The Birthplace. Генри Джеймс

      III

      Gedge not only assented eagerly—one way was quite enough if it were the right one—but repeated it, after this conversation, at odd moments, several times over to his wife. "There can only be one way, one way," he continued to remark—though indeed much as if it were a joke; till she asked him how many more he supposed she wanted. He failed to answer this question, but resorted to another repetition. "There are the facts, the facts," which perhaps, however, he kept a little more to himself, sounding it at intervals in different parts of the house. Mrs. Gedge was full of comment on their clever introductress, though not restrictively save in the matter of her speech, "Me and mother," and a general tone—which certainly was not their sort of thing. "I don't know," he said, "perhaps it comes with the place, since speaking in immortal verse doesn't seem to come. It must be, one seems to see, one thing or the other. I daresay that in a few months I shall also be at it—'me and the wife.'"

      "Why not 'me and the missus' at once?" Mrs. Gedge resentfully inquired. "I don't think," she observed at another time, "that I quite know what's the matter with you."

      "It's only that I'm excited, awfully excited—as I don't see how one can't be. You wouldn't have a fellow drop into this berth as into an appointment at the Post Office. Here on the spot it goes to my head—how can that be helped? But we shall live into it, and perhaps," he said with an implication of the other possibility that was doubtless but part of his fine ecstasy, "we shall live through it." The place acted on his imagination—how, surely, shouldn't it? And his imagination acted on his nerves, and these things together, with the general vividness and the new and complete immersion, made rest for him almost impossible, so that he could scarce go to bed at night and even during the first week more than once rose in the small hours to move about, up and down, with his lamp—standing, sitting, listening, wondering, in the stillness, as if positively to recover some echo, to surprise some secret, of the genius loci. He couldn't have explained it—and didn't in fact need to explain it, at least to himself, since the impulse simply held him and shook him; but the time after closing, the time above all after the people—Them, as he felt himself on the way habitually to put it, predominant, insistent, all in the foreground—brought him, or ought to have brought him, he seemed to see, nearer to the enshrined Presence, enlarging the opportunity for communion and intensifying the sense of it. These nightly prowls, as he called them, were disquieting to his wife, who had no disposition to share in them, speaking with decision of the whole place as just the place to be forbidding after dark. She rejoiced in the distinctness, contiguous though it was, of their own little residence, where she trimmed the lamp and stirred the fire and heard the kettle sing, repairing the while the omissions of the small domestic who slept out; she foresaw her self, with some promptness, drawing rather sharply the line between her own precinct and that in which the great spirit might walk. It would be with them, the great spirit, all day—even if indeed on her making that remark, and in just that form, to her husband, he replied with a queer "But will he though?" And she vaguely imaged the development of a domestic antidote after a while, precisely, in the shape of curtains more markedly drawn and everything most modern and lively, tea, "patterns," the newspapers, the female fiction itself that they had reacted against at Blackport, quite defiantly cultivated.