The Memoirs of Jacques Casanova de Seingalt, 1725-1798. Volume 30: Old Age and Death. Giacomo Casanova
life, from giving the ballet Coriolanus at the theater. Further, he is to collect and deposit all the printed programmes of this ballet."
December 1780. A Report calling to the attention of the Tribunal the scandalous disorders produced in the theaters when the lights were extinguished.
3rd May 1781. A Report remarking that the Abbe Carlo Grimani believed himself exempt, in his position as a priest, from the interdiction laid on patricians against frequenting foreign ministers and their suites. On the back of this Report is written: "Ser Jean Carlo, Abbe Grimani, to be gently reminded, by the Secretary, of the injunction to abstain from all commerce with foreign ministers and their adherents."
Venetian nobles were forbidden under penalty of death from holding any communication with foreign ambassadors or their households. This was intended as a precaution to preserve the secrets of the Senate.
26th November 1781. A Report concerning a painting academy where nude studies were made, from models of both sexes, while scholars only twelve or thirteen years of age were admitted, and where dilettantes who were neither painters nor designers, attended the sessions.
22nd December 1781. By order, Casanova reported to the Tribunal a list of the principal licentious or antireligious books to be found in the libraries and private collections at Venice: la Pucelle; la Philosophie de l'Histoire; L'Esprit d'Helvetius; la Sainte Chandelle d'Arras; les Bijoux indiscrets; le Portier des Chartreux; les Posies de Baffo; Ode a Priape; de Piron; etc., etc.
In considering this Report, which has been the subject of violent criticism, we should bear in mind three points:
first—the Inquisitors required this information; second—no one in their employ could have been in a better position to give it than Casanova; third—Casanova was morally and economically bound, as an employee of the Tribunal, to furnish the information ordered, whatever his personal distaste for the undertaking may have been. We may even assume that he permitted himself to express his feelings in some indiscreet way, and his break with the Tribunal followed, for, at the end of 1781, his commission was withdrawn. Certainly, Casanova's almost absolute dependence on his salary, influenced the letter he wrote the Inquisitors at this time.
"To the Illustrious and Most Excellent Lords, the Inquisitors of State:
"Filled with confusion, overwhelmed with sorrow and repentance, recognizing myself absolutely unworthy of addressing my vile letter to Your Excellencies confessing that I have failed in my duty in the opportunities which presented themselves, I, Jacques Casanova, invoke, on my knees, the mercy of the Prince; I beg that, in compassion and grace, there may be accorded me that which, in all justice and on reflection, may be refused me.
"I ask the Sovereign Munificence to come to my aid, so that, with the means of subsistence, I may apply myself vigorously, in the future, to the service to which I have been privileged.
"After this respectful supplication, the wisdom of Your Excellencies may judge the disposition of my spirit and of my intentions."
The Inquisitors decided to award Casanova one month's pay, but specified that thereafter he would receive salary only when he rendered important services.
In 1782 Casanova made a few more Reports to the Tribunal, for one of which, regarding the failure of an insurance and commercial house at Trieste, he received six sequins. But the part of a guardian of the public morals, even through necessity, was undoubtedly unpleasant to him; and, in spite of the financial loss, it may be that his release was a relief.
III
FRANCESCA BUSCHINI
Intimately connected with Casanova's life at this period was a girl named Francesca Buschini. This name does not appear in any of the literary, artistic or theatrical records of the period, and, of the girl, nothing is known other than that which she herself tells us in her letters to Casanova. From these very human letters, however, we may obtain, not only certain facts, but also, a very excellent idea of her character. Thirty-two of her letters, dated between July 1779 and October 1787, written in the Venetian dialect, were preserved in the library at Dux.
She was a seamstress, although often without work, and had a brother, a younger sister and also a mother living with her. The probabilities are that she was a girl of the most usual sort, but greatly attached to Casanova who, even in his poverty, must have dazzled her as a being from another world. She was his last Venetian love, and remained a faithful correspondent until 1787; and it is chiefly from her letters, in which she comments on news contained in Casanova's letters to her, that light is thrown on the Vienna-Paris period, particularly, of Casanova's life. For this, Francesca has placed us greatly in her debt.
With this girl, at least between 1779 and 1782, Casanova rented a small house at Barbaria delle Tole, near S. Giustina, from the noble Pesaro at S. Stae. Casanova, always in demand for his wit and learning, often took dinner in the city. He knew that a place always awaited him at the house of Memmo and at that of Zaguri and that, at the table of these patricians, who were distinguished by their intellectual superiority, he would meet men notable in science and letters. Being so long and so closely connected with theatrical circles, he was often seen at the theater, with Francesca. Thus, the 9th August 1786, the poor girl, in an excess of chagrin writes: "Where are all the pleasures which formerly you procured me? Where are the theatres, the comedies which we once saw together?"
On the 28th July 1779, Francesca wrote:
"Dearest and best beloved,
" . . . In the way of novelties, I find nothing except that S. E. Pietro Zaguri has arrived at Venice; his servant has been twice to ask for you, and I have said you were still at the Baths of Abano . . ."
The Casanova-Buschini establishment kept up relations, more or less frequent and intimate, with a few persons, most of whom are mentioned in Francesca's letters; the Signora Anzoletta Rizzotti; the Signora Elisabeth Catrolli, an ancient comedienne; the Signora Bepa Pezzana; the Signora Zenobia de Monti, possibly the mother of that Carlo de Monti, Venetian Consul at Trieste, who was a friend to Casanova and certainly contributed toward obtaining his pardon from the Inquisitors; a M. Lunel, master of languages, and his wife.
IV
PUBLICATIONS
Casanova's principal writings during this period were:
His translation of the Iliad, the first volume of which was issued in 1775, the second in 1777 and the third in 1778.
During his stay at Abano in 1778, he wrote the Scrutinio del libro, eulogies of M. de Voltaire "by various hands." In the dedication of this book, to the Doge Renier, he wrote, "This little book has recently come from my inexperienced pen, in the hours of leisure which are frequent at Abano for those who do not come only for the baths."
From January until July 1780, he published, anonymously, a series of miscellaneous small works, seven pamphlets of about one hundred pages each, distributed at irregular intervals to subscribers.
From the 7th October to the end of December, 1780, on the occasions of the representations given by a troupe of French comedians at the San Angelo theater, Casanova wrote a little paper called The Messenger of Thalia. In one of the numbers, he wrote:
"French is not my tongue; I make no pretentions and, wrong or astray, I place on the paper what heaven sends from my pen. I give birth to phrases turned to Italian, either to see what they look like or to produce a style, and often, also, to draw, into a purist's snare, some critical doctor who does not know my humor or how my offense amuses me."
The "little romance" referred to in the following letter to "Mlle.X– C– V–," appeared in 1782, with the title; 'Di anecdoti vinizanimilitari a amorosi del secolo decimo quarto sotto i dogati di GiovanniGradenigoe di Giovanni Dolfin'. Venezia, 1782.
V
MLLE. X . . . C . . . V. .
In 1782, a letter written by this lady, Giustina de Wynne, referring to a visit to Venice of Paul I, Grand Duke, afterward Emperor of Russia, and his wife, was published under the title of Du sejour des Comptes du Nord a Venise en janvier mdcclxxxii. If he had not previously done so, Casanova took this occasion to recall himself to the memory of this lady to whom he had once