. Addison praised his acting of tragic parts in No. 40 of the
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In a copy of the original edition of the
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Charles Jervas, portrait painter (died 1739), became principal painter to George I. and George II. He also made a translation of "Don Quixote," first published in 1742.
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A translation of Owen McSwiney (1709) from the Italian of Scarlatti.
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In the
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The street cries of 1709 are described in Lauron's "Habits and Cries of the City of London." They included "Any card-matches or save-alls" and "Twelve-pence a peck, oysters."
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Matches made by dipping pieces of card in melted sulphur. In the
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In vol. ii. of Dr. W. King's Works (1776) is "An Essay on the Invention of Samplers, by Mrs. Arabella Manly, schoolmistress at Hackney."
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May Fair was abolished in 1709, after it had on several occasions been presented as a nuisance by the Grand Jury at Westminster. This fair was granted by King James II. under the Great Seal, in the fourth year of his reign, to Sir John Coell and his heirs for ever, in trust for Henry Lord Dover and his heirs for ever, to be held in the field called Brookfield, in the parish of St. Martin's, Westminster, to commence on the first day of May, and to continue fifteen days yearly. It soon became the resort of the idle, the dissipated, and the profligate, insomuch that the peace-officers were frequently opposed in the performance of their duty; and, in the year 1702, John Cooper, one of the constables, was killed, for which a fencing-master, named Cook, was executed. (See also No. 20.) The fair was revived under George I., but was finally abolished through the exertions of the sixth Earl of Coventry.
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William Pinkethman, the popular actor and droll, was spoken of by Gildon as "the flower of Bartholomew Fair, and the idol of the rabble." In June, 1710, he opened a theatre at Greenwich, and in 1711 his "wonderful invention called The Pantheon, or, The Temple of the Heathen Gods," with over 100 figures, was to be seen in the Little Piazza, Covent Garden (
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"It is credibly reported that Mr. D–y has agreed with Mr. Pinkethman to have his play acted before that audience as soon as it has had its first sixteen days' run in Drury Lane" (folio). The play was D'Urfey's "Modern Prophets."
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Britain.
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John, Lord Somers, President of the Council.
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Sidney, Lord Godolphin, the Lord High Treasurer; or (according to the MS. notes in the copy mentioned above) Lord Sunderland.
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Edward, Earl of Orford.
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At La Hogue, 1692.
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Probably Lord Halifax.
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Thomas, Earl of Wharton, Lord Lieutenant of Ireland.
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"Advertisement.—Upon the humble petition of Running Stationers, &c., this paper maybe had of them, for the future, at the price of one penny" (folio). The first four numbers were distributed gratuitously.
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Edward Richard Montagu, styled Viscount Hinchinbroke, who died before his father, on October 3, 1722, was the only son of Edward, third Earl of Sandwich. He was born about 1690, and became colonel of the First Regiment of Foot Guards, and Lord Lieutenant of Huntingdonshire. In 1707, he married Elizabeth, daughter of Alexander Popham, of Littlecot, Wilts, and of Anne, daughter of the first Duke of Montagu. (See Nos.